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1

Piku - Shoojit Sircar Cover Art

Piku

Piku

Piku (Deepika Padukone) is a Delhi based architect who manages her small business,runs her home and takes care of her 70-year old father Bhashkor Banerji (Amitabh Bachchan).A hypochondriac, Piku’s Baba must ensure that he has her attention 24*7 leaving her with little time to do anything else. Romance and getting a life of her own, just don’t seem possible! While both are deeply attached with one another, they are equally strong headed, stubborn and just won’t let go when dealing with each other’s idiosyncrasies and quirks! When Bhashokar emotionally blackmails Piku to take a road trip from Delhi to Kolkata , the owner of the local cab company Rana (Irrfan Khan) has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. During this undesired road trip they learn to deal with each other’s moods and idiosyncrasies and it reveals more than Bhashokar’s bathroom habits. What follows is a heady mix of motion, emotion & commotion which culminates as Piku and Bhaskhor return to their roots in Kolkata, giving us an insight into the father daughter relationship where Bhaskor’s irritating yet endearing demeanor and Piku’s equally headstrong nature may always be at loggerheads but this seemingly crazy relationship is bonded by an understated and an unconditional love that leaves you wanting more.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We MSM Motion Pictures located at , 3rd Floor, Interface Blg No. 7, Off Malad Link Road, Malad (W), Mumbai, Maharashtra 400064 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

2

Gangs of Wasseypur - Anurag Kashyap Cover Art

Gangs of Wasseypur

Gangs of Wasseypur

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Staying true to its real life influences, the film explores the revenge saga through the socio-political dynamic in erstwhile Bihar (North India), in the coal and scrap trade mafia of Wasseypur, through the imprudence of a place obessed with mainstream 'Bollywood' cinema.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

3

Rockstar - Imtiaz Ali Cover Art

Rockstar

Rockstar

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend – great music is borne from great pain. He who hasn’t experienced the pain of heartbreak shall not know the depth and intensity of sublime music.Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.Heer and Janardhan get separated, as she gets married off to Prague. Janardhan’s pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer’s story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

4

Dum Laga Ke Haisha - Sharat Katariya Cover Art

Dum Laga Ke Haisha

Dum Laga Ke Haisha

It is the 1990s, the tape-cassette is dying, CDs will soon be the rage and a regular arranged marriage will turn out to be a perfect mismatch. Prem (Ayushmann Khurrana), a 24 years old high-school dropout and a die-hard Kumar Sanu fan, a shy music buff who runs a tape recording shop in Haridwar. Sandhya (Bhumi Pednekar), a confident 21 year old, and on her way to becoming a teacher, likes to dance to the band tunes at her own wedding. As they get arranged for a marriage and are supposed to spend a lifetime together - and he is still trying to find balance on their scooter ride together. From overcoming his fear of the English language to dealing with an overbearing father (Sanjay Mishra – Ankhon Dekhi), he discovers that his oversized wife, who he thought was a spanner in his spool, will actually lead him to something quite cool.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

5

Devdas - Sanjay Leela Bhansali Cover Art

Devdas

Devdas

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro’s stunning beauty, longs to marry her. But Devdas’ father meets Paro’s mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn’t relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

6

The Ghazi Attack (Hindi Version) - Sankalp Reddy Cover Art

The Ghazi Attack (Hindi Version)

The Ghazi Attack (Hindi Version)

The Ghazi Attack tells the story – which many believe to be the truth but remains classified till this day because this battle was fought and won underwater, before India officially declared war on Pakistan the very next day - on 4th December 1971. This underwater saga unfolds as an epic tale of the unsung heroes aboard the Indian Submarine S-21 who put themselves in the line of fire to defend their nation. It epitomizes the immense courage and undying patriotism of these men in the hard fought battle against the Pakistani submarine PNS Ghazi when it ventured into Indian waters with the ambition of destroying INS Vikrant and conquering the Visakhapatnam port. Despite tremendous odds, these heroes of the Indian Navy destroyed the formidable and technologically advanced Pakistani submarine, PNS Ghazi. The Ghazi Attack, the first full-length submarine film made in India exemplifies the values of the Indian Armed Forces and particularly, the Indian Navy. The Ghazi Attack is a powerful, gritty, fast-paced, war drama with real characters you get to know closely and root for. It a war fought not just with ammunition, but also between the minds of the strategy makers on the two submarines, which keeps one on the edge of their seat. This is also the story of unsung heroes like Capt. Rann Vijay Singh (played by Kay Kay Menon), Lieutenant Commander Arjun Verma (played by Rana Daggubati), Executive Officer Devraj (played by Atul Kulkarni) and every man on the submarine, each coming from different parts of the country, each having a family waiting for him to return and each of them who put his country before him. These men who may not have found a place in the history, but have most definitely found a cherished place in the future of India.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

7

English Vinglish - Gauri Shinde Cover Art

English Vinglish

English Vinglish

English Vinglish is the story of a woman who does not know English and is made to feel insecure by her family and society at large. The film is a lighthearted yet touching and transformational journey of Shashi. Circumstances make her determined to overcome this insecurity, master the language, teach the world a lesson on the way to becoming a self-assured and confident woman.

© 2012 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

8

Jab Tak Hai Jaan - Yash Chopra Cover Art

Jab Tak Hai Jaan

Jab Tak Hai Jaan

Superstar Shahrukh Khan, gives an electrifying performance as Samar Anand, a hard working young immigrant in the city of London, where he glimpses upon the love of his life, a gorgeous angelic looking girl, (Katrina Kaif). They meet and their bond blossoms into love with time spent together. Samar however meets with a serious accident, and Meera vows to God she will leave Samar forever if He allowed him to live again, their love affair ends as quickly as it began. Samar angered with God and fueled with his love for Meera, declares War against Him. Samar Anand vows to walk into the jaws of death everyday as a challenge to God to keep him alive. He becomes Major Samar Anand in the Indian Army, a bomb disposal chief, defusing bombs without ever wearing a bomb suit. It is here that Major Samar also known as ‘the man who cannot die’ meets Akira (Anushka Sharma), a spirited vibrant, ‘today’s generation’ Discovery Channel correspondent with a WTF attitude. Aware of Samar Anand’s story, Akira is determined to unravel the mystery of love in this intriguing story, whilst herself falling hopelessly in love with Samar. Is Akira able to unravel the mysteries of love, does Samar win the battle or then does God surrender to his love? From the legendary and unforgettable director Mr. Yash Chopra, comes an uncompromising film fascinatingly distinctive and contemporary with a visionary passion for true love. Experience this story of love and allow it to recapture your heart...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

9

Hum Saath Saath Hain - Sooraj R. Barjatya Cover Art

Hum Saath Saath Hain

Hum Saath Saath Hain

The story is about the love and affection shared between brothers and unity within a family. Ramkishen (Alok Nath) and his wife Mamta (Reema Lagoo) live with their three sons, Vivek (Mohnish Behl), Prem (Salman Khan), and Vinod (Saif Ali Khan). Prem and Vinod have sweethearts in Preeti and Sapna (Sonali Bendre and Karisma Kapoor), but the eldest son Vivek has always been shy due to a birth handicap. The family meets with Adarsh and his daughter Sangeeta (Rajeev Verma and Tabu), and decide to get Sangeeta and Vivek get married. After their wedding Mamta becomes insecure, assuming that Vivek (her step-son) would become selfish and take over the business. To protect Prem and Vinod, Mamta schemes with Dhanraj (Sadashiv Amrapurkar) to alienate Vivek from the inheritance. This divides the family. Due to the love for his elder brother, Prem quietly revolts against his mother's decision and changes her heart. Hum Saath Saath Hain restores faith in the Indian concept of a joint family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

10

Maine Pyar Kiya - Sooraj R. Barjatya Cover Art

Maine Pyar Kiya

Maine Pyar Kiya

True love is the most powerful thing in the world. One of Indian cinema's biggest hits, Maine Pyar Kiya is the call of two young hearts smitten with love! Prem (Salman Khan) is the son of a multimillionaire, Kishen (Rajiv Verma) and Suman (Bhagyashree) is the daughter of an ordinary motor mechanic, Karan (Alok Nath). When fate brings them together, there develops a mutual liking which soon blossoms into love. Prem and Suman sing and dance, as they dream of a beautiful tomorrow. The dreams seem to be soon turning into reality; Prem's mother is happy to accept Suman as her prospective daughter-in-law. But Kishen, who only knows the language of money, not only injures the loving hearts, but also insults Karan, his childhood friend. What next is in store for the couple in love?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited located at, Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

11

Bajirao Mastani - Sanjay Leela Bhansali Cover Art

Bajirao Mastani

Bajirao Mastani

The heroic Peshwa Bajirao, married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

12

Gully Boy - Zoya Akhtar Cover Art

Gully Boy

Gully Boy

Murad is the 22-year-old son of a driver in Mumbai. His parents have worked to get him educated so that he could find a white-collar job. Instead, he finds a love for hip-hop and comes of age while using his music to highlight inequalities.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

13

Dilwale Dulhania Le Jayenge - Aditya Chopra Cover Art

Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge

When Raj (Shahrukh Khan) & Simran (Kajol) first met on an inter-rail holiday in Europe, it wasn't exactly Love at first sight...but when Simran is taken back to India for an arranged marriage, Love makes its presence felt. Encouraged by his father Dharamvir (Anupam Kher - Bend it like Beckham & ER), Raj decides to fly down from London to not just win his Bride but her whole family and the blessings of her father Baldev Singh (Amrish Puri - Indiana Jones & Temple of Doom). All this while the celebrations for her wedding are in full swing. The longest running film in Indian Cinema released on 20th October 1995 and is still showing in Mumbai (India). It won every major award in the year of release & Shahrukh Khan shot to superstardom with this film and it defined the term "Bollywood".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

14

Padosan - Jyoti Swaroop Cover Art

Padosan

Padosan

Padosan 1968, is the hilarious story of how destiny brings two opposites together. Bhola - Sunil Dutt is a straightforward and unlettered village bumpkin while Bindu - Saira Bano is a modern and educated rich girl who is independent of spirit and highly accomplished in the arts. While Bhola falls in love with Bindu, she ridicules him and only feels contempt for him. Her music teacher - Mehmood encourages her to heap more insults at Bhola.A heartbroken Bhola turns to Guru - Kishore Kumar who runs an amateur theatre company with his motley bunch of artistes and singers. Guru devises ingenious tricks whereby Bhola is able to impress Bindu. A laugh-riot that will have you roll of your sets with mirth, 'Padosan' also boasts of super-hit songs, including the unforgettable 'Mere Samne Wali Khidki Mein', 'Ek Chatur Naar' and 'Meri Pyari Bindu'.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers located at, B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

15

Guru - Mani Ratnam Cover Art

Guru

Guru

A school-teacher in India sires a son named Gurukant, but is disappointed as the child fails to live up to his high expectations. When Gurukant grows up, he is unable to secure decent employment in India, so finds a way to go to Turkey, where he finds employment. When he returns back to India, he wants to start his own business, but is unable to do so, as he does not have enough money. So he does some research, gets to meet Sujata, the daughter of a wealthy man named Jignesh, and marries her. After the marriage, Gurukant finds out that Sujata has a dark past, but he ignores this - for his one motive is to be to rise in the eyes of his father - and get rich.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

16

Mausam - Pankaj Kapur Cover Art

Mausam

Mausam

Mausam, a love story in its first season start with mere adolescent attraction between a Punjabi boy Harry, and a Kashmiri girl Aayat, in a small village of Punjab. It develops into young love between them in season two. Their love realizes its own depth in the hours of separation throughout season three. In the fourth and final season their love culminates into togetherness, but not before sacrificing a lot personally and learning the truth behind universal love. It is a passionate love story that sees, as its background various shades of life, questioning us and yet not becoming indulgent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

17

Queen - Vikas Bahl Cover Art

Queen

Queen

Rani, a Punjabi girl, belongs to a conservative family. Two days before her wedding, her fiancé Vijay refuses to marry her. She decides to take control of her life and goes alone on her pre-booked honeymoon to visit her favorite places, Paris and Amsterdam. In Paris, she meets Vijayalakshmi, who becomes her friend and confidante and shows her around Paris. Once while shopping, Rani tries out what she considers to be a revealing outfit and accidentally sends a selfie of her in it to Vijay instead of Vijayalakshmi. The selfie prompts Vijay to begin searching for her. Later in Amsterdam, she gets horrified to know her room is shared with three guys. The four become good friends and explore the city. Rani’s character gains self confidence. Eventually, Vijay apologizes and asks her to reconsider the relationship, but in vain. Upon returning to India, she meets up with Vijay at his house. She simply hands him her engagement ring and thanks him. Rani leaves his house relieved and relaxed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

18

Swades - Ashutosh Gowariker Cover Art

Swades

Swades

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

19

Baahubali - The Beginning (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Hindi Version)

Baahubali - The Beginning (Hindi Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena and during their escape, uncovers the truth behind his mysterious past. A flashback unfolds here with King Vikramadeva of Mahishmati passing away suddenly, leaving behind an empty throne and an orphaned son, Bahubali. The kind and righteous Sivagami, wife to Bijjaladeva and biological mother to Bhalladeva, goes onto adopt her nephew and raises him as her own. This decision however, bears consequences; having to share his mother’s love and the status of a crown prince, Bhallaladeva secretly grows to be highly jealous of and hateful toward Bahubali. His resentment further grows when his mother chooses Bahubali as the King of Mahishmati. After establishing that Shivudu is in fact the son of Bahubali and Devasena, the film ends in a cliff-hanger, leaving the audience wondering about the death of Bahubali.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

20

Befikre - Aditya Chopra Cover Art

Befikre

Befikre

"Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor).A feisty romance ensues between the two in which both of their personalities - one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

21

Gangs of Wasseypur II - Anurag Kashyap Cover Art

Gangs of Wasseypur II

Gangs of Wasseypur II

Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faisal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

22

Azhar - Tony D'Souza Cover Art

Azhar

Azhar

Azhar is based on the life and times of former Indian cricket captain Mohammed Azharuddin, who ends up becoming India's most controversial sportsperson of the 1990's. From setting world records to getting embroiled in the first ever match-fixing scandal the country witnessed, the film traces Azhar's insurmountable highs and his tremendous lows. We witness the metamorphosis of the man who not only enjoys a flamboyant life style but also becomes accustomed to the adulation of fans and the media, as he rises to be captain of the most watched sport in the Indian diaspora. Even as he is set to create a record of having played 100 test matches, the biggest twist in his career comes when he is accused of being involved in the match-fixing scandal. This goes on to cut short his brilliant career, bringing him much shame and ignominy. From being labelled a living legend, Azhar becomes the prime accused. How that change happens and what Azhar goes through when faced with life-damning allegations form the crux of the story. The movie gives us an inner view of the cricketing hero who fell from grace and changed the gentleman's game forever.

© 2016 Sony Pictures Networks Pvt. Ltd. & Balaji Motion Pictures Ltd., All Rights Reserved.

23

The Attacks Of 26/11 - Ram Gopal Varma Cover Art

The Attacks Of 26/11

The Attacks Of 26/11

Never in the history of the world were there more terrifying attacks than those that happened on 9/11 in New York... but in the sheer audacity of their execution, the attacks of 26/11 on Mumbai were far more shocking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hum Aapke Hain Koun...! - Sooraj R. Barjatya Cover Art

Hum Aapke Hain Koun...!

Hum Aapke Hain Koun...!

Although Nisha falls for Prem, she agrees to marry his older brother for the good of their families. But fate may have other plans for the lovebirds.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

25

Saajan - Lawrence D'Souza Cover Art

Saajan

Saajan

Rich and wealthy Akash Verma befriends poor, orphaned, crippled Aman. Akash introduces Aman to his parents, and they adopt him and give him their family name. Akash and Aman grow up as brothers. While Akash is a womanizer, Aman gets to writing poems under the name of Sagar, which gets published, and he becomes very popular. One of his fans is a young woman by the name of Pooja Saxena, and they correspond through letters with each other over the next few months. Gradually, Aman falls in love with her. However, when Akash meets Pooja he falls head over heels in love with her also. When Aman comes to know of this, he asks Akash to pose as Sagar, which he does, and both Pooja and Akash fall in love with each other, while a heartbroken Aman looks on. He knows that although women may like his poems, no girl will love him when they see his handicap.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

26

Veer - Anil Sharma Cover Art

Veer

Veer

From the misty pages of history comes a story of extreme valor, fierce pride, and poignant love. As the British enslave India with their devious divide and rule policy, kings and nawabs fall to their guile and cunning, and entrust their precious kingdom to the foreigners. Except for the brave Pindaris, who prefer death to dishonor and will fight to their last breath to save their land. The bravest, toughest, and strongest of the Pindaris is Veer. As Veer takes on the might of the British Empire, he also has to fight the conniving King of Madavgarh as well his own jealous tribesmen, but the stakes are high. At stake is his love for Princess Yashodhara, daughter of his sworn enemy, his thirst to avenge his father’s dishonor, and his very existence itself. Cannons roar, swords clash in fierce battle, and the dead pile up. When the dust settles onto the blood soaked land, one valiant warrior stands head and shoulders above them all: Veer! Veer is an epic saga of bravery, drama, treachery, and love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Aur Pyar Ho Gaya - Rahul Rawail Cover Art

Aur Pyar Ho Gaya

Aur Pyar Ho Gaya

Aashi’s (Aishwarya Rai) marriage has been arranged with a rich garment chain owner. However, she is not prepared to plunge into an arranged marriage unless she checks out the man herself! So she heads to Switzerland where she meets another man, Bobby Oberoi (Bobby Deol), who claims to be her husband-to-be and falls in love with him. Realising the seriousness of the situation, Bobby decides to come clean. He tells her the truth. Aashi feels betrayed and tells him to stay away from her. Aashi soon understands her love for Bobby and they reunite. They decide to get married on returning to India. Their love story takes a turn when Bobby’ mother, who is a General Manager in a bank refuses to cover Aashi’ dad’s high-risk stock trade leading to his arrest. The marriage is called off and Aashi reluctantly agrees to marry her dad’s friend’s son.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Indra the Tiger (Dubbed) - Gopal B. Cover Art

Indra the Tiger (Dubbed)

Indra the Tiger (Dubbed)

Shankarnarayan is a zamindar in a village near Hyderabad. His name is "Indra". The village people treat him as God. Indra cares for people, and helps everyone in many ways. In the same village lives another Zamindar family of Shivnath, his sons Veershankarnath his four brothers and daughter Sneha. Indra and Veerashankarnath's families are enemies. Seeing Indra's nature and bravery, Sneha starts loving Indra. Indra wishes to construct a dam for his village people, and he approaches District collector for the same. The collector informs him that the place where the dam has to be constructed belongs to Veerashankarnath’s family. Indra is ready to buy the land for the dam at any cost. Veerashankar and his brothers ask Indra to write off his whole property and leave the village in return for their land. What happens next forms the rest of the plot.

© 2002 Eros International

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Andaz Apna Apna - Rajkumar Santoshi Cover Art

Andaz Apna Apna

Andaz Apna Apna

Andaz Apna Apna is a story of two boys Amar (Aamir Khan) and Prem (Salman Khan) who want to get rich quickly by taking all the short-cuts in the book. Amar is the son of an honest barber Murli Manohar (Deven Verma) in Mumbai, while Prem is the son of Bankeylal Bhopali (Jagdeep), a hardworking tailor in Bhopal. Both Amar and Prem are two conmen with no money, few prospects and big dreams. They meet a beautiful wealthy heiress Raveena (Raveena Tandon) who has come from London accompanied by her friend cum secretary Karishma (Karishma Kapoor) with the intention of getting married to a virtuous Indian. The lucky man to wed Raveena will inherit her father Ram Gopal Bajaj's (Paresh Rawal) entire wealth. Amar and Prem try their chances and woo Raveena, each trying to outdo the other. Teja (Paresh Rawal in a double role) who's sole ambition in life has been to grab his twin brother Ram Gopal Bajaj's millions. As the story progresses it turns out to be a mad chase from Ram Gopal Bajaj's wealth, full of humor, romance thrills and chills.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Traffic - Rajesh Pillai Cover Art

Traffic

Traffic

The story of Traffic, takes place over the course of a single day and is inspired by a real-life incident from Chennai, as shown in the credits. In Pune, superstar Dev Kapoor's daughter is sick and needs an urgent heart transplant. Elsewhere in Mumbai, trainee journalist Reyhan meets with an accident and is declared clinically dead. Reyhan's parents decide to donate his heart to Dev's daughter. However, rains and low visibility conditions make it impossible to transport the heart by air and the only option is to traverse the 150 km by road. Though initially apprehensive, Joint Traffic Commissioner Raghubir Singh accepts the challenge and seeks a volunteer from among his men to drive at 120 kph, through the busy Mumbai streets. Disgraced traffic constable Godbole (who has just rejoined the force after being suspended for taking a bribe to help his sister) puts up his hand and thus begins the journey. He is joined by Reyhan's friend Rajeev and Dr Abel, a surgeon, who is battling his own personal demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Baahubali - The Beginning (Telugu Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Telugu Version)

Baahubali - The Beginning (Telugu Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dear Zindagi - Gauri Shinde Cover Art

Dear Zindagi

Dear Zindagi

Kaira is a budding cinematographer in search of a perfect life. Her encounter with Jug, an unconventional thinker, helps her gain a new perspective on life. She discovers that happiness is all about finding comfort in life's imperfections.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hum Tum - Kunal Kohli Cover Art

Hum Tum

Hum Tum

Life is not always like the movies. Love isn’t always at first sight. Very often, a relationship develops slowly and it takes many years between “boy meets girl” and “boy gets girl”. Hum Tum is a refreshing look at the eternal battle of the sexes as it follows the lives of Karan (Saif Ali Khan) and Rhea (Rani Mukerji). Karan is a cartoonist and his character “Hum” and “Tum” reflect his perspective on the strange love-hate relationship between men and women. Rhea is sensitive, well bred and self confident. She can give as good as she gets and is not afraid of standing up to men. Initially, the two have very little in common. But, as life would have it, their paths keep crossing and, over the course of a decade, their relationship evolves, from hate to mutual respect, friendship and finally... In a cinematic universe that offers simplistic scenarios to the complex relationship between men and women. Hum Tum is a novel look at the trials and tribulations of “every man” and “every woman” and their attempts to understand one another.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Raees - Rahul Dholakia Cover Art

Raees

Raees

RAEES is the fictitious story of a man named Raees (Shah Rukh Khan), set in early 1980’s to 1990’s Gujarat, India. The film explores how Raees' relationships and meteoric rise helped him build an entire empire from scratch, to make him the single most powerful man in the state. Less of a gangster but more of an impresario, Raees gains popularity, a cult following and most importantly the public's trust by demonstrating entrepreneurial flair, unfettered determination to achieving his goals and ironically a heart of gold. His layered character traits encapsulates an inimitable blend of personas, making him revered, loved and feared. Always thinking ahead of the curve and using revolutionary ideas of management which were unheard of during his time, but are now doctrines for students, Raees eliminates every opposition that comes his way. However, his downfall will be crossing paths with the no-nonsense police officer Majumdar, whose sole reason for existence is the elimination of crime. What ensues next is a tumultuous battle between the two, which forms a key defining element of the film’s narrative.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at lot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dhoom:2 - Sanjay Gadhvi Cover Art

Dhoom:2

Dhoom:2

The world’s oldest desert, the Namib - A solitary railway line... A royal family on a royal journey. From the sky... like lightening... A flash... the centuries old royal crown is stolen. Back in action... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali’s (Uday Chopra) dream of becoming a police officer has come true. He is now ACP Jai Dixit’s (Abhishek Bachchan) right hand man. Together they are trying to keep a tight leash on the crime in India, little do they know what they are going to be up against. Enter Aryan - Mr.A (Hrithik Roshan) A high tech international thief after pulling off a series of impossible heists all over the world. His next target is Mumbai, India. The case is given to ACP Jai Dixit and Ali helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu). For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai Mr.A finds his match in Sunehri (Aishwarya Rai). A petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership Aryan accepts. And so the game begins. The cops, Jai, Shonali and Ali and they are after Aryan and Sunehri - The Robbers. From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to wild and exotic Rio Brazil. Does ACP Jai Dixit manage to nab Mr.A? Go on! Enjoy the ride!! Once again!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Raanjhanaa - Aanand L. Rai Cover Art

Raanjhanaa

Raanjhanaa

The first love in anyone’s life holds a special place especially if the memory is filled with the vibrant musings of the city that you grew up in. Benaras holds a special place in Kundan’s heart, because not only did he grow up as a typical, God fearing, shiv bhakt-Pandit but also because it was the city that gave him Zoya.Quiet and beautiful with mischievous eyes, Zoya was the girl of his dreams. She was like a breath of fresh air the first time he saw her on the busy streets, sitting regally in a Tonga. He would follow her everyday to the bazaar, back to her house till one day he mustered the courage to speak to her and tell her his true feelings - his 13 year-old heart, smitten by her simplicity. She, of course, didn’t take him seriously and brushed him off. Time passed by and Zoya moved to Delhi to study further.Love they say is a feeling that only grows stronger with time and Kundan’s love for Zoya never diminished, he carried his feeling all through college and his heart flipped when Zoya came back to his town. With Zoya back in Benaras, Kundan’s world was filled with excitement as he was thinking of finally telling her how he felt. Zoya finally met Kundan and confessed her true feelings to him. She was in love!She was in love with Akram, a college friend from DU, and he was the love of her life. She wanted Kundan’s help in marrying him. His world shattered and his heart broke a million pieces, the rage that Kundan felt was inexplicable. He was torn between his true feelings for Zoya and his heart’s pleas to help her get her true love because who could understand that pain better than him.He sets out to unite her with Akram, and what follows is a tale of love, betrayal, redemption, and healing set against the very rooted town of Benaras and the upbeat political environs of Delhi. Raanjhanaa is the story of Kundan, his journey from a 13 year-old boy in love who goes on to become a committed, spirited young man, who’s experiences in life made him the person he is today.It’s the story of love!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Poorna - Rahul Bose Cover Art

Poorna

Poorna

The true story of the youngest girl in history to climb Mt Everest – a 13 year old tribal girl and her astonishing journey from a village in Telangana to the top of the world.

© Statutory declaration under section 52A of the Copyright Act,1957 : We (Rahul Bose Productions) located at B 402,New Sagar Darshan, Dr E Hastikar Marg, Prabhadevi, Mumbai 25 hereby declare that we are the owners of the copyright for distributing this cinematography film having the necessary consent and license of the film.

38

Junoon - Mahesh Bhatt Cover Art

Junoon

Junoon

The movie involves an irreversible curse where the antagonist transforms into a tiger to kill people every full moon night. Making the best out of the situation, he submits willingly to the evil curse growing in him, well aware that he is dangerous to everybody around him. What happens when his wife finds out about his curse and that he escapes every night to hunt as a tiger?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We Vishesh Films.,Located at, 402, 4th Floor, Durga Chambers, V Patel Road, Khar West, Mumbai - 400052., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

39

Paheli - Amol Palekar Cover Art

Paheli

Paheli

A folk tale - supernatural love story about a ghost who falls in love with a newlywed woman.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, RED CHILLIES ENTERTAINMENTS PRIVATE LIMITED located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai 400 054 hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

40

Miss Lovely - Ashim Ahluwalia Cover Art

Miss Lovely

Miss Lovely

Delving deep into the underbelly of India’s film industry, where back-alley producers churn out everything from pulpy horror movies to soft-core porn, Miss Lovely is a wild ride that takes us back to the Mumbai of the 1980s with lurid detail and intoxicating style.Working out of sleazy hotels and abandoned warehouses, brothers Sonu (Nawazuddin Siddiqui) and Vicky (Anil George) are prolific producers of trashy, C-grade films for Mumbai’s booming underground market. The ambitious, domineering Vicky is the unquestioned brains of the operation, leading the dim-witted Sonu deeper into a world of alcoholic divas, sleazy money men and movie-loving gangsters. But this precarious partnership is put to the test when the brothers meet Pinky (Niharika Singh), an exquisite ingénue with a shady past.With its near cubist attitude, baroque self-­‐ reflexivity and total disregard for genre conventions, Miss Lovely operates like a joyfully mutilated Bollywood parable, punctured by influences of the Japanese New Wave.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Future East Film located at 8 CARMICHAEL ROAD, MUMBAI-400026, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Jhoom Barabar Jhoom - Shaad Ali Sahgal Cover Art

Jhoom Barabar Jhoom

Jhoom Barabar Jhoom

London, an overcrowded cafe, one table to share. Two strangers tell each other “how I met my fiancé” stories to kill time. Rikki (Abhishek Bachchan) met his fiance Anaida (Lara Dutta) at the Ritz in Paris and Alvira (Preity Zinta) met her prince charming Steve (Bobby Deol) at Madame Tussauds in London. Stories unfold and by the end of their session the two have alarmingly gotten attracted to each other. What follows is a crazy love story full of lies, deceits and a complicated quadrangle - Rikki and Alvira have gotten themselves as well as Anaida ad Steve in to a lovely mess, where each of them have to think quick on their feet, dancing around each other’s emotions playing musical chairs & lying through their teeth. If opposites attract - then this is it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

42

Mere Brother Ki Dulhan - Ali Abbas Zafar Cover Art

Mere Brother Ki Dulhan

Mere Brother Ki Dulhan

"Mere Brother Ki Dulhan" is a quirky romantic comedy set in the world of the upper middle class in Northern India. Kush Agnihotri (Imran Khan) is looking for the ideal Indian bride for his brother Luv Agnihotri (Ali Zafar) who stays in London. In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple Dixit (Katrina Kaif), the craziest / wackiest girl he has ever known. Both the families meet. Formalities completed. Preparations proceed in full swing. And just then, our hero Kush falls in love with Dimple... his brother's dulhan. What follows is a comical and unpredictable series of events in this unusual topsy-turvy tale of love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sultan - Ali Abbas Zafar Cover Art

Sultan

Sultan

Sultan is a story of Sultan Ali Khan (Salman Khan) - a local wrestling champion with the world at his feet as he dreams of representing India at the Olympics. It’s a story of Aarfa (Anushka Sharma) - a feisty young girl from the same small town as Sultan, with her own set of dreams. When the 2 local wrestling legends lock horns, romance blossoms and their dreams and aspirations become intertwined and aligned. However, the path to glory is a rocky one and one must fall several times before one stands victorious. More often than not, this journey can take a lifetime. Sultan is a classic underdog tale about a wrestler's journey, looking for a comeback by defeating all odds staked up against him. But when he has nothing to lose and everything to gain in this fight for his life match... Sultan must literally fight for his life. Sultan believes he’s got what it takes... but this time, it’s going to take everything he’s got. "Wrestling is not a sport, it's about fighting what lies within" - SULTAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Baahubali 2: The Conclusion (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Hindi Version)

Baahubali 2: The Conclusion (Hindi Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

45

Ae Dil Hai Mushkil - Karan Johar Cover Art

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil is the ultimate story of unrequited love... the shapes and forms it takes and the highs and lows of the characters' lives. We follow the journey of Ayan Sanger, the sweet, quirky son of an industrialist, who nurtures a hidden passion for singing... Alizeh, the charming and funny, but neglected youngest daughter in a daunting family of aristocrats... Saba, the stunningly beautiful divorcée, who pours her pain into her poetry. How the three characters' lives intertwine and connect and how they find closure in the romantic and unromantic forms the crux of this film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Yeh Jawaani Hai Deewani - Ayan Mukerji Cover Art

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani is the story of four characters, Bunny (Ranbir Kapoor), Naina (Deepika Padukone), Aditi (Kalki Koechlin) and Avi (Aditya Roy Kapur) at two separate but defining times in their lives; First, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they will become... and then later on, in their late twenties when they reunite at the wedding of the first of their bunch, now holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... YJHD is a cocktail of all the encounters and obsessions that form the exhilarating and terrifying journey of youth... an effort to somehow capture the spirit of the lives of these four characters as they navigate life, love and their search for what truly gives their lives meaning.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai - 400052, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kapoor and Sons (Since 1921) - Shakun Batra Cover Art

Kapoor and Sons (Since 1921)

Kapoor and Sons (Since 1921)

Kapoor and Son’s since 1921 is a dramedy that sure knows how to put the fun in “dysfunction”. Rahul and Arjun, two estranged brothers are forced to return to their childhood home when their 90 year old Grandpa gets a heart attack. While living under one roof, family secrets unravel and misunderstandings are on the verge of turning into tragedy. What follows is what families are made of ... chaos, humor, heartache and redemption. Can the Kapoors get past the lies and betrayal? Can they forgive and forget? Can these imperfect people come together, to make the perfect family?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jolly LLB 2 - Subhash Kapoor Cover Art

Jolly LLB 2

Jolly LLB 2

Jagdishwar Mishra aka Jolly (Akshay) starts out as a prominent lawyer’s sidekick in Kanpur. Driven by ambition, he hoodwinks a pregnant widow, Hina Siddique (Sayani Gupta) on the lookout for justice. He lands the murder case of her husband, but when she realizes he is a fraud, she kills herself. Leaving Jolly with a guilt on his conscience and an unresolved case in his hands. Now, he wants justice more than ever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Sui Dhaaga - Made In India - Sharat Katariya Cover Art

Sui Dhaaga - Made In India

Sui Dhaaga - Made In India

"Sui Dhaaga - Made in India" is a heart-warming story of pride and self-reliance, which finds its roots in the heart of India and reflects the passion that runs through the veins of every single Indian. Taking the message of "Made in India" forward, the film modestly tries to bring back our traditional art forms and handicrafts in focus. Through Mauji (Varun Dhawan) & his wife Mamta (Anushka Sharma), the film talks about the need of social entrepreneurship as a tool for social and economic development of our artisans, living their life in the margins due to the changing times. Set in a small town in India, the film encapsulates the journey of an honest man from a humble background, who pursues his passion, overcoming all odds and soon finds himself on the cover of an international magazine with the world taking note and appreciating his talent. A clean family entertainer, the film emphasizes virtues like honesty, self-respect and community living.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Badrinath Ki Dulhania - Shashank Khaitan Cover Art

Badrinath Ki Dulhania

Badrinath Ki Dulhania

Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. Badrinath Ki Dulhania is the story of these two opposites. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. But ultimately it’s a film about understanding and realization. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Here in lies the essence of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Te3n - Ribhu Dasgupta Cover Art

Te3n

Te3n

Eight years since the death of his granddaughter, John Biswas hasn't moved on like the rest of the world. Angela was found dead after an unsolved kidnapping. John, in hope of finding her kidnapper, diligently pursues the truth and orchestrates his own investigation after official channels fail. Father Martin Das, an ex-cop who failed to locate the kidnapper is weighed down by guilt and finds solace in sermons and dogma. He occasionally guides John, in hopes of repenting for his past. A young boy named Rony is abducted from the same place as Angela and her closed case returns to limelight when Sarita Singh deduces that the manner of both the kidnappings is concordant. Spurred by the fresh developments John and Martin regain renewed fervour and dig further into the mystery. John pieces together all the bits of information available in hopes of finding the true identity of this child kidnapper and if possible, some long awaited closure and peace. But as John, Martin and Sarita find out, there's more beneath the surface.

© 2016 Reliance Entertainment Pvt. Ltd., All Rights Reserved.

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Meri Pyaari Bindu - Akshay Roy Cover Art

Meri Pyaari Bindu

Meri Pyaari Bindu

Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making. This writer’s block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to”. So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love. He realizes, that love, is neither time- nor place-dependent…. All we need is the right person next to us and of course the right soundtrack.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Begum Jaan - Srijit Mukherji Cover Art

Begum Jaan

Begum Jaan

The story of eleven prostitutes who refuse to part ways with their brothel and each other during the partition between India and Pakistan.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We Vishesh Films.,Located at, 402, 4th Floor, Durga Chambers, V Patel Road, Khar West, Mumbai - 400052., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Tiger Zinda Hai - Ali Abbas Zafar Cover Art

Tiger Zinda Hai

Tiger Zinda Hai

Inspired by real events, Tiger Zinda Hai is a sequel to the blockbuster Ek Tha Tiger, and an espionage action drama that follows a daring rescue mission in Iraq. When a group of Indian and Pakistani nurses are held hostage in Iraq by the militant Abu Usman, Indian intelligence (RAW) tracks down the reclusive agent Tiger 8 years after he fled with former Pakistani intelligence (ISI) agent Zoya. Joining forces in the name of humanity, Tiger and Zoya lead a team of RAW and ISI agents to covertly enter the hospital where the nurses are trapped, and get the nurses to safety before an American airstrike blows up the hospital. Tiger Zinda Hai is an all-out entertainer with gritty action, music and drama.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Titli - Kanu Behl Cover Art

Titli

Titli

In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams. They form a strange, mutually exploitative pact to break the stranglehold of their family roots. But is escape the same as freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mubarakan - Anees Bazmee Cover Art

Mubarakan

Mubarakan

Karan and Charan are identical twin brothers, but their personalities are polar opposites. Karan has grown up in London while Charan was raised in Punjab. Karan is street-smart, calculative and flamboyant while Charan is simple, idealistic and honest in his approach. Karan is in love with Sweety while Charan is in a relationship with Nafisa. Karan's family fixes Karan's wedding with Binkle, daughter of one of the wealthiest families in London. He convinces his family to fix the match with Charan instead. The respective families are happy with this development except Charan because he wants to marry Nafisa.

© 2017 Sony Pictures Networks Productions, All Rights Reserved.

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Baahubali - The Beginning (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Tamil Version)

Baahubali - The Beginning (Tamil Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Raazi - Meghna Gulzar Cover Art

Raazi

Raazi

Set in 1971, when the winds of war were blowing between India and Pakistan, Raazi – an adaptation of Harinder Sikka’s novel “Calling Sehmat” – is a true-life story involving a 20-year-old Kashmiri girl. Sehmat, a Delhi University student, is suddenly called back home to Kashmir by her parents. Her father Hidayat Khan, an influential businessman, has close ties with the Pakistani army. He has fixed Sehmat’s marriage with a Pakistani Brigadier's son. Hidayat Khan is also an asset for the Indian Intelligence and the real reason for Sehmat's marriage is a covert mission: Sehmat is to be sent as a spy into a Pakistani military family and source out all the information that she can get on Pakistan’s strategy in the impending war. Sehmat accepts her fate and is ready to do anything that is required for the country. Sehmat enters the new family and a new country on a mission for her motherland.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 2201 and 202, 2nd Floor, Supreme Chambers, Off Veera Desai Road, 17/18 Shah Industrial Estate, Andheri (W), Mumbai- 400053, India, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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OK Jaanu - Shaad Ali Cover Art

OK Jaanu

OK Jaanu

OK, Jaanu is a contemporary tale of 21st-century urban young romance mapped out in Mumbai and weaves its lyrical tale through the fabric of the city’s drastically bipolar persona. Adi (Aditya Roy Kapur) is a young game designer from Lucknow who dreams of emigrating to the US and living the American dream. He comes to Mumbai to work at a start-up game development firm. He plans to stay at an elderly couple’s home as a paying guest. Gopi (Naseeruddin Shah), an ex-High Court Judge had worked with Adi’s brother, Ravi. He is a straight-laced, somewhat strict old man. His wife Charu (Leela Samson), an erstwhile Hindustani classical singer is a cheerful, witty and quirky lady whose memory is fast fading away due to Alzheimer’s. Adi gradually strikes a bond with them, integrating into their lives. At a chance encounter during his friend’s wedding, he meets Tara (Shraddha Kapoor). She is a recent architecture school graduate working in an architecture firm. She dreams of going to Paris to pursue higher education. The cheerful banter soon gives way to a conversation where both Adi and Tara realize that they strongly feel that marriage isn’t for them. They are happy to find a kindred soul in each other who feels just the same. They ask each other out for coffee and start hanging out more often. They have fun in each other’s company. They both sense the palpable attraction but consciously try to keep a distance as they think the constant proximity can only lead to one thing but they find themselves drawn to each other and are unable to stay apart…and despite their conservative backgrounds, the relationship transcends into a physical one. Tired of hooking up secretly in her women’s hostel room they decide they want to move in together till they go their respective ways to America and Paris. Adi brings Tara to meet Gopi and get his permission. Gopi, the more old-fashioned one flat out dismisses the idea as absurd. As Adi tries to convince him, Tara strikes a chord with Charu over their shared love of music. Charu warms up to the young couple and that clears the way for Adi and Tara to stay in their house. Tara moves in with Adi into his PG to live in together. Tara’s mother and Adi’s family eventually get to know they are living in together and pressure mounts from them to get married. However, Adi and Tara steadfastly refuse to do so. Tara’s admission to a university in Paris comes through, which means she has to leave after summer. Adi’s game pitch gets approved. This is a big break through. Adi has to leave for the US in the coming 10 Days. With only 10 days left and parting imminent, Adi and Tara are forced to confront some matters of the heart. Living in together was always meant to be a stop-gap arrangement but an incident with the elderly couple forces them to relook at their lives and future.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Baahubali 2: The Conclusion (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Tamil Version)

Baahubali 2: The Conclusion (Tamil Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Chak De India - Shimit Amin Cover Art

Chak De India

Chak De India

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality. The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India? The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible. Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can. CHAK DE INDIA is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. The Film became a cult classic and won its leading man the National Award and put the Indian National Sport “Hockey”, back on the map.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Cocktail - Homi Adajania Cover Art

Cocktail

Cocktail

Gautam (Saif Ali Khan) is the quintessential bachelor enjoying the fruits of being single. He flirts harmlessly with women and stays far away from commitment. His best friend Veronica (Deepika Padukone) also lives life by the minute, enjoying it to its fullest. Into their lives comes Meera, a coy Indian girl jilted by her lover, alone in a unknown land, looking for shelter and friendship. The three become friends and start living together. Things become complicated when friendship turns into lust, then into love, and the three find themselves in a cocktail of life and relationships.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kabhi Khushi Kabhie Gham - Karan Johar Cover Art

Kabhi Khushi Kabhie Gham

Kabhi Khushi Kabhie Gham

Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali's unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them...He then tries to bring father and brother together...Its all about Loving your Parents

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Prem Ratan Dhan Payo - Sooraj R. Barjatya Cover Art

Prem Ratan Dhan Payo

Prem Ratan Dhan Payo

Yuvraj Vijay Singh (Salman Khan) a prince of Pritampur, is soon to be crowned as king and is engaged to Princess Maithili (Sonam Kapoor). His step-brother Yuvraj Ajay Singh (Neil Nitin Mukesh) wants to kill him and take the crown. Yuvraj Vijay barely escapes a plan coordinated by Yuvraj Ajay to kill him and he's hidden in a secret chamber. Meanwhile, Vijay's lookalike Prem Dilwale (Salman Khan) a perky, lively and carefree stage actor falls in love with Princess Maithili, reaches Pritampur to meet her. The Security Head of Pritampur Palace, Sanjay (Deepraj Rana) notices him by chance, and takes him to Diwan Sahib (Anupam Kher). Upon witnessing the striking resemblance he and Yuvraj Vijay come up with the plan that Prem take Yuvraj Vijay's place while Yuvraj recovers in a hideout. Prem acts as Yuvraj Vijay but with his simple and caring nature, impresses Maithili who earlier wanted to break up with Vijay. The truth reveals itself and Maithili is shocked to know the truth about Prem.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Productions (P) Limited, 422, 1st floor, Bhavana Building, Veer Savarkar Marg, Prabhadevi, Mumbai, 400025 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.