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1

Dilwale Dulhania Le Jayenge - Aditya Chopra Cover Art

Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge

When Raj (Shahrukh Khan) & Simran (Kajol) first met on an inter-rail holiday in Europe, it wasn't exactly Love at first sight...but when Simran is taken back to India for an arranged marriage, Love makes its presence felt. Encouraged by his father Dharamvir (Anupam Kher - Bend it like Beckham & ER), Raj decides to fly down from London to not just win his Bride but her whole family and the blessings of her father Baldev Singh (Amrish Puri - Indiana Jones & Temple of Doom). All this while the celebrations for her wedding are in full swing. The longest running film in Indian Cinema released on 20th October 1995 and is still showing in Mumbai (India). It won every major award in the year of release & Shahrukh Khan shot to superstardom with this film and it defined the term "Bollywood".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

2

Jab Tak Hai Jaan - Yash Chopra Cover Art

Jab Tak Hai Jaan

Jab Tak Hai Jaan

Superstar Shahrukh Khan, gives an electrifying performance as Samar Anand, a hard working young immigrant in the city of London, where he glimpses upon the love of his life, a gorgeous angelic looking girl, (Katrina Kaif). They meet and their bond blossoms into love with time spent together. Samar however meets with a serious accident, and Meera vows to God she will leave Samar forever if He allowed him to live again, their love affair ends as quickly as it began. Samar angered with God and fueled with his love for Meera, declares War against Him. Samar Anand vows to walk into the jaws of death everyday as a challenge to God to keep him alive. He becomes Major Samar Anand in the Indian Army, a bomb disposal chief, defusing bombs without ever wearing a bomb suit. It is here that Major Samar also known as ‘the man who cannot die’ meets Akira (Anushka Sharma), a spirited vibrant, ‘today’s generation’ Discovery Channel correspondent with a WTF attitude. Aware of Samar Anand’s story, Akira is determined to unravel the mystery of love in this intriguing story, whilst herself falling hopelessly in love with Samar. Is Akira able to unravel the mysteries of love, does Samar win the battle or then does God surrender to his love? From the legendary and unforgettable director Mr. Yash Chopra, comes an uncompromising film fascinatingly distinctive and contemporary with a visionary passion for true love. Experience this story of love and allow it to recapture your heart...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

3

Piku - Shoojit Sircar Cover Art

Piku

Piku

Piku (Deepika Padukone) is a Delhi based architect who manages her small business,runs her home and takes care of her 70-year old father Bhashkor Banerji (Amitabh Bachchan).A hypochondriac, Piku’s Baba must ensure that he has her attention 24*7 leaving her with little time to do anything else. Romance and getting a life of her own, just don’t seem possible! While both are deeply attached with one another, they are equally strong headed, stubborn and just won’t let go when dealing with each other’s idiosyncrasies and quirks! When Bhashokar emotionally blackmails Piku to take a road trip from Delhi to Kolkata , the owner of the local cab company Rana (Irrfan Khan) has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. During this undesired road trip they learn to deal with each other’s moods and idiosyncrasies and it reveals more than Bhashokar’s bathroom habits. What follows is a heady mix of motion, emotion & commotion which culminates as Piku and Bhaskhor return to their roots in Kolkata, giving us an insight into the father daughter relationship where Bhaskor’s irritating yet endearing demeanor and Piku’s equally headstrong nature may always be at loggerheads but this seemingly crazy relationship is bonded by an understated and an unconditional love that leaves you wanting more.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We MSM Motion Pictures located at , 3rd Floor, Interface Blg No. 7, Off Malad Link Road, Malad (W), Mumbai, Maharashtra 400064 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

4

Rockstar - Imtiaz Ali Cover Art

Rockstar

Rockstar

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend – great music is borne from great pain. He who hasn’t experienced the pain of heartbreak shall not know the depth and intensity of sublime music.Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.Heer and Janardhan get separated, as she gets married off to Prague. Janardhan’s pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer’s story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

5

Bajirao Mastani - Sanjay Leela Bhansali Cover Art

Bajirao Mastani

Bajirao Mastani

The heroic Peshwa Bajirao, married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

6

Dil to Pagal Hai - Yash Chopra Cover Art

Dil to Pagal Hai

Dil to Pagal Hai

DIL TO PAGAL HAI is the story of Rahul (Shahrukh Khan), who does not believe in love. Rahul fails to understand how two people can spend their lives together. It is the story of Pooja (Madhuri Dixit), who believes that there is someone who is made for her and she is destined to meet that person. It is also the story of Nisha (Karisma Kapoor) who believes that love is friendship and one day her dream will come true. Dil To Pagal Hai is a grand musical about passionate people with dreams. Will their dreams come true? Will they find their true love? Dil To Pagal Hai makes us believe that - someone... somewhere... is made for us.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

7

Rab Ne Bana Di Jodi - Aditya Chopra Cover Art

Rab Ne Bana Di Jodi

Rab Ne Bana Di Jodi

Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell? Maybe not! How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell? This is what happened to Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious - Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. What follows is a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi (couple).

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

8

Gully Boy - Zoya Akhtar Cover Art

Gully Boy

Gully Boy

Murad is the 22-year-old son of a driver in Mumbai. His parents have worked to get him educated so that he could find a white-collar job. Instead, he finds a love for hip-hop and comes of age while using his music to highlight inequalities.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

9

Silsila - Yash Chopra Cover Art

Silsila

Silsila

Amit (Amitabh Bachchan) a poet decides to bury his past life along with his love for Chandni (Rekha) when he meets Shobha (Jaya Bachchan). Shobha’s life has come to a standstill after her fiancé and Amit’s brother Shekhar (Shashi Kapoor) dies in a plane crash. Amit had only come to mourn the death of his brother with Shobha but ends up sacrificing his own love and life in an attempt to give shobha a new lease of life. When fate brings Amit and Chandni face to face again, both are married to different people - but neither can ignore their feelings for each other. SILSILA is a story, thwarted by society’s demands, which reappear as adultery but can it survive in the face of society?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

10

Mujhse Dosti Karoge! - Kunal Kohli Cover Art

Mujhse Dosti Karoge!

Mujhse Dosti Karoge!

What would you do if the one you loved was not actually the one you loved. What would you do if your best friend was in love with the one you love. What would you do if your best friends are sacrificing their love for you. Meet Raj (Hrithik Roshan), Pooja (Rani Mukerji) and Tina (Kareena Kapoor) - 3 best friends thrown into a situation that time, letters, love and separation have created for them.Friendship. Beginning of every relationship ends in love. And love. Well it can have only 2 ends. A happy and a sad one. Or can there be a third ending for these three friends.

© 2002 Yash Raj Films Pvt. Ltd. All Rights Reserved

11

Dhoom:2 - Sanjay Gadhvi Cover Art

Dhoom:2

Dhoom:2

The world’s oldest desert, the Namib - A solitary railway line... A royal family on a royal journey. From the sky... like lightening... A flash... the centuries old royal crown is stolen. Back in action... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali’s (Uday Chopra) dream of becoming a police officer has come true. He is now ACP Jai Dixit’s (Abhishek Bachchan) right hand man. Together they are trying to keep a tight leash on the crime in India, little do they know what they are going to be up against. Enter Aryan - Mr.A (Hrithik Roshan) A high tech international thief after pulling off a series of impossible heists all over the world. His next target is Mumbai, India. The case is given to ACP Jai Dixit and Ali helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu). For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai Mr.A finds his match in Sunehri (Aishwarya Rai). A petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership Aryan accepts. And so the game begins. The cops, Jai, Shonali and Ali and they are after Aryan and Sunehri - The Robbers. From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to wild and exotic Rio Brazil. Does ACP Jai Dixit manage to nab Mr.A? Go on! Enjoy the ride!! Once again!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

12

Rocket Singh - Salesman of the Year - Shimit Amin Cover Art

Rocket Singh - Salesman of the Year

Rocket Singh - Salesman of the Year

Harpreet Singh Bedi (Ranbir Kapoor) has just graduated, and his marks are, well, let’s say a little embarrassing. But marks never stopped him from dreaming of an exciting and adventurous career, and they never will. He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career for all smart people blocked from entering medical, engineering or business schools by brainless entrance exams. It’s everything he dreamt of, with its smooth dressing, smoother talking men and women who can sell ice to an Eskimo, dreams to an insomniac, and a lifetime mobile connection to a dying man. But soon, his idea of success begins clashing with the strange ways of these ‘professionals’ he looked up to. “ROCKET SINGH - Salesman of the Year” is the sometimes thoughtless, sometimes thoughtful story of a fresh graduate trying to find a balance between the maddening demands of the ‘professional’ way, and the way of his heart - and stumbling upon a crazy way which turned his world upside down, and his career right side up.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

13

Veer-Zaara - Yash Chopra Cover Art

Veer-Zaara

Veer-Zaara

Squadron Leader Veer Pratap Singh (Shahrukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta)... a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an aging Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation & deepens with sacrifice. A love that is an inspiration... and will remain a legend forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

14

Baahubali - The Beginning (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Hindi Version)

Baahubali - The Beginning (Hindi Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena and during their escape, uncovers the truth behind his mysterious past. A flashback unfolds here with King Vikramadeva of Mahishmati passing away suddenly, leaving behind an empty throne and an orphaned son, Bahubali. The kind and righteous Sivagami, wife to Bijjaladeva and biological mother to Bhalladeva, goes onto adopt her nephew and raises him as her own. This decision however, bears consequences; having to share his mother’s love and the status of a crown prince, Bhallaladeva secretly grows to be highly jealous of and hateful toward Bahubali. His resentment further grows when his mother chooses Bahubali as the King of Mahishmati. After establishing that Shivudu is in fact the son of Bahubali and Devasena, the film ends in a cliff-hanger, leaving the audience wondering about the death of Bahubali.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

15

Dhoom - Sanjay Gadhvi Cover Art

Dhoom

Dhoom

The tale begins in Mumbai where a sophisticated gang of robbers is sweeping through the city, giving nightmares to the police department. They come like wind, sweep the place and disappear on their hi-tech bikes - the slickest and fastest riding machines on the road. Officer Jai Dixit (Abhishek Bachchan) is brought in on the case. Soon he is on the trail of the robbers - a gang headed by Kabir (John Abraham), an evil perfectionist with an attitude. Jai ropes in the services of Ali (Uday Chopra), a happy-go-lucky garage mechanic and a prodigious bike rider. The two reluctant partners join forces, and soon Jai realizes that the clown can ride bikes like the wind. Kabir soon catches on to Jai-Ali’s teaming up and his arrogance pushes him to take up the challenge openly. From the mean streets of Mumbai, the chase shifts to the sun kissed beaches of Goa. And so starts the hunt... where sometimes the hunter becomes the hunted. Dhoom reinvents the classic cops and robbers tale and brings it into the 21st century. With fast bikes, big action, non-stop fun and a thrilling story that leaves you out of breath, Dhoom is a powerhouse of adventure and excitement waiting to explode. It’s like your favourite roller coaster ride... once you’re on, the only thing you want to do is to go back and take that ride all over again!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

16

Pathaan - Siddharth Anand Cover Art

Pathaan

Pathaan

Years ago, the agent nicknamed “Pathaan” (Shah Rukh Khan) almost lost his life in service to the country.While recuperating from his injuries, he conceptualized the formation of JOCR, headed by Major Nandini (Dimple Kapadia), a shadow division within India’s Research and Analysis Wing, composed of tough, passionate, and motivated soldiers who would otherwise have been disallowed from service due to injuries sustained in the line of duty. Pathaan and the other JOCR team get intel of an impending attack by a mysterious mercenary group Outfit X. Pathaan comes face to face with the head of Outfit X, an enigmatic and ruthless mercenary Jim (John Abraham), who has a history of his own.Jim kills key members of Pathaan’s team in the attack, compelling Pathaan to swear revenge.He finds that Jim heads Outfit X, a private team of elite mercenaries who were ex-agents of the top spy agencies across the world and are now “Guns for hire”.The latest job that Jim has taken is the biggest one yet - a major attack to be orchestrated against India, Codenamed Raktabeej, after a legendary asura (demon) from Indian mythology who was impossible to kill, because every drop of his blood led to the creation of more and more demons!With the doomsday clock ticking away, Pathaan must urgently find out exactly what Operation Raktabeej is, when it is to take place, and how on earth to stop it.His only ally is an agent who can’t be trusted, Rubai! (Deepika Padukone).The chase to stop Jim and Operation Raktabeej will have Pathaan fighting countless unexpected betrayals and dealing with the death and destruction of everything and everyone he loves. Can Pathaan fight an anarchic killer who is more than his match, one who knows exactly how Pathaan thinks and plans every move ensuring he is three steps ahead? How do you fight a villain who, much like Raktabeej, gets stronger with every attack you mount on him? All that lies between India and destruction is one man. The agent nicknamed “Pathaan”.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

17

Ta Ra Rum Pum - Siddharth Anand Cover Art

Ta Ra Rum Pum

Ta Ra Rum Pum

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team Speeding Saddles, everything changes for RV and the team... They shoot to the top.... the dream is complete when he meets Radhika (Rani Mukerji) and the 2 tie the knot... the world is at their feet. But when he meets with an accident, his world is turned upside down, he not only loses the edge on the track but everything he had once gained, the accolades, the fans, the money, the house the friends and the glory. It is now that his young family must help him fight his demons and get him back in the driving seat. The family struggles to survive a life that they are not used to - from a big house in a plush locality to the a run down apartment in the Bronx is not what RV wanted for his family - RV is on the road back but can he reclaim the glory for his family?

© 2007 Yash Raj Films Pvt. Ltd. All Rights Reserved

18

Badmaash Company - Parmeet Sethi Cover Art

Badmaash Company

Badmaash Company

Life in the 1990's was remarkably different for the average Indian. Consumerism had not set in. It was devoid of most of the luxuries of the West. In fact everything "imported" was good, and everything Indian, passé. BADMAASH COMPANY is an extraordinary story set in the 1990’s in middle class Bombay (as it was known then), of four ordinary youngsters - Karan (Shahid Kapoor), Bulbul (Anushka Sharma), Zing (Meiyang Chang) and Chandu (Vir Das) - who came together to start an import business of things longed for by yuppie Indians! What made their venture such a stupendous success was the fact that they found a way to beat the system and soon became the undisputed kings in their business, realising their one dream of making quick money by doing all the wrong things... the right way! Living the life of champagne wishes and caviar dreams, the four friends discover that to make a business successful you don’t need big money. All you need is a big idea! With their larger than life schemes, the four go on a wild roller-coaster ride into the world of sheer glitz and glamour where the stakes are high and risks even higher! All was well and hunky dory till one day the four maverick entrepreneurs are forced to shut shop... until they come up with yet another perfect plan to beat the system... just one more time...!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

19

Special 26 - Neeraj Pandey Cover Art

Special 26

Special 26

Based on a real life. A group of con artists who robbed famous businessmen and politicians by pretending to be the CBI or Income tax officers and conducting raids, they would take away all the black money hoarded by them. Based on true incidents during the 1980s.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

20

Andhadhun - Sriram Raghavan Cover Art

Andhadhun

Andhadhun

Akash, a blind pianist, is preparing for a London concert. Sophie's scooter bumps into Akash and upon finding he a pianist she takes him to her restaurant Franco's run by her father and offers him a job. Akash meets 70s actor Pramod Sinha at the restaurant who asks him to do a private concert of his songs at his residence to surprise his wife, Simi. Next Day upon reaching his house a shocking surprise is waiting for Akash.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

21

Pancham Unmixed: Mujhe Chalte Jaana Hai... - Brahmanand S Siingh Cover Art

Pancham Unmixed: Mujhe Chalte Jaana Hai...

Pancham Unmixed: Mujhe Chalte Jaana Hai...

Winner of 2 National Awards, Pancham Unmixed: Mujhe Chalte Jaana Hai, takes an incisive look into the legendary composer, RD Burman’s reflective artistry and buoyant-but-also-lonely inner being. Featuring a host of close friends, colleagues and admirers, the film evokes awe, admiration and nostalgia the way most of his music does, till date. Pancham Unmixed: Mujhe Chalte Jaana Hai by Brahmanand S Siingh has been recognized as the most definitive film on one of the most versatile composers of the Hindi Film Music Industry, who brought about a revolution in the popular music of its time in the late 60s, almost single-handedly. For the next two decades, the film explores through a gripping narrative, how he captured the musical imagination of an entire subcontinent like none before --- right from the entertainment seeking popular masses to the connoisseurs of classical Hindustani and Western, Jazz, Opera and Pop music. And, almost two decades after his demise, why he continues to be re-mixed and idolized endlessly, even today.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Mobius Films, located at 4, Muntaha Apartments, Panchamarg, Off Yari Road, Versova, Andheri (W), Mumbai - 400061, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

22

Mere Yaar Ki Shaadi Hai - Sanjay Gadhvi Cover Art

Mere Yaar Ki Shaadi Hai

Mere Yaar Ki Shaadi Hai

Love hits people in all sorts of ways. To Sanjay (Uday Chopra) however love hit him like a ton of bricks. Sanjay is the dithering Casanova, constantly bungling up his romantic liaisons, till one day the phone rings. Anjali (Sanjana) his childhood friend is getting married. It’s now that the bricks fall on him. Observing Sanjay’s reaction to this news and hearing him talk of Anjali, his flat mate Ria (Bipasha Basu) concludes that Sanjay is in love with her. Sanjay wakes up to this truth, reluctantly but surely and sets off on a noble mission - to break the wedding. He is overjoyed to be reunited with Anjali - till he meets the groom to be - handsome, charismatic, every girl’s dream guy, Rohit (Jimmy Shergill). Nevertheless, Sanjay’s love for Anjali compels him to take on the world and he sets off on his crusade of poisoning the family’s mind against Rohit. It’s all about a clash between the good and the not-so-good.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

23

Ra.One - Anubhav Sinha Cover Art

Ra.One

Ra.One

While Shekhar was trying every trick in the book to woo his son, get 'dude-ified' and 'up his coolness quotient,' his son had given up on him. Just when the father-son duo hit a deadlock, Shekhar strikes gold when he designs one hell of a game. Finally it all starts falling in place as the family comes, only to find themselves in the middle of not just a hard drive crash, but a crash that would drive them to a disaster and make their lives go – KABOOM! All hell breaks loose when the game that was meant to be played with starts playing them. Ra.One - the next level.

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

24

Ek Tha Tiger - Kabir Khan Cover Art

Ek Tha Tiger

Ek Tha Tiger

In the dark world of intelligence and espionage... all information is guarded in the name of national security... But some stories escape the fiercely guarded classified files... stories that become legends. This is one such story... a story that shook the very foundation of this dark world. In a government employees' neighborhood in New Delhi, there lived a rugged, handsome and mysterious bachelor about whom his neighbors knew nothing. That was because he was India's top spy, an officer with the Research and Analysis Wing (RAW), India's external intelligence agency. This man was known even in official corridors as TIGER (Salman Khan). Tiger is sent on a relatively easy and safe mission to Dublin, Ireland to observe a scientist of Indian origin who is suspected of sharing his research findings with the Pakistan defense establishment. Tiger attempts to meet the scientist but is not successful. He tries to befriend the scientist's part time home caretaker, Zoya (Katrina Kaif). As Tiger begins to get closer to Zoya... he begins to discover his human side. For the first time in his life Tiger falls in love... What follows is a tumultuous journey that Tiger and Zoya embark upon, battling the dark world of intelligence and espionage that forbids its soldiers from falling in love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gold - Reema Kagti Cover Art

Gold

Gold

Gold set in 1948 tells the historical story of the Hockey team that won the first Olympic medal for India as a free nation on the 12th of August 1948. The same date this year commemorates the 70th anniversary of this historic feat. The story of Gold highlights India's emergence from the shadow of the British Empire as it meets the British hockey team on the field, this time as a nation in its own right. Gold is an inspirational story of a team that fought ​against all the odds to bring their nation hope, pride, and respect.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Stanley Ka Dabba - Amole Gupte Cover Art

Stanley Ka Dabba

Stanley Ka Dabba

Stanley studies in an all-boys Holy Family High School in Andheri East, Mumbai. While his class-mates bring their very own Tiffin-boxes, Stanley does not do so on the pretext that his mother is away, and shares food with Aman Mehra and others much to the chagrin of the Hindi Teacher, Babubhai Verma, who not only cajoles fellow-teachers, but virtually forces children, to share their food with him. With extra classes being imposed on both students and teachers, and the recess-breaks being doubled, parents are also forced to pack more food in lunch-boxes. When students evade Babubhai and continue sharing food with Stanley, he calls the latter aside and warns him that he cannot attend school until and unless he brings his own food. Watch what impact this has on Stanley, teachers, and his class-mates.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Mohabbatein - Aditya Chopra Cover Art

Mohabbatein

Mohabbatein

National Award winner, Yash Chopra and Aditya Chopra’s MOHABBATEIN is a film that portrays the battle between love and fear... A battle between two stubborn men and their opposing beliefs. Raj Aryan (Shahrukh Khan), who stands for love, he would go to any lengths for it. Narayan Shankar (Amitabh Bachchan - voted the Millennium star in the BBC polls) a strict disciplinarian as the head of India’s most prestigious educational institute who stands for fear, he believes that love leads to pain and weakness. It is also the story of 3 young men and women who have to learn to follow their hearts against all the odds and the outcome of their love stories that will decide what will finally triumph. .. love or fear.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sultan - Ali Abbas Zafar Cover Art

Sultan

Sultan

Sultan is a story of Sultan Ali Khan (Salman Khan) - a local wrestling champion with the world at his feet as he dreams of representing India at the Olympics. It’s a story of Aarfa (Anushka Sharma) - a feisty young girl from the same small town as Sultan, with her own set of dreams. When the 2 local wrestling legends lock horns, romance blossoms and their dreams and aspirations become intertwined and aligned. However, the path to glory is a rocky one and one must fall several times before one stands victorious. More often than not, this journey can take a lifetime. Sultan is a classic underdog tale about a wrestler's journey, looking for a comeback by defeating all odds staked up against him. But when he has nothing to lose and everything to gain in this fight for his life match... Sultan must literally fight for his life. Sultan believes he’s got what it takes... but this time, it’s going to take everything he’s got. "Wrestling is not a sport, it's about fighting what lies within" - SULTAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Billu - Priyadarshan Cover Art

Billu

Billu

Billu Barber is the story of a simple ordinary man with an extra-ordinary life. Bilas Rao Pardesi lives in a village named Budbuda with his wife Bindiya and two kids. His life so far has been bitter sweet... more sweet than bitter. A superstar comes into their lives and everything changes. Life changes, people change, friends change, the entire village changes, except Billu Barber. Will this ordinary man redefine the word ordinary? Will the world see the greatness behind his humble existence? Above all, will life ever be the same for Billu Barber again?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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OMG: Oh My God! - Umesh Shukla Cover Art

OMG: Oh My God!

OMG: Oh My God!

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. He is cursed by Siddheshwar Maharaj when he stopped his son from playing dahi handi. A low-intensity earthquake hits the city, and Kanji's shop is the only shop that is destroyed. Next day at the insurance office, Kanji and his neighbour-assistant Mahadev learn that the disaster claim does not cover any damage caused by natural calamities classified under 'Act of God'. Running out of options, Kanji decides to file a lawsuit against God.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Mere Brother Ki Dulhan - Ali Abbas Zafar Cover Art

Mere Brother Ki Dulhan

Mere Brother Ki Dulhan

"Mere Brother Ki Dulhan" is a quirky romantic comedy set in the world of the upper middle class in Northern India. Kush Agnihotri (Imran Khan) is looking for the ideal Indian bride for his brother Luv Agnihotri (Ali Zafar) who stays in London. In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple Dixit (Katrina Kaif), the craziest / wackiest girl he has ever known. Both the families meet. Formalities completed. Preparations proceed in full swing. And just then, our hero Kush falls in love with Dimple... his brother's dulhan. What follows is a comical and unpredictable series of events in this unusual topsy-turvy tale of love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kaagaz Ki Kashti - Brahmanand Siingh Cover Art

Kaagaz Ki Kashti

Kaagaz Ki Kashti

In an era when Bollywood music ruled the Indian households and when Ghazal as a genre was limited to only the connoisseurs, Jagjit Singh made Ghazals a necessity of every music lover's collection. With a voice as cool as ice and stirring enough to break or mend your heart, he brought to life some of a fascinating composition of all times with unparalleled charm. Kaagaz Ki Kashti traces the life journey of a down-to-earth, small-town boy, who made it big by breaking through the norms and revolutionizing the Ghazal scenario, by texturing traditional Ghazal singing with western instrumentation and making it simple and hummable, enticing new listeners into becoming Ghazal fans. Tracing three converging tracks … the struggle and stardom in his musical career, the love and loss in his personal life and the scope and limitations in the music scenario of the times. It is an evocative film of not just Jagjit Singh's life, but also of the monumental legacy he has left behind. Through in-depth conversations with friends, family, colleagues and through archival footage, the film becomes an intimate portrait of the iconic Ghazal rockstar, Padma Bhushan, Jagjit Singh. From the makers of the award-winning film on RD Burman, now comes another riveting film that explores the artistry and pioneering positioning of the larger-than-life yet man-next-door icon, Jagjit Singh ... with charm, delight, depth, insight, humour in the process of a gripping narrative of one of the most admired and loved musicians of the century.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Mobius Films.,Located at., D-204, Crystal Plaza, New Link Road, Andheri (W), Mumbai-400053, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Bunty Aur Babli - Shaad Ali Sahgal Cover Art

Bunty Aur Babli

Bunty Aur Babli

Rakesh (Abhishek Bachchan) is a man of schemes, ideas, invention and restlessness. His small town begins to feel too small for his King size plans. In another part of India crinkle nosed small town girl, Vimmi (Rani Mukerji) doesn’t want to become just another young marriageable girl. In her mind she is the “Miss India” that the world can’t get enough of. So, they decide to fly the coup. Somewhere along their individual journeys, Rakesh and Vimmi meet. And in a moment of mistaken truth, the legend of Bunty and Babli are born. And the world gets turned on its head!! We follow the duo through caper after caper, in which they are spiritual gurus; bureaucrat and secretary, gangster and moll; business partners; hen pecked husband and pregnant wife, vagabonds and caught-in-a-downpour lovers. We watch them run rings around rajahs, power brokers, shaadi bandwallahs, millionaires, investors, leaders, ministers, elephants, explorers, hoteliers, chai boys and one very very upset policeman, DCP Dashrath Singh (Amitabh Bachchan).

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Andaz Apna Apna - Rajkumar Santoshi Cover Art

Andaz Apna Apna

Andaz Apna Apna

Andaz Apna Apna is a story of two boys Amar (Aamir Khan) and Prem (Salman Khan) who want to get rich quickly by taking all the short-cuts in the book. Amar is the son of an honest barber Murli Manohar (Deven Verma) in Mumbai, while Prem is the son of Bankeylal Bhopali (Jagdeep), a hardworking tailor in Bhopal. Both Amar and Prem are two conmen with no money, few prospects and big dreams. They meet a beautiful wealthy heiress Raveena (Raveena Tandon) who has come from London accompanied by her friend cum secretary Karishma (Karishma Kapoor) with the intention of getting married to a virtuous Indian. The lucky man to wed Raveena will inherit her father Ram Gopal Bajaj's (Paresh Rawal) entire wealth. Amar and Prem try their chances and woo Raveena, each trying to outdo the other. Teja (Paresh Rawal in a double role) who's sole ambition in life has been to grab his twin brother Ram Gopal Bajaj's millions. As the story progresses it turns out to be a mad chase from Ram Gopal Bajaj's wealth, full of humor, romance thrills and chills.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Band Baaja Baaraat - Maneesh Sharma Cover Art

Band Baaja Baaraat

Band Baaja Baaraat

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college. Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams. A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure). Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ishaqzaade - Habib Faisal Cover Art

Ishaqzaade

Ishaqzaade

Rising from the ashes of hooliganism and small town clan wars, comes the love story of a passion ignited by hatred. Of two people. Born to hate. Destined to love. One kingdom. One throne. Two wild animals… one totally unpredictable and the other… ferocious! A battle… deafened by sounds of hate, revenge, bullets and deceit. A story… about two fiery bloods played by Arjun Kapoor and Parineeti Chopra, and their fight for power and supremacy. A story about love brewing in a small town burning with hatred. A story called ISHAQZAADE. Follow the story of the ishaqzaade’s as their turbulent journey unfolds in the often unrealistic and daunting political confines of rural India.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Baahubali 2: The Conclusion (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Hindi Version)

Baahubali 2: The Conclusion (Hindi Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Gunday - Ali Abbas Zafar Cover Art

Gunday

Gunday

When they ran to save their lives for the first time, they were mere 12-year-old boys, and the world called them 'refugees'. The war of 1971 gave birth to a new country - Bangladesh. It also gave birth to two young orphans - Bikram and Bala. They witnessed the war and its aftermath, where the world tried to trample over them. Fighting for survival, they clung to each other and escaped to Calcutta. Before they knew the world, they knew each other. Such was their bond, such was their friendship. Each time they sought new beginnings, each time they would rise, the world would crush them down. So, they fought again... and again. Together they were unbeatable, unstoppable and inseparable. In the years that passed, Bikram and Bala, became Calcutta's most loved, most reckless, most fearless and most powerful GUNDAY! They had everything, but one fine day, Nandita, the most beautiful cabaret dancer, walked into their lives, and they lost everything to her. Their murky world turned magical and colorful, and they fell head over heels in love with her. But that was only a blissful lull before an impending storm. ACP Satyajeet Sarkar, the right for every wrong, a law for every outlaw, arrives as a counter force for Bikram and Bala. What follows is the most sensational story ever told.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Devdas - Sanjay Leela Bhansali Cover Art

Devdas

Devdas

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro’s stunning beauty, longs to marry her. But Devdas’ father meets Paro’s mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn’t relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bodyguard - Siddique Cover Art

Bodyguard

Bodyguard

When it comes to being punctual and doing his duties perfectly, Lovely Singh is unmatchable. Taking great pride in what he does, he spares no effort in giving his everything to his profession. Summoned for an assignment of guarding Divvy, the daughter of Sartaj Rana, a business tycoon Lovely Singh accompanies her to her campus, but ends up rubbing her the wrong way with his over-protective nature and paranoia about security. She finds him to be a major obstacle in leading a regular campus life. To throw him off-track and get him out of the way, she comes up with a ‘master-plan’- that of trapping him in a fake love affair. ‘Once he’s smitten by the girl of his dreams and is reveling in his new-found romance, he will leave us alone, and we shall be free to do our own thing unhindered’, says Divya to her friends. She becomes an anonymous admirer of his and starts hounding him, expressing her ‘feelings’ in no uncertain terms. Lovely Singh however proves to be a tough nut to crack, and it takes quite a bit of doing from her side to penetrate his fort-like exterior. But once she succeeds in doing so, he transforms into a completely different person. Divya is triumphant and is all set to relish her regained freedom. But things take an unexpected turn when she learns a few things about Lovely Singh. Things that she could’ve never even imagined! And she soon finds herself trapped in a dilemma that she’s unable to resolve! And with her, soon enough, Lovely Singh finds himself ensnared in a web of lies, trickery and deceit! Bodyguard is the story of conflict- between innocence and mischief, love and power and life and death!

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Reliance Entertainment and Reel Life Production Pvt Ltd located at 49/50, Maruti Chambers, Veera Desai Extn Road, Andheri (West), Mumbai 400053 India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tiger 3 - Maneesh Sharma Cover Art

Tiger 3

Tiger 3

Tiger (Salman Khan) is on a mission to save an old friend. Although he manages to escape from the deadliest mercenaries, he loses his friend. Tiger is living peacefully with his family, his wife Zoya (Katrina Kaif) and their 12-year-old son, when he is tasked with sourcing out information from an arms dealer who he can secure in St. Petersburg, Russia. While doing so, Tiger is captured by a terrorist group. Tiger wakes up to find out that he was captured by an ex-ISI agent, Aatish Rehman (Emraan Hashmi). Aatish recounts how he was Zoya’s mentor, but circumstances led to his wife’s incidental death, for which Tiger was held responsible. Her death led to Aatish’s hatred for Tiger. To settle the score now, Aatish gives Tiger and Zoya a task while keeping their son captive.Tiger reunites with his former colleagues from R&AW, in order to accomplish this personal mission. The task is to capture a ‘briefcase’, kept in a high security vault guarded by Turkish security in Istanbul. Tiger, Zoya and the allies are able to capture the briefcase despite the fierce security, but Tiger gets caught by the Turkish Police. Meanwhile Zoya rushes to Aatish to hand over the briefcase. She learns that the briefcase has ‘Permissive Action Link’ codes that are an access to the Nuclear Triad Submarine Missiles that Pakistan took from China. Aatish Reveals that Tiger was caught red handed attempting to steal the PAL codes and how he will become the face of India and Pakistan’s enmity. While Zoya gets her son back, Tiger is taken to Pakistan as a prisoner. Despite being in a high security prison, Tiger manages to escape. Not before Aatish informs him of his plans of devastation, which includes the killing of a senior political leader. Tiger reaches an old ally’s house while Zoya sends signals to their close compatriots from the ISI and R&AW. She collects this team and all of them meet Tiger in Islamabad. Will they be able to save the political leader and outsmart the cunning Aatish Rehman?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bbuddha Hoga Terra Baap - Puri Jagannadh Cover Art

Bbuddha Hoga Terra Baap

Bbuddha Hoga Terra Baap

After a series of bomb blasts in Mumbai, ACP Karan Malhotra announces that he will bring in the culprits responsible within a very short period of time. He then sets about interrogating several suspects. The underworld gangster, Kabir, is compelled to hire an assassin to do away with him. The potential killer, Viju, is an uptight older ex-convict as well as a former gangster, who now runs a pub in Paris, and is willing to kill Karan. As he sets about this gruesome task, he comes across an old flame, Kamini, as well as his estranged wife, Sita. These encounters may become the turning point in his life that may convince him to leave the bombs and Pistols behind and spend the rest of his life praying and living peacefully.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., located at CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Befikre - Aditya Chopra Cover Art

Befikre

Befikre

"Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor).A feisty romance ensues between the two in which both of their personalities - one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Daawat-e-Ishq - Habib Faisal Cover Art

Daawat-e-Ishq

Daawat-e-Ishq

A deliciously romantic coming together of Gulrez “Gullu” Qadir (Parineeti Chopra) a Hyderabadi shoe-sales girl disillusioned with love because of her encounters with dowry-seeking men; and Tariq “Taru” Haider (Aditya Roy Kapur) a Lucknawi cook who can charm anybody with the aroma and flavours of his biryani and kebabs. In the clash of diametrically opposite but equally spicy cultures of Hyderabad and Lucknow, Gullu and Taru arrive at a “tuning-setting”, rewrite traditional recipes of love, crush old-fashioned world-view and make their ownmasaledaar albeli rangreli pichchar... Daawat-e-Ishq! Produced by Aditya Chopra, the film is written and directed by Habib Faisal, music is by Sajid-Wajid and lyrics by Kausar Munir.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ladies vs Ricky Bahl - Maneesh Sharma Cover Art

Ladies vs Ricky Bahl

Ladies vs Ricky Bahl

After the heartwarming success of BAND BAAJA BAARAAT, director Maneesh Sharma is back with his team, in YASH RAJ FILMS' next offering LADIES vs RICKY BAHL. Starring Ranveer Singh, who has won everyone's heart with his endearing and scintillating performance, as well as the Best Actor (Debut) at all the award shows this year, and the accomplished and charismatic Anushka Sharma, the film is produced by Aditya Chopra and is based on a story developed by him. Habib Faisal has written the dialogues, the screenplay is by Devika Bhagat. The music is composed by Salim-Sulaiman, lyrics by Amitabh Bhattacharya and the film is shot by Aseem Mishra (DOP), all of whom have been a part of BAND BAAJA BAARAAT. LADIES vs RICKY BAHL is a fun-filled "ROM-CON" where a smooth and charming conman, Ricky Bahl, cons girls for a living but finally meets his match.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sanam Teri Kasam - Radhika Rao & Vinay Sapru Cover Art

Sanam Teri Kasam

Sanam Teri Kasam

A romantic journey about Inder Parihaar (Harshvardhan Rane), an accomplishing lawyer and Saraswati "Saru" (Mawra Hocane), a librarian who at work, harbours feelings for Abhimanyu Shastry (Anurag Sinha). The movie takes you through a journey of love where two people living divergent lives are brought together by fate. Inder Parihaar leads a serene life with regards for nothing whereas Saraswati is a troubled girl as she isn't able to get married because of her conventional mien. Later, Saraswati decides to get a makeover and needed a recommendation for the same and this is how fate brings them together. Watch the movie as the love triangle unfolds with a whole lot of twists and turns in it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Swades - Ashutosh Gowariker Cover Art

Swades

Swades

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hichki - Sidharth Malhotra Cover Art

Hichki

Hichki

HICHKI is a story about a woman who turns her most daunting weakness into her biggest strength. Naina Mathur (Rani Mukerji) is an aspiring teacher who suffers from Tourette Syndrome. After several interviews and numerous rejections, she lands her dream job as a full-time teacher in one of the most elite schools in the city. However, she soon realizes that the class she has been assigned comprises of defiant and impish students who can’t seem to keep out of trouble. Despite a few initial hiccups, Naina must do whatever she can to ensure that her students realize their true potential, and defy all the odds against them.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mardaani - Pradeep Sarkar Cover Art

Mardaani

Mardaani

India is the world's hub for child sex trafficking... Nearly 40,000 children are abducted every year... Every 8 minutes a girl child goes missing in India! Meet Shivani Shivaji Roy, Senior Inspector, Crime Branch, Mumbai Police, who sets out to confront the mastermind behind a child trafficking mafia, which makes the mistake of kidnapping and smuggling a teenage girl, Pyari, out of the city. Pyari is like a daughter to Shivani and her family and in her obsessive hunt for the girl, she stumbles into the world of decadence and debauchery, cruel desires and exploitation and onto a case that will change her life forever. What follows is a cat and mouse game between a fearless cop and a young and ruthless mafia kingpin in a war which is very personal. Catch Rani Mukerji in the lead, playing an edge of the seat role of a lifetime, in this raw and gritty film which is a distinct departure from Pradeep Sarkar's style of filmmaking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

50

Aaja Nachle - Anil Mehta Cover Art

Aaja Nachle

Aaja Nachle

An unexpected phone call shakes Dia (Madhuri Dixit) out of her dance rehearsal in New York. Her teacher, her guru, is dying and she must return to India. The town where she grew up, the town where she learnt to live and to dance. Also the town she left on an impulse, severing ties with her parents and her people. It is a poignant and troubled return; not only has her guru passed away but the institution that he so lovingly nurtured is in decay and under threat of demolition. Ajanta theatre, the once vibrant hub of the community, the place where Dia’s fondest memories are embedded must now be brought down because the local political authorities feel it a waste of prime real estate. Dia picks up the gauntlet to turn this ruin into a vibrant and bustling theatre that was once the soul of her little town, while fighting discrimination, resentfulness and her own demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

51

Go Goa Gone - Krishna DK & Raj Nidimoru Cover Art

Go Goa Gone

Go Goa Gone

A group of friends along with members of the Russian mafia get stuck on a remote island off the coast of Goa, when the guests consume new drugs at a rave party, turning them into zombies.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bhouri - Jasbir Bhaati Cover Art

Bhouri

Bhouri

Bhouri is the story of the 23-year-old woman (Bhouri) whose fair complexion and sharp features became a source of endless pain and punishment. Her 'crime' was that her looks aroused lust. Her dignity was seen as an obstinacy by a society that brought punishment to her humble life.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Venus Worldwide Entertainment Pvt. Ltd., Located at, 106/1, Blue Diamond Bungalow Juhu Tara Road, Santacruz (W) Mumbai - 400 049, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dil Se - Mani Ratnam Cover Art

Dil Se

Dil Se

Amar Varma (Shah Rukh Khan), a producer for Indian news radio, meets an enigmatic woman at a railroad station and then again at a hill station. He falls in love with her, but the woman, who calls herself Meghna (Manisha Koirala), rejects and leaves him although she seems to be interested. Later, Varma agrees to marry his family's choice, Preeti (Preity Zinta). But suddenly Meghna is back and a secret is about to be revealed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ta Ra Rum Pum - Siddharth Anand Cover Art

Ta Ra Rum Pum

Ta Ra Rum Pum

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team, everything changes for RV and the team. They shoot to the top. The dream is complete when he meets Radhika (Rani Mukerji) and both tie the knot.But when he meets with an accident, he loses everything he had once gained. RV is on the road, but can he reclaim the glory for his family?

© 2007 Yash Raj Films Pvt. Ltd. All Rights Reserved

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Yeh Jawaani Hai Deewani - Ayan Mukerji Cover Art

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani is the story of four characters, Bunny (Ranbir Kapoor), Naina (Deepika Padukone), Aditi (Kalki Koechlin) and Avi (Aditya Roy Kapur) at two separate but defining times in their lives; First, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they will become... and then later on, in their late twenties when they reunite at the wedding of the first of their bunch, now holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... YJHD is a cocktail of all the encounters and obsessions that form the exhilarating and terrifying journey of youth... an effort to somehow capture the spirit of the lives of these four characters as they navigate life, love and their search for what truly gives their lives meaning.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai - 400052, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gangs of Wasseypur - Anurag Kashyap Cover Art

Gangs of Wasseypur

Gangs of Wasseypur

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Staying true to its real life influences, the film explores the revenge saga through the socio-political dynamic in erstwhile Bihar (North India), in the coal and scrap trade mafia of Wasseypur, through the imprudence of a place obessed with mainstream 'Bollywood' cinema.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

57

Cocktail - Homi Adajania Cover Art

Cocktail

Cocktail

Gautam (Saif Ali Khan) is the quintessential bachelor enjoying the fruits of being single. He flirts harmlessly with women and stays far away from commitment. His best friend Veronica (Deepika Padukone) also lives life by the minute, enjoying it to its fullest. Into their lives comes Meera, a coy Indian girl jilted by her lover, alone in a unknown land, looking for shelter and friendship. The three become friends and start living together. Things become complicated when friendship turns into lust, then into love, and the three find themselves in a cocktail of life and relationships.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Asoka - Santosh Sivan Cover Art

Asoka

Asoka

Prince Asoka (Shahrukh Khan), heir to the Magadha Kingdom, bowing to his mother's (Shilpa Mehta) demand forsakes his princely status and goes to live in the wild for awhile. There he meets and falls in love with Kaurwaki (Kareena Kapoor). He identifies himself as Pawan, not wanting to disclose his identity yet. asoka has to return to Magadha, but when he returns to find and wed Kaurwaki, he is told by Bheema (Rahul Dev) that Kaurwaki and her brother Arya have been killed. Devastated asoka returns home. On the way home he is attacked and Devi (Hrishitaa Bhatt), of the Buddhist faith rescues him and tends to him till he gets well. As a result, Devi's marriage to her groom is cancelled. asoka weds her and brings her to Magadha, only to be told by his father that since Devi is not of the same race as he, she cannot be welcomed. asoka leaves with Devi and lives in Ujjaini. Soon Devi gets pregnant, and this arouses jealously and hatred amongst asoka's step-brothers. As a result they plot to kill Devi, however, their plans are foiled by asoka's mother, who is killed. Asoka swears to avenge his mother's death by killing his step-brothers one by one, except for one, who has led to Kalinga. asoka asks the ruler of Kalings to turn over his step-brother to him, and they refuse. asoka swears to raze Kalinga to the ground. asoka is unstoppable. Even his close friend, Virat (Danny Denzongpa), too, is unable to stop asoka. asoka proceeds to war, little knowing that the queen of Kalinga is none other than Kaurwaki, who is still alive.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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Prem Ratan Dhan Payo - Sooraj R. Barjatya Cover Art

Prem Ratan Dhan Payo

Prem Ratan Dhan Payo

Yuvraj Vijay Singh (Salman Khan) a prince of Pritampur, is soon to be crowned as king and is engaged to Princess Maithili (Sonam Kapoor). His step-brother Yuvraj Ajay Singh (Neil Nitin Mukesh) wants to kill him and take the crown. Yuvraj Vijay barely escapes a plan coordinated by Yuvraj Ajay to kill him and he's hidden in a secret chamber. Meanwhile, Vijay's lookalike Prem Dilwale (Salman Khan) a perky, lively and carefree stage actor falls in love with Princess Maithili, reaches Pritampur to meet her. The Security Head of Pritampur Palace, Sanjay (Deepraj Rana) notices him by chance, and takes him to Diwan Sahib (Anupam Kher). Upon witnessing the striking resemblance he and Yuvraj Vijay come up with the plan that Prem take Yuvraj Vijay's place while Yuvraj recovers in a hideout. Prem acts as Yuvraj Vijay but with his simple and caring nature, impresses Maithili who earlier wanted to break up with Vijay. The truth reveals itself and Maithili is shocked to know the truth about Prem.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Productions (P) Limited, 422, 1st floor, Bhavana Building, Veer Savarkar Marg, Prabhadevi, Mumbai, 400025 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Agent Vinod - Sriram Raghavan Cover Art

Agent Vinod

Agent Vinod

Agent Vinod undertakes a mission around the world to discover why his colleague was murdered.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Amu - Shonali Bose Cover Art

Amu

Amu

Kajori Roy, an NRI returns to India to visit her family and discover the place where she was born. What happens when she staggers against a horrifying secret and the key to her mysterious origin?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Jonai Productions., Located at., B 207 greater kailash 1 New Delhi 110048., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

62

Saala Khadoos - Sudha Kongara Cover Art

Saala Khadoos

Saala Khadoos

The story of a former boxer who quits boxing following a fallout with the authorities over the underlying politics but goes on to coach a fisherwoman to fulfill his dream through her.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajkumar Hirani Films Pvt. Ltd., Located at, Unit 361, 6th Floor,Builidng 3, Solitaire Corporate Park, Chakala, Andheri (E), Mumbai - 400 093, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Saathiya - Shaad Ali Cover Art

Saathiya

Saathiya

Running away from home can’t keep a couple together. A signed paper can’t keep a couple together. Love can. While for most Love Stories, marriage is the “goal”, the fact remains that marriage is just the beginning. Saathiya continues on, from where most love stories end. From the infatuation stage “when a couple thinks they are in love” right through to “when a couple discovers the true meaning of love”. Aditya and Suhani met and fell in love. But when they eloped and set up home hoping that just Love will do the trick... well that’s just the beginning of their story...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ae Dil Hai Mushkil - Karan Johar Cover Art

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil is the ultimate story of unrequited love... the shapes and forms it takes and the highs and lows of the characters' lives. We follow the journey of Ayan Sanger, the sweet, quirky son of an industrialist, who nurtures a hidden passion for singing... Alizeh, the charming and funny, but neglected youngest daughter in a daunting family of aristocrats... Saba, the stunningly beautiful divorcée, who pours her pain into her poetry. How the three characters' lives intertwine and connect and how they find closure in the romantic and unromantic forms the crux of this film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Dil Dhadakne Do - Zoya Akhtar Cover Art

Dil Dhadakne Do

Dil Dhadakne Do

Dil Dhadakne Do revolves around an imbalanced Punjabi family on a cruise trip where the film is based on. Ranveer Singh is seen in a character as Kabir, who is a wealthy person by birth. Being a son of a business man, he was raised up to take up the business. But the story reverses, as he is interested in plans and aspires to became a Pilot. Due to this difference he faces a lot many problems until he meets Farah (Anushka Sharma). She is a girl, who escaped from her home to make her dream over dance come true. She comes across Kabir, which turns his miserable life into bed of roses. Priyanka Chopra is seen as Ranvir sister. She plays an ambitious entrepreneur married to Rahul Bose when she goes on the cruise, but Farhan acts as the third angle to Priyanka-Rahul's dysfunctional relationship.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kapoor and Sons (Since 1921) - Shakun Batra Cover Art

Kapoor and Sons (Since 1921)

Kapoor and Sons (Since 1921)

Kapoor and Son’s since 1921 is a dramedy that sure knows how to put the fun in “dysfunction”. Rahul and Arjun, two estranged brothers are forced to return to their childhood home when their 90 year old Grandpa gets a heart attack. While living under one roof, family secrets unravel and misunderstandings are on the verge of turning into tragedy. What follows is what families are made of ... chaos, humor, heartache and redemption. Can the Kapoors get past the lies and betrayal? Can they forgive and forget? Can these imperfect people come together, to make the perfect family?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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B.A. Pass - Ajay Bahl Cover Art

B.A. Pass

B.A. Pass

A young small town boy moves to Delhi to stay with his aunt and finish his college. Soon he is seduced by a mysterious married woman known to him as Sarika `Aunty`. Set amidst the neon-lit by lanes of Delhi`s Paharganj unfolds an erotic human drama between the two. A relationship based on lust, lies and deceit is forged. As the young boy gets more and more entrenched into his surroundings he discovers a city that thrives on corrupting even the most naive and innocent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, V ONE ENTERTAINMENT PVT.LTD. located at 899, JAIN BUNGLOW, JASSAWALA WADI, JUHU, MUMBAI 400049, INDIA. hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Jolly LLB 2 - Subhash Kapoor Cover Art

Jolly LLB 2

Jolly LLB 2

Jagdishwar Mishra aka Jolly (Akshay) starts out as a prominent lawyer’s sidekick in Kanpur. Driven by ambition, he hoodwinks a pregnant widow, Hina Siddique (Sayani Gupta) on the lookout for justice. He lands the murder case of her husband, but when she realizes he is a fraud, she kills herself. Leaving Jolly with a guilt on his conscience and an unresolved case in his hands. Now, he wants justice more than ever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Gangs of Wasseypur II - Anurag Kashyap Cover Art

Gangs of Wasseypur II

Gangs of Wasseypur II

Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faisal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Sui Dhaaga - Made In India - Sharat Katariya Cover Art

Sui Dhaaga - Made In India

Sui Dhaaga - Made In India

"Sui Dhaaga - Made in India" is a heart-warming story of pride and self-reliance, which finds its roots in the heart of India and reflects the passion that runs through the veins of every single Indian. Taking the message of "Made in India" forward, the film modestly tries to bring back our traditional art forms and handicrafts in focus. Through Mauji (Varun Dhawan) & his wife Mamta (Anushka Sharma), the film talks about the need of social entrepreneurship as a tool for social and economic development of our artisans, living their life in the margins due to the changing times. Set in a small town in India, the film encapsulates the journey of an honest man from a humble background, who pursues his passion, overcoming all odds and soon finds himself on the cover of an international magazine with the world taking note and appreciating his talent. A clean family entertainer, the film emphasizes virtues like honesty, self-respect and community living.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fan - Maneesh Sharma Cover Art

Fan

Fan

In a world of labels it’s easy to forget who made sportsmen, pop singers and matinee idols into stars, superstars and megastars – the FANS. Every FAN has their own personal relationship with their hero – it’s almost a Love Story. FAN is the story of Gaurav (Shah Rukh Khan) a young man, 20 something, whose world revolves around the mega movie star Aryan Khanna (Shah Rukh Khan) or God as he refers to him. From the by lanes of Delhi, young Gaurav embarks on a journey to the city of dreams, Mumbai, in order to wish his God on his birthday. After all, he is Aryan’s biggest FAN and even has a striking resemblance to him – how difficult could it be for the world biggest FAN to get an audience with the world’s biggest Star. When things don't go according to plan, Gaurav’s love and passion for his God turns in to a dangerous obsession that crosses the fine line. In an edge of the seat thriller, FAN will peel away at both Gaurav and Aryan’s personalities and characters as the two men discover people within themselves that even they didn't know existed, and we’re left wondering who to sympathize with and whom to root for - can we really pick a side, after all, Superstars are also human beings but each one of us is also a FAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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English Vinglish - Gauri Shinde Cover Art

English Vinglish

English Vinglish

English Vinglish is the story of a woman who does not know English and is made to feel insecure by her family and society at large. The film is a lighthearted yet touching and transformational journey of Shashi. Circumstances make her determined to overcome this insecurity, master the language, teach the world a lesson on the way to becoming a self-assured and confident woman.

© 2012 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Badrinath Ki Dulhania - Shashank Khaitan Cover Art

Badrinath Ki Dulhania

Badrinath Ki Dulhania

Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. Badrinath Ki Dulhania is the story of these two opposites. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. But ultimately it’s a film about understanding and realization. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Here in lies the essence of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Meri Pyaari Bindu - Akshay Roy Cover Art

Meri Pyaari Bindu

Meri Pyaari Bindu

Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making. This writer’s block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to”. So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love. He realizes, that love, is neither time- nor place-dependent…. All we need is the right person next to us and of course the right soundtrack.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fukrey Returns - Mrighdeep Lamba Cover Art

Fukrey Returns

Fukrey Returns

'Fukrey Returns' picks up a year later from where it ended. Having enjoyed the spoils of war they had so audaciously waged, the Fukras are now at crossroads with their past, which is about to decide their future. Bent upon a merciless payback, Bholi Punjaban is back and all set to take the Fukras on a deadly ride.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Love Aaj Kal - Imtiaz Ali Cover Art

Love Aaj Kal

Love Aaj Kal

An old-fashioned romantic tells his personal love story to a modern man who has just broken up with his girlfriend. Has love really ever changed?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tiger Zinda Hai - Ali Abbas Zafar Cover Art

Tiger Zinda Hai

Tiger Zinda Hai

Inspired by real events, Tiger Zinda Hai is a sequel to the blockbuster Ek Tha Tiger, and an espionage action drama that follows a daring rescue mission in Iraq. When a group of Indian and Pakistani nurses are held hostage in Iraq by the militant Abu Usman, Indian intelligence (RAW) tracks down the reclusive agent Tiger 8 years after he fled with former Pakistani intelligence (ISI) agent Zoya. Joining forces in the name of humanity, Tiger and Zoya lead a team of RAW and ISI agents to covertly enter the hospital where the nurses are trapped, and get the nurses to safety before an American airstrike blows up the hospital. Tiger Zinda Hai is an all-out entertainer with gritty action, music and drama.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Chak De India - Shimit Amin Cover Art

Chak De India

Chak De India

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality. The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India? The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible. Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can. CHAK DE INDIA is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. The Film became a cult classic and won its leading man the National Award and put the Indian National Sport “Hockey”, back on the map.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Titli - Kanu Behl Cover Art

Titli

Titli

In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams. They form a strange, mutually exploitative pact to break the stranglehold of their family roots. But is escape the same as freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Queen - Vikas Bahl Cover Art

Queen

Queen

Rani, a Punjabi girl, belongs to a conservative family. Two days before her wedding, her fiancé Vijay refuses to marry her. She decides to take control of her life and goes alone on her pre-booked honeymoon to visit her favorite places, Paris and Amsterdam. In Paris, she meets Vijayalakshmi, who becomes her friend and confidante and shows her around Paris. Once while shopping, Rani tries out what she considers to be a revealing outfit and accidentally sends a selfie of her in it to Vijay instead of Vijayalakshmi. The selfie prompts Vijay to begin searching for her. Later in Amsterdam, she gets horrified to know her room is shared with three guys. The four become good friends and explore the city. Rani’s character gains self confidence. Eventually, Vijay apologizes and asks her to reconsider the relationship, but in vain. Upon returning to India, she meets up with Vijay at his house. She simply hands him her engagement ring and thanks him. Rani leaves his house relieved and relaxed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dharam Sankat Mein - Fuwad Khan Cover Art

Dharam Sankat Mein

Dharam Sankat Mein

Mr. Dharam at the age of 55 figures out that he was adopted by a Hindu family after his Muslim father left him. He then tries to meet his father who is in critical condition but the Imam tells him to become a Muslim for that. What follows next are a bunch of comical events.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jazbaa - Sanjay Gupta Cover Art

Jazbaa

Jazbaa

Anuradha Verma (Aishwarya Rai Bachchan) is a prominent criminal lawyer and a single mother who has never lost a case. On the day of a parent-child race in her daughter Sanaya's (Sara Arjun) school, Sanaya is kidnapped and no ransom is demanded, but instead the kidnapper contacts her and tells her that she has to defend a convicted felon to get her daughter back. The felon is Miyaaz Shaikh (Chandan Roy Sanyal) who is convicted for rape and murder of a young woman and the case against him is set for judgement in four days. The kidnapper keeps track of Anuradha very closely to make sure she complies with his demand. Anuradha gets help from her friend Yohan (Irrfan Khan) who has been suspended from the police force. The case against Miyaaz Shaikh is handed by a powerful politician Mahesh Maklai(Jackie Shroff) to a renowned public prosecutor(Atul Kulkarni) who has been defeated by Anuradha and hence has a long time professional rivalry against her. An edge of the seat thriller drama unfolds.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Zee Entertainment Enterprises Ltd., located at, 17th floor, Marathon Futurex, N.M.Joshi Marg, Lower Parel, Mumbai 400 013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Traffic - Rajesh Pillai Cover Art

Traffic

Traffic

The story of Traffic, takes place over the course of a single day and is inspired by a real-life incident from Chennai, as shown in the credits. In Pune, superstar Dev Kapoor's daughter is sick and needs an urgent heart transplant. Elsewhere in Mumbai, trainee journalist Reyhan meets with an accident and is declared clinically dead. Reyhan's parents decide to donate his heart to Dev's daughter. However, rains and low visibility conditions make it impossible to transport the heart by air and the only option is to traverse the 150 km by road. Though initially apprehensive, Joint Traffic Commissioner Raghubir Singh accepts the challenge and seeks a volunteer from among his men to drive at 120 kph, through the busy Mumbai streets. Disgraced traffic constable Godbole (who has just rejoined the force after being suspended for taking a bribe to help his sister) puts up his hand and thus begins the journey. He is joined by Reyhan's friend Rajeev and Dr Abel, a surgeon, who is battling his own personal demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Baahubali - The Beginning (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Tamil Version)

Baahubali - The Beginning (Tamil Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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OK Jaanu - Shaad Ali Cover Art

OK Jaanu

OK Jaanu

OK, Jaanu is a contemporary tale of 21st-century urban young romance mapped out in Mumbai and weaves its lyrical tale through the fabric of the city’s drastically bipolar persona. Adi (Aditya Roy Kapur) is a young game designer from Lucknow who dreams of emigrating to the US and living the American dream. He comes to Mumbai to work at a start-up game development firm. He plans to stay at an elderly couple’s home as a paying guest. Gopi (Naseeruddin Shah), an ex-High Court Judge had worked with Adi’s brother, Ravi. He is a straight-laced, somewhat strict old man. His wife Charu (Leela Samson), an erstwhile Hindustani classical singer is a cheerful, witty and quirky lady whose memory is fast fading away due to Alzheimer’s. Adi gradually strikes a bond with them, integrating into their lives. At a chance encounter during his friend’s wedding, he meets Tara (Shraddha Kapoor). She is a recent architecture school graduate working in an architecture firm. She dreams of going to Paris to pursue higher education. The cheerful banter soon gives way to a conversation where both Adi and Tara realize that they strongly feel that marriage isn’t for them. They are happy to find a kindred soul in each other who feels just the same. They ask each other out for coffee and start hanging out more often. They have fun in each other’s company. They both sense the palpable attraction but consciously try to keep a distance as they think the constant proximity can only lead to one thing but they find themselves drawn to each other and are unable to stay apart…and despite their conservative backgrounds, the relationship transcends into a physical one. Tired of hooking up secretly in her women’s hostel room they decide they want to move in together till they go their respective ways to America and Paris. Adi brings Tara to meet Gopi and get his permission. Gopi, the more old-fashioned one flat out dismisses the idea as absurd. As Adi tries to convince him, Tara strikes a chord with Charu over their shared love of music. Charu warms up to the young couple and that clears the way for Adi and Tara to stay in their house. Tara moves in with Adi into his PG to live in together. Tara’s mother and Adi’s family eventually get to know they are living in together and pressure mounts from them to get married. However, Adi and Tara steadfastly refuse to do so. Tara’s admission to a university in Paris comes through, which means she has to leave after summer. Adi’s game pitch gets approved. This is a big break through. Adi has to leave for the US in the coming 10 Days. With only 10 days left and parting imminent, Adi and Tara are forced to confront some matters of the heart. Living in together was always meant to be a stop-gap arrangement but an incident with the elderly couple forces them to relook at their lives and future.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Baahubali 2: The Conclusion (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Tamil Version)

Baahubali 2: The Conclusion (Tamil Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Pyaar Ka Punchnama 2 - Luv Ranjan Cover Art

Pyaar Ka Punchnama 2

Pyaar Ka Punchnama 2

Anshul a.k.a. Gogo (Kartik Aaryan), Siddharth a.k.a. Chauka (Sunny Nijar) and Tarun a.k.a Thakur (Omkar Kapoor) are flat mates and best friends. Film start with Gogo meeting Ruchika a.k.a Chiku (Nushrat Bharucha) and gives her his number. Siddharth ends up meeting Supriya (Sonnalli Seygall) at a family wedding and instantly falls for her. Thakur meets Kusum (Ishita Raj Sharma) while working out at the gym and they start seeing each other. The guys get into relationships with the girls. However, sweetness of love starts to fade. Gogo disapproves of the proximity between Chiku and Sunny, her best friend. Siddhart helps Supriya and her family in their chores, but Supriya is not willing to take the relationship forward. Kusum does not support Thakur in his business adventure and is using him for her luxuries. At the end, the boys give up and leave the girls. The film ends with them acknowledging that the only place where they can get the true love is from their mother.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Raazi - Meghna Gulzar Cover Art

Raazi

Raazi

Set in 1971, when the winds of war were blowing between India and Pakistan, Raazi – an adaptation of Harinder Sikka’s novel “Calling Sehmat” – is a true-life story involving a 20-year-old Kashmiri girl. Sehmat, a Delhi University student, is suddenly called back home to Kashmir by her parents. Her father Hidayat Khan, an influential businessman, has close ties with the Pakistani army. He has fixed Sehmat’s marriage with a Pakistani Brigadier's son. Hidayat Khan is also an asset for the Indian Intelligence and the real reason for Sehmat's marriage is a covert mission: Sehmat is to be sent as a spy into a Pakistani military family and source out all the information that she can get on Pakistan’s strategy in the impending war. Sehmat accepts her fate and is ready to do anything that is required for the country. Sehmat enters the new family and a new country on a mission for her motherland.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 2201 and 202, 2nd Floor, Supreme Chambers, Off Veera Desai Road, 17/18 Shah Industrial Estate, Andheri (W), Mumbai- 400053, India, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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The Attacks Of 26/11 - Ram Gopal Varma Cover Art

The Attacks Of 26/11

The Attacks Of 26/11

Never in the history of the world were there more terrifying attacks than those that happened on 9/11 in New York... but in the sheer audacity of their execution, the attacks of 26/11 on Mumbai were far more shocking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mubarakan - Anees Bazmee Cover Art

Mubarakan

Mubarakan

Karan and Charan are identical twin brothers, but their personalities are polar opposites. Karan has grown up in London while Charan was raised in Punjab. Karan is street-smart, calculative and flamboyant while Charan is simple, idealistic and honest in his approach. Karan is in love with Sweety while Charan is in a relationship with Nafisa. Karan's family fixes Karan's wedding with Binkle, daughter of one of the wealthiest families in London. He convinces his family to fix the match with Charan instead. The respective families are happy with this development except Charan because he wants to marry Nafisa.

© 2017 Sony Pictures Networks Productions, All Rights Reserved.

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Tanu Weds Manu - Anand L. Rai Cover Art

Tanu Weds Manu

Tanu Weds Manu

London-based Dr. Manoj Sharma returns home to Delhi, and in the company of his parents, Kishan and Anju, as well as several others, travels to Chaman Ganj, Kanpur, Uttar Pradesh to meet his prospective bride, Tanuja Trivedi. He approves of her, informs his elders and they begin preparations for the marriage. Subsequently he gets a rude awakening when Tanuja tells him that she already has a boyfriend and plans to marry him even against her parents' wishes. Manoj informs his parents, and they set about to see other girls for their son - albeit in vain - as he has his heart set on Tanuja, and is all set to return back unmarried. Manoj and Tanuja are fated to meet again in Kapurthala, Punjab, while attending the marriage of Jaspreet Singh Jassi and Payal Sinha. While Manoj hopes to win Tanuja's heart - he will face more rejection when she enlists his assistance to elope with another male.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Vicky Donor - Shoojit Sircar Cover Art

Vicky Donor

Vicky Donor

Dr. Baldev Chaddha (Annu Kapoor), a well-qualified fertility expert, runs a fertility clinic and a sperm bank in Daryaganj, New Delhi, which guarantees high quality and specialized sperm for each client. Unfortunately, he has more failed cases to his credit than successful ones. A healthy, high performing donor is the need of the hour. Vicky Arora (Ayushmann Khurana), a young, good-looking, Punjabi boy from Lajpat Nagar, is the financially draining only son of Dolly, a widow, who runs a small beauty parlor from home. As luck would have it, a small brawl in the colony brings Dr. Chaddha and Vicky face to face, and Chaddha concludes that Vicky could be just the donor he has been looking for. From here on, Chaddha’s days and nights are spent convincing Vicky to become a donor, until he finally gives in. Vicky finds his love interest in Ashima Roy (Yaami Gautam), a pretty Bengali girl, who works in a bank. But soon, their hunky-dory world comes crashing down because of Vicky's past as a donor. A funny and emotional roller coaster ride, Vicky Donor is a light-hearted take on the subject of sperm donation.

© 2012 Eros International

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Baahubali - The Beginning (Telugu Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Telugu Version)

Baahubali - The Beginning (Telugu Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Kabhi Khushi Kabhie Gham - Karan Johar Cover Art

Kabhi Khushi Kabhie Gham

Kabhi Khushi Kabhie Gham

Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali's unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them...He then tries to bring father and brother together...Its all about Loving your Parents

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sairat - Nagraj Manjule Cover Art

Sairat

Sairat

Aarchi, a rich upper-class girl falls for her classmate Parshya , a poor but smart boy from the lower social strata. The magic happens, and they start seeing each other. Secretly at first, but they get bolder with passing time. Aarchi's father is a powerful politician and her brother Prince is following in on his footsteps. The entire affair is a recipe for trouble and as expected, trouble arrives. With the help of Parshya's friends, Balya and Salya, they decide to make a run for it, but fate has other plans.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Essel Vision Productions Limited., Located at., Continental Building, 135, Dr. Annie Besant Road, Mumbai-400018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dum Laga Ke Haisha - Sharat Katariya Cover Art

Dum Laga Ke Haisha

Dum Laga Ke Haisha

It is the 1990s, the tape-cassette is dying, CDs will soon be the rage and a regular arranged marriage will turn out to be a perfect mismatch. Prem (Ayushmann Khurrana), a 24 years old high-school dropout and a die-hard Kumar Sanu fan, a shy music buff who runs a tape recording shop in Haridwar. Sandhya (Bhumi Pednekar), a confident 21 year old, and on her way to becoming a teacher, likes to dance to the band tunes at her own wedding. As they get arranged for a marriage and are supposed to spend a lifetime together - and he is still trying to find balance on their scooter ride together. From overcoming his fear of the English language to dealing with an overbearing father (Sanjay Mishra – Ankhon Dekhi), he discovers that his oversized wife, who he thought was a spanner in his spool, will actually lead him to something quite cool.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Aligarh - Hansal Mehta Cover Art

Aligarh

Aligarh

Dr. Shrinivas Ramchandra Siras is a Marathi professor at Aligarh Muslim University and the head of the Classical Modern Indian Languages Faculty. He is a shy and unassuming professor who is happy leading a simple life until one fine day something happens which changes everything. A dark secret which he had expertly masked for many years is uncovered by a group of blundering miscreants who break into his house. What follows is his suspension and a struggle to clear his name. It is during the course of this difficult journey that he meets Deepu, a reporter who wants to give him the benefit of the doubt. Deepu even goes to the extent of protecting Dr. Siras from his reporting head. Dr. Siras hires Ashish Vidyarthi to defend himself in court and hold tight the defensive wall. What started out as something small, soon turns into one of the biggest cases the nation has ever seen.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dear Zindagi - Gauri Shinde Cover Art

Dear Zindagi

Dear Zindagi

Kaira is a budding cinematographer in search of a perfect life. Her encounter with Jug, an unconventional thinker, helps her gain a new perspective on life. She discovers that happiness is all about finding comfort in life's imperfections.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Nasha - Amit Saxena Cover Art

Nasha

Nasha

Nasha is an emotional love story of an 18-year-old student Sahil (Shivam Patil), who falls in deep love with a 25-year-old teacher Anita (Poonam Pandey). Life is pretty normal for the teenager with flashy clothes, a pretty girl friend, summer vacations and his gang of friends, who are up to some trick or the other. Anita is the newly appointed teacher in the school where Sahil studies. While Sahil's gang of boys are busy admiring Anita's well-endowed body, the young stud falls in love with her. The moment he sees Anita, he not only falls for her charm, but also starts fantasizing about being with her. He even starts developing a relationship with her. Soon Sahil is left heartbroken when he finds out that Anita has been in a relationship with someone for the past five years. All of this eventually leads to a roller coaster ride of love getting entangled with lust and sprinkled doses of jealousy and possessiveness.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Unisys Infosolutions Pvt. Ltd., located at 1089, New Housing Board Colony, Sector-13 ext, Karnal - 132001 Haryana, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kuch Kuch Hota Hai - Karan Johar Cover Art

Kuch Kuch Hota Hai

Kuch Kuch Hota Hai

Rahul Khanna and Anjali Sharma were best friends at college. Anjali realizes that she has fallen for Rahul but she's too late because Rahul has already fallen for Tina Malhotra. Heartbroken, Anjali leaves the city. Tina and Rahul get married and soon Tina becomes pregnant, giving birth to a daughter which they call Anjali. Due to complications during pregnancy, Tina passes away. Anjali is brought up by her father, and each year on her birthday he allows his daughter to read one of her mother's letters. Through these letters she learns that her mother (Tina) knew that another Anjali was in love with Rahul, and vows to bring them together again.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.