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1

Bhaag Milkha Bhaag - Rakeysh Omprakash Mehra Cover Art

Bhaag Milkha Bhaag

Bhaag Milkha Bhaag

Milkha Singh – for some the name evokes a faint memory from the pages of history. All that is most remembered is that Milkha Singh hailed as the flying sikh, was a famous athlete, who infamously lost the penultimate race of his life. “The one who lost the 400 meters finals at the Rome Olympics… is an involuntary response when the name Milkha Singh is mentioned. The film attempts to understand catastrophic loss that was deemed a sure victory and explores through the darkness of disgrace; Milkha’s redemption, the redemption and catharsis that come when he confronts his past.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd.,Locatd at., One Unity Center, Tower 4, Senapati Bapat Marg, Prabhadevi Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

2

Sanam Teri Kasam - Radhika Rao & Vinay Sapru Cover Art

Sanam Teri Kasam

Sanam Teri Kasam

A romantic journey about Inder Parihaar (Harshvardhan Rane), an accomplishing lawyer and Saraswati "Saru" (Mawra Hocane), a librarian who at work, harbours feelings for Abhimanyu Shastry (Anurag Sinha). The movie takes you through a journey of love where two people living divergent lives are brought together by fate. Inder Parihaar leads a serene life with regards for nothing whereas Saraswati is a troubled girl as she isn't able to get married because of her conventional mien. Later, Saraswati decides to get a makeover and needed a recommendation for the same and this is how fate brings them together. Watch the movie as the love triangle unfolds with a whole lot of twists and turns in it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

3

Piku - Shoojit Sircar Cover Art

Piku

Piku

Piku (Deepika Padukone) is a Delhi based architect who manages her small business,runs her home and takes care of her 70-year old father Bhashkor Banerji (Amitabh Bachchan).A hypochondriac, Piku’s Baba must ensure that he has her attention 24*7 leaving her with little time to do anything else. Romance and getting a life of her own, just don’t seem possible! While both are deeply attached with one another, they are equally strong headed, stubborn and just won’t let go when dealing with each other’s idiosyncrasies and quirks! When Bhashokar emotionally blackmails Piku to take a road trip from Delhi to Kolkata , the owner of the local cab company Rana (Irrfan Khan) has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. During this undesired road trip they learn to deal with each other’s moods and idiosyncrasies and it reveals more than Bhashokar’s bathroom habits. What follows is a heady mix of motion, emotion & commotion which culminates as Piku and Bhaskhor return to their roots in Kolkata, giving us an insight into the father daughter relationship where Bhaskor’s irritating yet endearing demeanor and Piku’s equally headstrong nature may always be at loggerheads but this seemingly crazy relationship is bonded by an understated and an unconditional love that leaves you wanting more.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We MSM Motion Pictures located at , 3rd Floor, Interface Blg No. 7, Off Malad Link Road, Malad (W), Mumbai, Maharashtra 400064 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

4

Bajirao Mastani - Sanjay Leela Bhansali Cover Art

Bajirao Mastani

Bajirao Mastani

The heroic Peshwa Bajirao, married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

5

Gully Boy - Zoya Akhtar Cover Art

Gully Boy

Gully Boy

Murad is the 22-year-old son of a driver in Mumbai. His parents have worked to get him educated so that he could find a white-collar job. Instead, he finds a love for hip-hop and comes of age while using his music to highlight inequalities.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

6

Veer-Zaara - Yash Chopra Cover Art

Veer-Zaara

Veer-Zaara

Squadron Leader Veer Pratap Singh (Shahrukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta)... a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an aging Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation & deepens with sacrifice. A love that is an inspiration... and will remain a legend forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

7

Dilwale Dulhania Le Jayenge - Aditya Chopra Cover Art

Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge

When Raj (Shahrukh Khan) & Simran (Kajol) first met on an inter-rail holiday in Europe, it wasn't exactly Love at first sight...but when Simran is taken back to India for an arranged marriage, Love makes its presence felt. Encouraged by his father Dharamvir (Anupam Kher - Bend it like Beckham & ER), Raj decides to fly down from London to not just win his Bride but her whole family and the blessings of her father Baldev Singh (Amrish Puri - Indiana Jones & Temple of Doom). All this while the celebrations for her wedding are in full swing. The longest running film in Indian Cinema released on 20th October 1995 and is still showing in Mumbai (India). It won every major award in the year of release & Shahrukh Khan shot to superstardom with this film and it defined the term "Bollywood".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

8

Sultan - Ali Abbas Zafar Cover Art

Sultan

Sultan

Sultan is a story of Sultan Ali Khan (Salman Khan) - a local wrestling champion with the world at his feet as he dreams of representing India at the Olympics. It’s a story of Aarfa (Anushka Sharma) - a feisty young girl from the same small town as Sultan, with her own set of dreams. When the 2 local wrestling legends lock horns, romance blossoms and their dreams and aspirations become intertwined and aligned. However, the path to glory is a rocky one and one must fall several times before one stands victorious. More often than not, this journey can take a lifetime. Sultan is a classic underdog tale about a wrestler's journey, looking for a comeback by defeating all odds staked up against him. But when he has nothing to lose and everything to gain in this fight for his life match... Sultan must literally fight for his life. Sultan believes he’s got what it takes... but this time, it’s going to take everything he’s got. "Wrestling is not a sport, it's about fighting what lies within" - SULTAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

9

Mohabbatein - Aditya Chopra Cover Art

Mohabbatein

Mohabbatein

National Award winner, Yash Chopra and Aditya Chopra’s MOHABBATEIN is a film that portrays the battle between love and fear... A battle between two stubborn men and their opposing beliefs. Raj Aryan (Shahrukh Khan), who stands for love, he would go to any lengths for it. Narayan Shankar (Amitabh Bachchan - voted the Millennium star in the BBC polls) a strict disciplinarian as the head of India’s most prestigious educational institute who stands for fear, he believes that love leads to pain and weakness. It is also the story of 3 young men and women who have to learn to follow their hearts against all the odds and the outcome of their love stories that will decide what will finally triumph. .. love or fear.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

10

Mujhse Dosti Karoge! - Kunal Kohli Cover Art

Mujhse Dosti Karoge!

Mujhse Dosti Karoge!

What would you do if the one you loved was not actually the one you loved. What would you do if your best friend was in love with the one you love. What would you do if your best friends are sacrificing their love for you. Meet Raj (Hrithik Roshan), Pooja (Rani Mukerji) and Tina (Kareena Kapoor) - 3 best friends thrown into a situation that time, letters, love and separation have created for them.Friendship. Beginning of every relationship ends in love. And love. Well it can have only 2 ends. A happy and a sad one. Or can there be a third ending for these three friends.

© 2002 Yash Raj Films Pvt. Ltd. All Rights Reserved

11

Bodyguard - Siddique Cover Art

Bodyguard

Bodyguard

When it comes to being punctual and doing his duties perfectly, Lovely Singh is unmatchable. Taking great pride in what he does, he spares no effort in giving his everything to his profession. Summoned for an assignment of guarding Divvy, the daughter of Sartaj Rana, a business tycoon Lovely Singh accompanies her to her campus, but ends up rubbing her the wrong way with his over-protective nature and paranoia about security. She finds him to be a major obstacle in leading a regular campus life. To throw him off-track and get him out of the way, she comes up with a ‘master-plan’- that of trapping him in a fake love affair. ‘Once he’s smitten by the girl of his dreams and is reveling in his new-found romance, he will leave us alone, and we shall be free to do our own thing unhindered’, says Divya to her friends. She becomes an anonymous admirer of his and starts hounding him, expressing her ‘feelings’ in no uncertain terms. Lovely Singh however proves to be a tough nut to crack, and it takes quite a bit of doing from her side to penetrate his fort-like exterior. But once she succeeds in doing so, he transforms into a completely different person. Divya is triumphant and is all set to relish her regained freedom. But things take an unexpected turn when she learns a few things about Lovely Singh. Things that she could’ve never even imagined! And she soon finds herself trapped in a dilemma that she’s unable to resolve! And with her, soon enough, Lovely Singh finds himself ensnared in a web of lies, trickery and deceit! Bodyguard is the story of conflict- between innocence and mischief, love and power and life and death!

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Reliance Entertainment and Reel Life Production Pvt Ltd located at 49/50, Maruti Chambers, Veera Desai Extn Road, Andheri (West), Mumbai 400053 India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

12

Swades - Ashutosh Gowariker Cover Art

Swades

Swades

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

13

Samrat Prithviraj - Dr. Chandra Prakash Dwivedi Cover Art

Samrat Prithviraj

Samrat Prithviraj

"In 12th Century India, Samrat Prithviraj Chauhan (Akshay Kumar), king of Ajmer and the most famous warrior of his times is deeply in love with the most beautiful Princess Sanyogita (Manushi Chhillar) of Kannauj. Never having met, they fell in love hearing stories about each other from travelling bards.When Samrat Prithviraj decides to give shelter to Mir Husain, who is escaping the wrath of his brother Sultan Mohammed Ghori (Manav Vij) of Ghazni, the mighty Sultan decides to wage a war on India, an evil design in guise of revenge that is thwarted by the brave Samrat Prithviraj Chauhan. In an act of benevolence, a captured Ghori is pardoned by the Samrat. As Samrat Prithviraj is crowned the Emperor of Delhi, his laurels traveling far and wide, Ghori decides to take another shot at capturing Delhi, this time with more might and allies in India, who are as jealous of the prolific Samrat Prithviraj as Ghori. Will Ghori succeed in his evil plans or will Prithviraj be able to teach the Sultan a lesson once again, overcoming the insurmountable odds stacked up against him."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

14

Special 26 - Neeraj Pandey Cover Art

Special 26

Special 26

Based on a real life. A group of con artists who robbed famous businessmen and politicians by pretending to be the CBI or Income tax officers and conducting raids, they would take away all the black money hoarded by them. Based on true incidents during the 1980s.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

15

Love Aaj Kal - Imtiaz Ali Cover Art

Love Aaj Kal

Love Aaj Kal

An old-fashioned romantic tells his personal love story to a modern man who has just broken up with his girlfriend. Has love really ever changed?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

16

Dhoom:2 - Sanjay Gadhvi Cover Art

Dhoom:2

Dhoom:2

The world’s oldest desert, the Namib - A solitary railway line... A royal family on a royal journey. From the sky... like lightening... A flash... the centuries old royal crown is stolen. Back in action... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali’s (Uday Chopra) dream of becoming a police officer has come true. He is now ACP Jai Dixit’s (Abhishek Bachchan) right hand man. Together they are trying to keep a tight leash on the crime in India, little do they know what they are going to be up against. Enter Aryan - Mr.A (Hrithik Roshan) A high tech international thief after pulling off a series of impossible heists all over the world. His next target is Mumbai, India. The case is given to ACP Jai Dixit and Ali helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu). For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai Mr.A finds his match in Sunehri (Aishwarya Rai). A petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership Aryan accepts. And so the game begins. The cops, Jai, Shonali and Ali and they are after Aryan and Sunehri - The Robbers. From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to wild and exotic Rio Brazil. Does ACP Jai Dixit manage to nab Mr.A? Go on! Enjoy the ride!! Once again!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

17

Pathaan - Siddharth Anand Cover Art

Pathaan

Pathaan

Years ago, the agent nicknamed “Pathaan” (Shah Rukh Khan) almost lost his life in service to the country.While recuperating from his injuries, he conceptualized the formation of JOCR, headed by Major Nandini (Dimple Kapadia), a shadow division within India’s Research and Analysis Wing, composed of tough, passionate, and motivated soldiers who would otherwise have been disallowed from service due to injuries sustained in the line of duty. Pathaan and the other JOCR team get intel of an impending attack by a mysterious mercenary group Outfit X. Pathaan comes face to face with the head of Outfit X, an enigmatic and ruthless mercenary Jim (John Abraham), who has a history of his own.Jim kills key members of Pathaan’s team in the attack, compelling Pathaan to swear revenge.He finds that Jim heads Outfit X, a private team of elite mercenaries who were ex-agents of the top spy agencies across the world and are now “Guns for hire”.The latest job that Jim has taken is the biggest one yet - a major attack to be orchestrated against India, Codenamed Raktabeej, after a legendary asura (demon) from Indian mythology who was impossible to kill, because every drop of his blood led to the creation of more and more demons!With the doomsday clock ticking away, Pathaan must urgently find out exactly what Operation Raktabeej is, when it is to take place, and how on earth to stop it.His only ally is an agent who can’t be trusted, Rubai! (Deepika Padukone).The chase to stop Jim and Operation Raktabeej will have Pathaan fighting countless unexpected betrayals and dealing with the death and destruction of everything and everyone he loves. Can Pathaan fight an anarchic killer who is more than his match, one who knows exactly how Pathaan thinks and plans every move ensuring he is three steps ahead? How do you fight a villain who, much like Raktabeej, gets stronger with every attack you mount on him? All that lies between India and destruction is one man. The agent nicknamed “Pathaan”.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

18

Rock On!! - Abhishek Kapoor Cover Art

Rock On!!

Rock On!!

ROCK ON!! is the story of 4 boys who put together a band that could have been one of the greatest in the country, but never make it. Ten years hence, fate conspires to bring them together again and set them on a journey back to where they left off…a soul-searching pilgrimage into their past.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

19

Kaala Patthar - Yash Chopra Cover Art

Kaala Patthar

Kaala Patthar

When disaster strikes - three men stand up to fight for justice for the coal miners who risk their lives as part and parcel of their existence. Vijay (Amitabh Bachchan) a disgraced ex-naval officer has been court martialed and dismissed from the Navy. Vijay is now working at the coal mine. He welcomes every sign of danger and adversity in an attempt to combat the demons within and pay for an act of cowardliness as the captain of a sinking ship. Ravi (Shashi Kapoor) is an engineer in charge of the doomed project. He tries to alert the management on the impending disaster but in vain. Ravi & Vijay join forces in order to save lives of their fellow workers and fight the establishment. Mangal (Shatrughan Sinha) is an escaped convict who finds shelter from the hands of the law at the coal mine. A boisterous and an egoistic man, who finds that there is a compassionate human being buried within him and ends up joining the quest for justice. KAALA PATTHAR is Inspired by a true mining tragedy in Bihar which claimed hundreds of lives... and a film about how different people from different walks of life and backgrounds come together and show true courage and character to fight the forces of nature in what is a loosing battle.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

20

Thugs Of Hindostan - Vijay Krishna Acharya Cover Art

Thugs Of Hindostan

Thugs Of Hindostan

A story about one man’s love for his nation and another’s love for power. The menacing John Clive has the Indians clenched in his fist. The Nawab of Raunakpur, Mirza is secretly acquiring gun powder & ammunition to fuel a revolution led by the righteous Azaad (Amitabh Bachchan). Captain James Powell, Clive’s second in command contracts the sly Firangi (Aamir Khan) to get them Azaad. As destined, Firangi finds himself amid Azaad, his rebels and the beautiful warrior Zafira (Fatima Sana Shaikh). He wins Azaad’s trust. He soon realizes that Firangi has double-crossed them. But even as he breathes his last, he has faith in Firangi. Zafira swears to avenge Azaad & win their freedom. Firangi under the guise of warning Clive & Powell of this looming danger gives out their wrong hideout location, eventually wins Zafira's trust. He finds a safe haven for them at Suraiyya's (Katrina Kaif) brothel who helps them get to Clive. But will Firangi forgo his selfish desire for the nation’s freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

21

Rab Ne Bana Di Jodi - Aditya Chopra Cover Art

Rab Ne Bana Di Jodi

Rab Ne Bana Di Jodi

Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell? Maybe not! How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell? This is what happened to Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious - Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. What follows is a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi (couple).

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

22

Baahubali - The Beginning (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Hindi Version)

Baahubali - The Beginning (Hindi Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena and during their escape, uncovers the truth behind his mysterious past. A flashback unfolds here with King Vikramadeva of Mahishmati passing away suddenly, leaving behind an empty throne and an orphaned son, Bahubali. The kind and righteous Sivagami, wife to Bijjaladeva and biological mother to Bhalladeva, goes onto adopt her nephew and raises him as her own. This decision however, bears consequences; having to share his mother’s love and the status of a crown prince, Bhallaladeva secretly grows to be highly jealous of and hateful toward Bahubali. His resentment further grows when his mother chooses Bahubali as the King of Mahishmati. After establishing that Shivudu is in fact the son of Bahubali and Devasena, the film ends in a cliff-hanger, leaving the audience wondering about the death of Bahubali.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

23

Rockstar - Imtiaz Ali Cover Art

Rockstar

Rockstar

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend – great music is borne from great pain. He who hasn’t experienced the pain of heartbreak shall not know the depth and intensity of sublime music.Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.Heer and Janardhan get separated, as she gets married off to Prague. Janardhan’s pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer’s story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

24

English Vinglish - Gauri Shinde Cover Art

English Vinglish

English Vinglish

English Vinglish is the story of a woman who does not know English and is made to feel insecure by her family and society at large. The film is a lighthearted yet touching and transformational journey of Shashi. Circumstances make her determined to overcome this insecurity, master the language, teach the world a lesson on the way to becoming a self-assured and confident woman.

© 2012 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

25

Ekk Deewana Tha - Gautham Vasudev Menon Cover Art

Ekk Deewana Tha

Ekk Deewana Tha

Sachin and his Hindu Bramhin family rent the apartment of a strict Malayali Christian family. Although he has a certificate in automobile engineering, his passion is to be a film director. When Sachin meets the daughter of this family Jessie he falls head-over-heels in love with her and even professes love to her. But Jessie confides to Sachin that she does not want a romantic relationship but would prefer friendship due to certain norms of her family and then all is revealed to her family with her dad arranging her marriage elsewhere leading to fisticuffs between Jessie's brother Jerry and Sachin. After this it looks like his dream of being with Jessie will never come through.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Salaam Namaste - Siddharth Raj Anand Cover Art

Salaam Namaste

Salaam Namaste

Falling in love. It's very easy to do. Being in love - now that's the tough part! Nick - He's a chef. Ambar - She's a Radio Jockey. They're young, they're cool, they're independent -and together they make the PERFECT pair! Or do they? Surrounded by quirky friends, bosses and landlords but far away from home. Nick and Ambar take a huge leap of faith as they decide to move in together. And now they must tiptoe towards getting to know each other? They are attracted to each other - but they fight. They live together, but as friends, in different rooms. They're in a relationship... but then again they're not. They seem to want the same things, but it seems that they have very little in common. Between all this chaos, they find out that Ambar is pregnant. Nick doesn't want the baby. How the two handle this dilemma is what will decide the direction this relationship will take and be the real test of their love. So are they really made for each other? Are they actually compatible? Is this whole thing worth it? After all, if a relationship is what happens when you're busy not thinking about it - then what does it mean when everything has to be such a "decision"? SALAAM NAMASTE gives us a quirky take on life, love and relationship as it looks at a fairy tale with a bit of a squint. Full of colour, humour and zest it is an endearing look at what being in love really means!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Yeh Dillagi - Naresh Malhotra Cover Art

Yeh Dillagi

Yeh Dillagi

Sapna (Kajol) was a frequent visitor to the Saigal mansion as her father was the most trusted driver of the family. She envied the rich, and wanted to be like them. When she is reminded of her social status by the super rich brat Vicky Saigal (Saif Ali Khan), she leaves town to make something of herself. Now she is back as a successful and wealthy model and Vicky sees her in a different light and falls for her. The problem is that his elder brother Vijay (Akshay Kumar) is already in Love with the same girl.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Happy New Year - Farah Khan Cover Art

Happy New Year

Happy New Year

Having had two huge box-office hits with ‘Main Hoon Na’ and ‘Om Shanti Om’ – the successful pairing of Farah Khan and Red Chillies Entertainment is back with a new film – Happy New Year. Happy New Year is built around 5 disparate characters who are fighting a most unlikely battle.. a battle of international proportions.. but it’s a battle being fought on a dance floor. Where the rest of the world’s competitors are battling for national pride and glory on the world stage, our 5 are dancing for a different cause.. revenge, retribution and closure. This is Team India, a group that has no confidence in its own dancing abilities, but is competing for a cause very important to them. How this bunch of losers transform themselves into a team that performs really well and how they win over the hearts of the people in the city and across the world, forms the rest of the story.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, RED CHILLIES ENTERTAINMENTS PRIVATE LIMITED located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai 400 054 hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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Andhadhun - Sriram Raghavan Cover Art

Andhadhun

Andhadhun

Akash, a blind pianist, is preparing for a London concert. Sophie's scooter bumps into Akash and upon finding he a pianist she takes him to her restaurant Franco's run by her father and offers him a job. Akash meets 70s actor Pramod Sinha at the restaurant who asks him to do a private concert of his songs at his residence to surprise his wife, Simi. Next Day upon reaching his house a shocking surprise is waiting for Akash.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Raees - Rahul Dholakia Cover Art

Raees

Raees

RAEES is the fictitious story of a man named Raees (Shah Rukh Khan), set in early 1980’s to 1990’s Gujarat, India. The film explores how Raees' relationships and meteoric rise helped him build an entire empire from scratch, to make him the single most powerful man in the state. Less of a gangster but more of an impresario, Raees gains popularity, a cult following and most importantly the public's trust by demonstrating entrepreneurial flair, unfettered determination to achieving his goals and ironically a heart of gold. His layered character traits encapsulates an inimitable blend of personas, making him revered, loved and feared. Always thinking ahead of the curve and using revolutionary ideas of management which were unheard of during his time, but are now doctrines for students, Raees eliminates every opposition that comes his way. However, his downfall will be crossing paths with the no-nonsense police officer Majumdar, whose sole reason for existence is the elimination of crime. What ensues next is a tumultuous battle between the two, which forms a key defining element of the film’s narrative.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at lot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Band Baaja Baaraat - Maneesh Sharma Cover Art

Band Baaja Baaraat

Band Baaja Baaraat

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college. Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams. A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure). Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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M.S. Dhoni: The Untold Story - Neeraj Pandey Cover Art

M.S. Dhoni: The Untold Story

M.S. Dhoni: The Untold Story

The film begins with the ICC Cricket World Cup Final (India vs Sri Lanka) at the Wankhede Stadium, Mumbai where Mahendra Singh Dhoni (Sushant Singh Rajput) is watching the match live on screen. He decides to take a stand and tells the authorities that he will bat if a wicket falls. Dhoni takes up his bat and leads down the stairs amidst the roar of the crowd. There is then a flashback in Ranchi, set on 7 July 1981, the day on which Dhoni was born. Further, it talks about his schooling, college days, entry in the state level and international cricket, his captaincy till India wins the world cup in 2011.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ta Ra Rum Pum - Siddharth Anand Cover Art

Ta Ra Rum Pum

Ta Ra Rum Pum

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team Speeding Saddles, everything changes for RV and the team... They shoot to the top.... the dream is complete when he meets Radhika (Rani Mukerji) and the 2 tie the knot... the world is at their feet. But when he meets with an accident, his world is turned upside down, he not only loses the edge on the track but everything he had once gained, the accolades, the fans, the money, the house the friends and the glory. It is now that his young family must help him fight his demons and get him back in the driving seat. The family struggles to survive a life that they are not used to - from a big house in a plush locality to the a run down apartment in the Bronx is not what RV wanted for his family - RV is on the road back but can he reclaim the glory for his family?

© 2007 Yash Raj Films Pvt. Ltd. All Rights Reserved

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Romeo Akbar Walter - Robbie Grewal Cover Art

Romeo Akbar Walter

Romeo Akbar Walter

Romeo (John Abraham), a bank cashier, is recruited by India’s foreign intelligence agency — the Research and Analysis Wing (RAW). They believe he’s a master of disguise and can operate as Akbar, India’s undercover agent in Pok (Pakistan occupied Kashmir) during the events leading up to the 1971 Indo-Pak war. Can he pull it off?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Nasha - Amit Saxena Cover Art

Nasha

Nasha

Nasha is an emotional love story of an 18-year-old student Sahil (Shivam Patil), who falls in deep love with a 25-year-old teacher Anita (Poonam Pandey). Life is pretty normal for the teenager with flashy clothes, a pretty girl friend, summer vacations and his gang of friends, who are up to some trick or the other. Anita is the newly appointed teacher in the school where Sahil studies. While Sahil's gang of boys are busy admiring Anita's well-endowed body, the young stud falls in love with her. The moment he sees Anita, he not only falls for her charm, but also starts fantasizing about being with her. He even starts developing a relationship with her. Soon Sahil is left heartbroken when he finds out that Anita has been in a relationship with someone for the past five years. All of this eventually leads to a roller coaster ride of love getting entangled with lust and sprinkled doses of jealousy and possessiveness.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Unisys Infosolutions Pvt. Ltd., located at 1089, New Housing Board Colony, Sector-13 ext, Karnal - 132001 Haryana, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Lakshya - Farhan Akhtar Cover Art

Lakshya

Lakshya

Lakshya movie is about character Karan who is a lazy man, who is good for nothing. He lives on the income generated by his father and elder brother, who run the family business. All Karan does is have fun with his buddies and romance a woman named Romi. When he watches an action movie, he and his friends decide to enlist in the army, but the course proves to be too much of a bother and he abandons it half way, thus making his lose respect on the home front. Romi also stops respecting him. Now Karan decides that he must re-join the army and show to his family and Romi that he too is focused about path he has to take in this lifetime. But will he be resilient enough to carry out this task?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gold - Reema Kagti Cover Art

Gold

Gold

Gold set in 1948 tells the historical story of the Hockey team that won the first Olympic medal for India as a free nation on the 12th of August 1948. The same date this year commemorates the 70th anniversary of this historic feat. The story of Gold highlights India's emergence from the shadow of the British Empire as it meets the British hockey team on the field, this time as a nation in its own right. Gold is an inspirational story of a team that fought ​against all the odds to bring their nation hope, pride, and respect.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

38

Fukrey Returns - Mrighdeep Lamba Cover Art

Fukrey Returns

Fukrey Returns

'Fukrey Returns' picks up a year later from where it ended. Having enjoyed the spoils of war they had so audaciously waged, the Fukras are now at crossroads with their past, which is about to decide their future. Bent upon a merciless payback, Bholi Punjaban is back and all set to take the Fukras on a deadly ride.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jab Tak Hai Jaan - Yash Chopra Cover Art

Jab Tak Hai Jaan

Jab Tak Hai Jaan

Superstar Shahrukh Khan, gives an electrifying performance as Samar Anand, a hard working young immigrant in the city of London, where he glimpses upon the love of his life, a gorgeous angelic looking girl, (Katrina Kaif). They meet and their bond blossoms into love with time spent together. Samar however meets with a serious accident, and Meera vows to God she will leave Samar forever if He allowed him to live again, their love affair ends as quickly as it began. Samar angered with God and fueled with his love for Meera, declares War against Him. Samar Anand vows to walk into the jaws of death everyday as a challenge to God to keep him alive. He becomes Major Samar Anand in the Indian Army, a bomb disposal chief, defusing bombs without ever wearing a bomb suit. It is here that Major Samar also known as ‘the man who cannot die’ meets Akira (Anushka Sharma), a spirited vibrant, ‘today’s generation’ Discovery Channel correspondent with a WTF attitude. Aware of Samar Anand’s story, Akira is determined to unravel the mystery of love in this intriguing story, whilst herself falling hopelessly in love with Samar. Is Akira able to unravel the mysteries of love, does Samar win the battle or then does God surrender to his love? From the legendary and unforgettable director Mr. Yash Chopra, comes an uncompromising film fascinatingly distinctive and contemporary with a visionary passion for true love. Experience this story of love and allow it to recapture your heart...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kambakkht Ishq - Sabbir Khan Cover Art

Kambakkht Ishq

Kambakkht Ishq

Kambakkht Ishq explores the relationship between two individuals who are so different from each other that no matter how many times they are pushed together, there are just fireworks, and no fire.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sooryavansham - E. V. V. Satyanarayana Cover Art

Sooryavansham

Sooryavansham

Heera is naive and uneducated which is the main reason why his father has utter disdain for him. He is always treated as the butler boy for carrying out chores around the house but never as the son of the family. Heera rescues Radha from a forceful arranged marriage wedding ceremony and elopes with her. His father, Bhanupratap after hearing this socially outcasts him and sends him out of the house with his newly wed wife. Heera and Radha go through a lot of struggle and finally, toil their way to success after their bus service becomes a people's favourite. Over time Heera becomes a rich man. He follows his father's footsteps and inaugurates a charitable hospital in his father's name. Later, Heera is drowned in the depths of despair when he is accused of poisoning his father. Will Heera truly hurt his father? Watch this movie and find out.

© 1999 Padmalaya Combines, All Rights Reserved.

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Detective Byomkesh Bakshy - Dibakar Banerjee Cover Art

Detective Byomkesh Bakshy

Detective Byomkesh Bakshy

Detective Byomkesh Bakshy is based on the early exploits of India’s first true-blue detective, created by Bengali bestseller writer Saradindu Bandyopadhyay. Directed by Dibakar Banerjee, the film is set in the Second World War torn Calcutta during the 1940s and follows the first adventure of Byomkesh Bakshy (Sushant Singh Rajput), fresh out of college, as he pits himself against an evil genius who is out to destroy the world. Using his wits against the most villainous arch criminal the world has seen, in a world of murder, international political intrigue and seduction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Madras Café - Shoojit Sircar Cover Art

Madras Café

Madras Café

An Indian Intelligence agent (portrayed by John Abraham) journeys into a war torn coastal island, to break a resolute rebel group. He deftly maneuvers his resources to make significant breakthroughs, amidst a scenario where the enemy has no face and the only counsel is "Don't get caught." At various junctions, he meets a charismatic and passionate journalist (portrayed by Nargis Fakhri) who is following her will to reflect the truth behind the civil war. The story unfolds as their quest for the truth reveals a deeper conspiracy, by a faceless enemy, united to seize a common nemesis - India.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Rangoon - Vishal Bhardwaj Cover Art

Rangoon

Rangoon

Julia journeys to the Indo-Burma border to perform for the troops during World War II, on the insistence of Bilimoria, her lover. There, she finds herself enamored by Nawab Malik, a soldier.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

45

Gunday - Ali Abbas Zafar Cover Art

Gunday

Gunday

When they ran to save their lives for the first time, they were mere 12-year-old boys, and the world called them 'refugees'. The war of 1971 gave birth to a new country - Bangladesh. It also gave birth to two young orphans - Bikram and Bala. They witnessed the war and its aftermath, where the world tried to trample over them. Fighting for survival, they clung to each other and escaped to Calcutta. Before they knew the world, they knew each other. Such was their bond, such was their friendship. Each time they sought new beginnings, each time they would rise, the world would crush them down. So, they fought again... and again. Together they were unbeatable, unstoppable and inseparable. In the years that passed, Bikram and Bala, became Calcutta's most loved, most reckless, most fearless and most powerful GUNDAY! They had everything, but one fine day, Nandita, the most beautiful cabaret dancer, walked into their lives, and they lost everything to her. Their murky world turned magical and colorful, and they fell head over heels in love with her. But that was only a blissful lull before an impending storm. ACP Satyajeet Sarkar, the right for every wrong, a law for every outlaw, arrives as a counter force for Bikram and Bala. What follows is the most sensational story ever told.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sanju - Rajkumar Hirani Cover Art

Sanju

Sanju

Few lives in our times are as dramatic and enigmatic as the saga of Sanjay Dutt. Coming from a family of cinema legends, he became a film star, and then saw dizzying heights and darkest depths: adulation of die-hard fans, unending battles with various addictions, brushes with the underworld, prison terms, loss of loved ones, and the haunting speculation that he might or might not be a terrorist. Sanju is a hilarious and heartbreaking exploration of one man’s battle against his wild self and the formidable external forces trying to crush him. It depicts the journey of a man through everything that life can throw at him. Some true stories leave you thinking “did this happen?” This is one such unbelievable story that happens to be true.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajkumar Hirani Films Pvt. Ltd., Located at, Unit 361, 6th Floor,Builidng 3, Solitaire Corporate Park, Chakala, Andheri (E), Mumbai - 400 093, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Bachna Ae Haseeno - Siddharth Anand Cover Art

Bachna Ae Haseeno

Bachna Ae Haseeno

Why do girls always fall for the wrong guy? Their mothers warn them about him. Their friends shake their heads disapprovingly. Their minds tell them to escape while the going is good. But no! oh no! Their hearts are another story. You see, they are sending all the wrong signals. His name alone is enough to scramble their brains and set their hearts racing. Meet Raj. He is the stuff of dreams, with the looks of a ‘butter wouldn’t melt in my mouth’ good boy. Who can blame him for falling in love as many times as love is fortunate enough to find him. It’s not his fault that he’s a heartbreaker, it’s in his DNA. Come discover his three love stories; Raj and Mahi, Raj and Radhika, Raj and Gayatri. Different ladyloves at different times in his life. And each of them, teach him a little bit about love and a little bit about life, in their own sweet, sexy or sassy way. Come fall in love... three times.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tanu Weds Manu - Anand L. Rai Cover Art

Tanu Weds Manu

Tanu Weds Manu

London-based Dr. Manoj Sharma returns home to Delhi, and in the company of his parents, Kishan and Anju, as well as several others, travels to Chaman Ganj, Kanpur, Uttar Pradesh to meet his prospective bride, Tanuja Trivedi. He approves of her, informs his elders and they begin preparations for the marriage. Subsequently he gets a rude awakening when Tanuja tells him that she already has a boyfriend and plans to marry him even against her parents' wishes. Manoj informs his parents, and they set about to see other girls for their son - albeit in vain - as he has his heart set on Tanuja, and is all set to return back unmarried. Manoj and Tanuja are fated to meet again in Kapurthala, Punjab, while attending the marriage of Jaspreet Singh Jassi and Payal Sinha. While Manoj hopes to win Tanuja's heart - he will face more rejection when she enlists his assistance to elope with another male.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Mardaani - Pradeep Sarkar Cover Art

Mardaani

Mardaani

India is the world's hub for child sex trafficking... Nearly 40,000 children are abducted every year... Every 8 minutes a girl child goes missing in India! Meet Shivani Shivaji Roy, Senior Inspector, Crime Branch, Mumbai Police, who sets out to confront the mastermind behind a child trafficking mafia, which makes the mistake of kidnapping and smuggling a teenage girl, Pyari, out of the city. Pyari is like a daughter to Shivani and her family and in her obsessive hunt for the girl, she stumbles into the world of decadence and debauchery, cruel desires and exploitation and onto a case that will change her life forever. What follows is a cat and mouse game between a fearless cop and a young and ruthless mafia kingpin in a war which is very personal. Catch Rani Mukerji in the lead, playing an edge of the seat role of a lifetime, in this raw and gritty film which is a distinct departure from Pradeep Sarkar's style of filmmaking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Prem Ratan Dhan Payo - Sooraj R. Barjatya Cover Art

Prem Ratan Dhan Payo

Prem Ratan Dhan Payo

Yuvraj Vijay Singh (Salman Khan) a prince of Pritampur, is soon to be crowned as king and is engaged to Princess Maithili (Sonam Kapoor). His step-brother Yuvraj Ajay Singh (Neil Nitin Mukesh) wants to kill him and take the crown. Yuvraj Vijay barely escapes a plan coordinated by Yuvraj Ajay to kill him and he's hidden in a secret chamber. Meanwhile, Vijay's lookalike Prem Dilwale (Salman Khan) a perky, lively and carefree stage actor falls in love with Princess Maithili, reaches Pritampur to meet her. The Security Head of Pritampur Palace, Sanjay (Deepraj Rana) notices him by chance, and takes him to Diwan Sahib (Anupam Kher). Upon witnessing the striking resemblance he and Yuvraj Vijay come up with the plan that Prem take Yuvraj Vijay's place while Yuvraj recovers in a hideout. Prem acts as Yuvraj Vijay but with his simple and caring nature, impresses Maithili who earlier wanted to break up with Vijay. The truth reveals itself and Maithili is shocked to know the truth about Prem.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Productions (P) Limited, 422, 1st floor, Bhavana Building, Veer Savarkar Marg, Prabhadevi, Mumbai, 400025 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

51

Vicky Donor - Shoojit Sircar Cover Art

Vicky Donor

Vicky Donor

Dr. Baldev Chaddha (Annu Kapoor), a well-qualified fertility expert, runs a fertility clinic and a sperm bank in Daryaganj, New Delhi, which guarantees high quality and specialized sperm for each client. Unfortunately, he has more failed cases to his credit than successful ones. A healthy, high performing donor is the need of the hour. Vicky Arora (Ayushmann Khurana), a young, good-looking, Punjabi boy from Lajpat Nagar, is the financially draining only son of Dolly, a widow, who runs a small beauty parlor from home. As luck would have it, a small brawl in the colony brings Dr. Chaddha and Vicky face to face, and Chaddha concludes that Vicky could be just the donor he has been looking for. From here on, Chaddha’s days and nights are spent convincing Vicky to become a donor, until he finally gives in. Vicky finds his love interest in Ashima Roy (Yaami Gautam), a pretty Bengali girl, who works in a bank. But soon, their hunky-dory world comes crashing down because of Vicky's past as a donor. A funny and emotional roller coaster ride, Vicky Donor is a light-hearted take on the subject of sperm donation.

© 2012 Eros International

52

Hum Saath Saath Hain - Sooraj R. Barjatya Cover Art

Hum Saath Saath Hain

Hum Saath Saath Hain

The story is about the love and affection shared between brothers and unity within a family. Ramkishen (Alok Nath) and his wife Mamta (Reema Lagoo) live with their three sons, Vivek (Mohnish Behl), Prem (Salman Khan), and Vinod (Saif Ali Khan). Prem and Vinod have sweethearts in Preeti and Sapna (Sonali Bendre and Karisma Kapoor), but the eldest son Vivek has always been shy due to a birth handicap. The family meets with Adarsh and his daughter Sangeeta (Rajeev Verma and Tabu), and decide to get Sangeeta and Vivek get married. After their wedding Mamta becomes insecure, assuming that Vivek (her step-son) would become selfish and take over the business. To protect Prem and Vinod, Mamta schemes with Dhanraj (Sadashiv Amrapurkar) to alienate Vivek from the inheritance. This divides the family. Due to the love for his elder brother, Prem quietly revolts against his mother's decision and changes her heart. Hum Saath Saath Hain restores faith in the Indian concept of a joint family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Aladin - Sujoy Ghosh Cover Art

Aladin

Aladin

Aladin Chatterjee (Riteish Deshmukh) lives in the city of Khwaish, an orphan who has been bullied since childhood by Kasim and his gang. His life changes when Jasmine (Jacqueline Fernandez) gives him a magic lamp because it lets loose the genie Genius (Amitabh Bachchan). Desperate to grant him three wishes and seek the end of his contract with the Magic Lamp, the rock-star Genius makes Aladin's life difficult until the real threat looms on the horizon: the ex-genie Ringmaster (Sanjay Dutt). Why does Ringmaster want to kill Aladin? What is the dark secret about Aladin's past that Genius is carrying? And what is Aladin's destiny?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Motichoor Chaknachoor - Debamitra Biswal Cover Art

Motichoor Chaknachoor

Motichoor Chaknachoor

A hilarious story of a 36-year-old jobless man Pushpender, trying to find a wife and Anita who's also looking for a husband. But there's a catch - Anita wants to settle abroad after marriage.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Boss - Anthony D'Souza Cover Art

Boss

Boss

Satyakant Shastri (Mithun Chakraborty) is an honest and upright teacher from a small town India. He lives for his son, Shiv (Shiv Pandit). But Satyakant's past never fails to haunt him, where he had an elder son, who he disowned long ago. Satyakant has big dreams for Shiv and decides to send him to big city to embark on this career. Shiv encounters a gorgeous Ankita (Aditi Rao Hydari) and they fall in love. But standing in the way of their romance is a deadly trio- Ankita's brother who is a ruthless cop, the Home Minister and his son who wants Ankita for himself. A plan is hatched to target Shiv, and the trio succeeds in framing him for something he hasn't done. Satyakant's world comes crashing down as he watches Shiv being punished and put behind bars with absolutely no chance of getting out. When all the doors have been shut, Satyakant is left with only one option to save Shiv- to reach out to his elder son, Suryakant (Akshay Kumar), who is now more popularly known as Boss.

© 2013 Viacom18 Motion Pictures

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Mujhse Fraaandship Karoge - Nupur Asthana Cover Art

Mujhse Fraaandship Karoge

Mujhse Fraaandship Karoge

If Rahul the rockstar has got the voice and the looks, Vishal, the writer has the brains. If Malvika, the fashion design student and biker chick can get heads turning with just her looks, Preity, the photographer, can say a million things with her pretty pictures. What Vishal and Preity can't do, is spell it out to Malvika and Rahul that they heart them. But 'Liking' someone on Facebook is a lot easier. And when you can't make it on your own, the best thing to do is to fake it. So, Vishal becomes Rahul and Preity becomes Malvika by taking their identities online and they start fraaandshipping each other. They chat, 'like', tag and LOL together and do a great job of pretending to be someone else. But, the question remains, how long can you fake true love? In short, Rahul loves Malvika. And Malvika loves Rahul. But Rahul is not Rahul. Rahul is Vishal. And Vishal loves Malvika too. But Malvika is not Malvika either. Malvika is Preity. And Preity loves Rahul. But Preity hates Vishal. And Vishal hates Preity. MUJHSE FRAAANDSHIP KAROGE. THIS SEASON'S MOST SCREWED UP LOVE STORY.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Le Gaya Saddam - Amjad Khan Cover Art

Le Gaya Saddam

Le Gaya Saddam

The story is based on the Muslim divorce system. The 1500 years old Muslim religion has its own rules and regulation for its followers as mentioned in Shariyat. According to Muslim Shariyat if once divorced couple decides to marry each other again, the girl has to marry a third person at first. They must spend one night and the next morning the groom will give her a divorce. Only then can the former couple marry each other. Muslims take this ritual as punishment for divorcing their loving partners out of silly anger. But sometime they take disadvantage from this rule.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Get Educated: Paathshaala - Milind K. Ukey Cover Art

Get Educated: Paathshaala

Get Educated: Paathshaala

The story starts with the joining of a new English teacher, Rahul Prakash Udyavar (Shahid Kapoor), in Swaraswati Vidya Mandir School, situated in the outskirts of Mumbai’s suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanely when the parents do not fulfill the new unjustified demands of the school. Day by day the stress level of the students increases, leading to unexpected and grim consequences. The situation becomes so explosive that it becomes a national issue. Paathshaala tries to answer many questions related to the sanctity of today’s education system. The high morals and basic ethics of the teachings have taken a back seat. Profit and more profit have become a new mantra of educational institutions. Paathshaala is not afraid of telling the truth about the wrong doings of greedy educational institutes; neither does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dum Maaro Dum - Rohan Sippy Cover Art

Dum Maaro Dum

Dum Maaro Dum

On his way to Griffin University, US, Goa-based Lawrence Eduardo Gomes is arrested and held at the airport by a corrupt ACP Vishnu Kamath as his baggage has drugs. While attempts by Lorry and others are made to clear Lawrence's name, Vishnu continues his investigation, aided by Inspectors Mercy D'Costa and Rane, which end up not only pitting him against politically-connected drug-dealers but also international gangsters who operate in Goa with impunity. His inquires lead him to business tycoon, Lorsa Biscuita, while informers indicate that Lorsa is going to meet with Michael Barbosa, who may well be the head of this trade. Vishnu attempts to attend this meeting, but unaware that the venue is being moved to Karnataka - well outside Goa Police's jurisdiction - and he may never be able to find out, leave alone apprehend this individual.

© 2011 Fox STAR Studios

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Baahubali 2: The Conclusion (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Hindi Version)

Baahubali 2: The Conclusion (Hindi Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Ae Dil Hai Mushkil - Karan Johar Cover Art

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil is the ultimate story of unrequited love... the shapes and forms it takes and the highs and lows of the characters' lives. We follow the journey of Ayan Sanger, the sweet, quirky son of an industrialist, who nurtures a hidden passion for singing... Alizeh, the charming and funny, but neglected youngest daughter in a daunting family of aristocrats... Saba, the stunningly beautiful divorcée, who pours her pain into her poetry. How the three characters' lives intertwine and connect and how they find closure in the romantic and unromantic forms the crux of this film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Dil Dhadakne Do - Zoya Akhtar Cover Art

Dil Dhadakne Do

Dil Dhadakne Do

Dil Dhadakne Do revolves around an imbalanced Punjabi family on a cruise trip where the film is based on. Ranveer Singh is seen in a character as Kabir, who is a wealthy person by birth. Being a son of a business man, he was raised up to take up the business. But the story reverses, as he is interested in plans and aspires to became a Pilot. Due to this difference he faces a lot many problems until he meets Farah (Anushka Sharma). She is a girl, who escaped from her home to make her dream over dance come true. She comes across Kabir, which turns his miserable life into bed of roses. Priyanka Chopra is seen as Ranvir sister. She plays an ambitious entrepreneur married to Rahul Bose when she goes on the cruise, but Farhan acts as the third angle to Priyanka-Rahul's dysfunctional relationship.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Yeh Jawaani Hai Deewani - Ayan Mukerji Cover Art

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani is the story of four characters, Bunny (Ranbir Kapoor), Naina (Deepika Padukone), Aditi (Kalki Koechlin) and Avi (Aditya Roy Kapur) at two separate but defining times in their lives; First, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they will become... and then later on, in their late twenties when they reunite at the wedding of the first of their bunch, now holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... YJHD is a cocktail of all the encounters and obsessions that form the exhilarating and terrifying journey of youth... an effort to somehow capture the spirit of the lives of these four characters as they navigate life, love and their search for what truly gives their lives meaning.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai - 400052, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Befikre - Aditya Chopra Cover Art

Befikre

Befikre

"Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor).A feisty romance ensues between the two in which both of their personalities - one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gangs of Wasseypur - Anurag Kashyap Cover Art

Gangs of Wasseypur

Gangs of Wasseypur

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Staying true to its real life influences, the film explores the revenge saga through the socio-political dynamic in erstwhile Bihar (North India), in the coal and scrap trade mafia of Wasseypur, through the imprudence of a place obessed with mainstream 'Bollywood' cinema.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Kapoor and Sons (Since 1921) - Shakun Batra Cover Art

Kapoor and Sons (Since 1921)

Kapoor and Sons (Since 1921)

Kapoor and Son’s since 1921 is a dramedy that sure knows how to put the fun in “dysfunction”. Rahul and Arjun, two estranged brothers are forced to return to their childhood home when their 90 year old Grandpa gets a heart attack. While living under one roof, family secrets unravel and misunderstandings are on the verge of turning into tragedy. What follows is what families are made of ... chaos, humor, heartache and redemption. Can the Kapoors get past the lies and betrayal? Can they forgive and forget? Can these imperfect people come together, to make the perfect family?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Sui Dhaaga - Made In India - Sharat Katariya Cover Art

Sui Dhaaga - Made In India

Sui Dhaaga - Made In India

"Sui Dhaaga - Made in India" is a heart-warming story of pride and self-reliance, which finds its roots in the heart of India and reflects the passion that runs through the veins of every single Indian. Taking the message of "Made in India" forward, the film modestly tries to bring back our traditional art forms and handicrafts in focus. Through Mauji (Varun Dhawan) & his wife Mamta (Anushka Sharma), the film talks about the need of social entrepreneurship as a tool for social and economic development of our artisans, living their life in the margins due to the changing times. Set in a small town in India, the film encapsulates the journey of an honest man from a humble background, who pursues his passion, overcoming all odds and soon finds himself on the cover of an international magazine with the world taking note and appreciating his talent. A clean family entertainer, the film emphasizes virtues like honesty, self-respect and community living.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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B.A. Pass - Ajay Bahl Cover Art

B.A. Pass

B.A. Pass

A young small town boy moves to Delhi to stay with his aunt and finish his college. Soon he is seduced by a mysterious married woman known to him as Sarika `Aunty`. Set amidst the neon-lit by lanes of Delhi`s Paharganj unfolds an erotic human drama between the two. A relationship based on lust, lies and deceit is forged. As the young boy gets more and more entrenched into his surroundings he discovers a city that thrives on corrupting even the most naive and innocent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, V ONE ENTERTAINMENT PVT.LTD. located at 899, JAIN BUNGLOW, JASSAWALA WADI, JUHU, MUMBAI 400049, INDIA. hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gangs of Wasseypur II - Anurag Kashyap Cover Art

Gangs of Wasseypur II

Gangs of Wasseypur II

Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faisal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Jolly LLB 2 - Subhash Kapoor Cover Art

Jolly LLB 2

Jolly LLB 2

Jagdishwar Mishra aka Jolly (Akshay) starts out as a prominent lawyer’s sidekick in Kanpur. Driven by ambition, he hoodwinks a pregnant widow, Hina Siddique (Sayani Gupta) on the lookout for justice. He lands the murder case of her husband, but when she realizes he is a fraud, she kills herself. Leaving Jolly with a guilt on his conscience and an unresolved case in his hands. Now, he wants justice more than ever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Andaz Apna Apna - Rajkumar Santoshi Cover Art

Andaz Apna Apna

Andaz Apna Apna

Andaz Apna Apna is a story of two boys Amar (Aamir Khan) and Prem (Salman Khan) who want to get rich quickly by taking all the short-cuts in the book. Amar is the son of an honest barber Murli Manohar (Deven Verma) in Mumbai, while Prem is the son of Bankeylal Bhopali (Jagdeep), a hardworking tailor in Bhopal. Both Amar and Prem are two conmen with no money, few prospects and big dreams. They meet a beautiful wealthy heiress Raveena (Raveena Tandon) who has come from London accompanied by her friend cum secretary Karishma (Karishma Kapoor) with the intention of getting married to a virtuous Indian. The lucky man to wed Raveena will inherit her father Ram Gopal Bajaj's (Paresh Rawal) entire wealth. Amar and Prem try their chances and woo Raveena, each trying to outdo the other. Teja (Paresh Rawal in a double role) who's sole ambition in life has been to grab his twin brother Ram Gopal Bajaj's millions. As the story progresses it turns out to be a mad chase from Ram Gopal Bajaj's wealth, full of humor, romance thrills and chills.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fan - Maneesh Sharma Cover Art

Fan

Fan

In a world of labels it’s easy to forget who made sportsmen, pop singers and matinee idols into stars, superstars and megastars – the FANS. Every FAN has their own personal relationship with their hero – it’s almost a Love Story. FAN is the story of Gaurav (Shah Rukh Khan) a young man, 20 something, whose world revolves around the mega movie star Aryan Khanna (Shah Rukh Khan) or God as he refers to him. From the by lanes of Delhi, young Gaurav embarks on a journey to the city of dreams, Mumbai, in order to wish his God on his birthday. After all, he is Aryan’s biggest FAN and even has a striking resemblance to him – how difficult could it be for the world biggest FAN to get an audience with the world’s biggest Star. When things don't go according to plan, Gaurav’s love and passion for his God turns in to a dangerous obsession that crosses the fine line. In an edge of the seat thriller, FAN will peel away at both Gaurav and Aryan’s personalities and characters as the two men discover people within themselves that even they didn't know existed, and we’re left wondering who to sympathize with and whom to root for - can we really pick a side, after all, Superstars are also human beings but each one of us is also a FAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hichki - Sidharth Malhotra Cover Art

Hichki

Hichki

HICHKI is a story about a woman who turns her most daunting weakness into her biggest strength. Naina Mathur (Rani Mukerji) is an aspiring teacher who suffers from Tourette Syndrome. After several interviews and numerous rejections, she lands her dream job as a full-time teacher in one of the most elite schools in the city. However, she soon realizes that the class she has been assigned comprises of defiant and impish students who can’t seem to keep out of trouble. Despite a few initial hiccups, Naina must do whatever she can to ensure that her students realize their true potential, and defy all the odds against them.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Meri Pyaari Bindu - Akshay Roy Cover Art

Meri Pyaari Bindu

Meri Pyaari Bindu

Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making. This writer’s block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to”. So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love. He realizes, that love, is neither time- nor place-dependent…. All we need is the right person next to us and of course the right soundtrack.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Badrinath Ki Dulhania - Shashank Khaitan Cover Art

Badrinath Ki Dulhania

Badrinath Ki Dulhania

Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. Badrinath Ki Dulhania is the story of these two opposites. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. But ultimately it’s a film about understanding and realization. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Here in lies the essence of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Tiger Zinda Hai - Ali Abbas Zafar Cover Art

Tiger Zinda Hai

Tiger Zinda Hai

Inspired by real events, Tiger Zinda Hai is a sequel to the blockbuster Ek Tha Tiger, and an espionage action drama that follows a daring rescue mission in Iraq. When a group of Indian and Pakistani nurses are held hostage in Iraq by the militant Abu Usman, Indian intelligence (RAW) tracks down the reclusive agent Tiger 8 years after he fled with former Pakistani intelligence (ISI) agent Zoya. Joining forces in the name of humanity, Tiger and Zoya lead a team of RAW and ISI agents to covertly enter the hospital where the nurses are trapped, and get the nurses to safety before an American airstrike blows up the hospital. Tiger Zinda Hai is an all-out entertainer with gritty action, music and drama.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Chak De India - Shimit Amin Cover Art

Chak De India

Chak De India

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality. The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India? The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible. Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can. CHAK DE INDIA is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. The Film became a cult classic and won its leading man the National Award and put the Indian National Sport “Hockey”, back on the map.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Titli - Kanu Behl Cover Art

Titli

Titli

In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams. They form a strange, mutually exploitative pact to break the stranglehold of their family roots. But is escape the same as freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Pyaar Ka Punchnama 2 - Luv Ranjan Cover Art

Pyaar Ka Punchnama 2

Pyaar Ka Punchnama 2

Anshul a.k.a. Gogo (Kartik Aaryan), Siddharth a.k.a. Chauka (Sunny Nijar) and Tarun a.k.a Thakur (Omkar Kapoor) are flat mates and best friends. Film start with Gogo meeting Ruchika a.k.a Chiku (Nushrat Bharucha) and gives her his number. Siddharth ends up meeting Supriya (Sonnalli Seygall) at a family wedding and instantly falls for her. Thakur meets Kusum (Ishita Raj Sharma) while working out at the gym and they start seeing each other. The guys get into relationships with the girls. However, sweetness of love starts to fade. Gogo disapproves of the proximity between Chiku and Sunny, her best friend. Siddhart helps Supriya and her family in their chores, but Supriya is not willing to take the relationship forward. Kusum does not support Thakur in his business adventure and is using him for her luxuries. At the end, the boys give up and leave the girls. The film ends with them acknowledging that the only place where they can get the true love is from their mother.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Ek Tha Tiger - Kabir Khan Cover Art

Ek Tha Tiger

Ek Tha Tiger

In the dark world of intelligence and espionage... all information is guarded in the name of national security... But some stories escape the fiercely guarded classified files... stories that become legends. This is one such story... a story that shook the very foundation of this dark world. In a government employees' neighborhood in New Delhi, there lived a rugged, handsome and mysterious bachelor about whom his neighbors knew nothing. That was because he was India's top spy, an officer with the Research and Analysis Wing (RAW), India's external intelligence agency. This man was known even in official corridors as TIGER (Salman Khan). Tiger is sent on a relatively easy and safe mission to Dublin, Ireland to observe a scientist of Indian origin who is suspected of sharing his research findings with the Pakistan defense establishment. Tiger attempts to meet the scientist but is not successful. He tries to befriend the scientist's part time home caretaker, Zoya (Katrina Kaif). As Tiger begins to get closer to Zoya... he begins to discover his human side. For the first time in his life Tiger falls in love... What follows is a tumultuous journey that Tiger and Zoya embark upon, battling the dark world of intelligence and espionage that forbids its soldiers from falling in love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Queen - Vikas Bahl Cover Art

Queen

Queen

Rani, a Punjabi girl, belongs to a conservative family. Two days before her wedding, her fiancé Vijay refuses to marry her. She decides to take control of her life and goes alone on her pre-booked honeymoon to visit her favorite places, Paris and Amsterdam. In Paris, she meets Vijayalakshmi, who becomes her friend and confidante and shows her around Paris. Once while shopping, Rani tries out what she considers to be a revealing outfit and accidentally sends a selfie of her in it to Vijay instead of Vijayalakshmi. The selfie prompts Vijay to begin searching for her. Later in Amsterdam, she gets horrified to know her room is shared with three guys. The four become good friends and explore the city. Rani’s character gains self confidence. Eventually, Vijay apologizes and asks her to reconsider the relationship, but in vain. Upon returning to India, she meets up with Vijay at his house. She simply hands him her engagement ring and thanks him. Rani leaves his house relieved and relaxed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dharam Sankat Mein - Fuwad Khan Cover Art

Dharam Sankat Mein

Dharam Sankat Mein

Mr. Dharam at the age of 55 figures out that he was adopted by a Hindu family after his Muslim father left him. He then tries to meet his father who is in critical condition but the Imam tells him to become a Muslim for that. What follows next are a bunch of comical events.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jazbaa - Sanjay Gupta Cover Art

Jazbaa

Jazbaa

Anuradha Verma (Aishwarya Rai Bachchan) is a prominent criminal lawyer and a single mother who has never lost a case. On the day of a parent-child race in her daughter Sanaya's (Sara Arjun) school, Sanaya is kidnapped and no ransom is demanded, but instead the kidnapper contacts her and tells her that she has to defend a convicted felon to get her daughter back. The felon is Miyaaz Shaikh (Chandan Roy Sanyal) who is convicted for rape and murder of a young woman and the case against him is set for judgement in four days. The kidnapper keeps track of Anuradha very closely to make sure she complies with his demand. Anuradha gets help from her friend Yohan (Irrfan Khan) who has been suspended from the police force. The case against Miyaaz Shaikh is handed by a powerful politician Mahesh Maklai(Jackie Shroff) to a renowned public prosecutor(Atul Kulkarni) who has been defeated by Anuradha and hence has a long time professional rivalry against her. An edge of the seat thriller drama unfolds.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Zee Entertainment Enterprises Ltd., located at, 17th floor, Marathon Futurex, N.M.Joshi Marg, Lower Parel, Mumbai 400 013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Traffic - Rajesh Pillai Cover Art

Traffic

Traffic

The story of Traffic, takes place over the course of a single day and is inspired by a real-life incident from Chennai, as shown in the credits. In Pune, superstar Dev Kapoor's daughter is sick and needs an urgent heart transplant. Elsewhere in Mumbai, trainee journalist Reyhan meets with an accident and is declared clinically dead. Reyhan's parents decide to donate his heart to Dev's daughter. However, rains and low visibility conditions make it impossible to transport the heart by air and the only option is to traverse the 150 km by road. Though initially apprehensive, Joint Traffic Commissioner Raghubir Singh accepts the challenge and seeks a volunteer from among his men to drive at 120 kph, through the busy Mumbai streets. Disgraced traffic constable Godbole (who has just rejoined the force after being suspended for taking a bribe to help his sister) puts up his hand and thus begins the journey. He is joined by Reyhan's friend Rajeev and Dr Abel, a surgeon, who is battling his own personal demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Raazi - Meghna Gulzar Cover Art

Raazi

Raazi

Set in 1971, when the winds of war were blowing between India and Pakistan, Raazi – an adaptation of Harinder Sikka’s novel “Calling Sehmat” – is a true-life story involving a 20-year-old Kashmiri girl. Sehmat, a Delhi University student, is suddenly called back home to Kashmir by her parents. Her father Hidayat Khan, an influential businessman, has close ties with the Pakistani army. He has fixed Sehmat’s marriage with a Pakistani Brigadier's son. Hidayat Khan is also an asset for the Indian Intelligence and the real reason for Sehmat's marriage is a covert mission: Sehmat is to be sent as a spy into a Pakistani military family and source out all the information that she can get on Pakistan’s strategy in the impending war. Sehmat accepts her fate and is ready to do anything that is required for the country. Sehmat enters the new family and a new country on a mission for her motherland.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 2201 and 202, 2nd Floor, Supreme Chambers, Off Veera Desai Road, 17/18 Shah Industrial Estate, Andheri (W), Mumbai- 400053, India, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Baahubali - The Beginning (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Tamil Version)

Baahubali - The Beginning (Tamil Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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OK Jaanu - Shaad Ali Cover Art

OK Jaanu

OK Jaanu

OK, Jaanu is a contemporary tale of 21st-century urban young romance mapped out in Mumbai and weaves its lyrical tale through the fabric of the city’s drastically bipolar persona. Adi (Aditya Roy Kapur) is a young game designer from Lucknow who dreams of emigrating to the US and living the American dream. He comes to Mumbai to work at a start-up game development firm. He plans to stay at an elderly couple’s home as a paying guest. Gopi (Naseeruddin Shah), an ex-High Court Judge had worked with Adi’s brother, Ravi. He is a straight-laced, somewhat strict old man. His wife Charu (Leela Samson), an erstwhile Hindustani classical singer is a cheerful, witty and quirky lady whose memory is fast fading away due to Alzheimer’s. Adi gradually strikes a bond with them, integrating into their lives. At a chance encounter during his friend’s wedding, he meets Tara (Shraddha Kapoor). She is a recent architecture school graduate working in an architecture firm. She dreams of going to Paris to pursue higher education. The cheerful banter soon gives way to a conversation where both Adi and Tara realize that they strongly feel that marriage isn’t for them. They are happy to find a kindred soul in each other who feels just the same. They ask each other out for coffee and start hanging out more often. They have fun in each other’s company. They both sense the palpable attraction but consciously try to keep a distance as they think the constant proximity can only lead to one thing but they find themselves drawn to each other and are unable to stay apart…and despite their conservative backgrounds, the relationship transcends into a physical one. Tired of hooking up secretly in her women’s hostel room they decide they want to move in together till they go their respective ways to America and Paris. Adi brings Tara to meet Gopi and get his permission. Gopi, the more old-fashioned one flat out dismisses the idea as absurd. As Adi tries to convince him, Tara strikes a chord with Charu over their shared love of music. Charu warms up to the young couple and that clears the way for Adi and Tara to stay in their house. Tara moves in with Adi into his PG to live in together. Tara’s mother and Adi’s family eventually get to know they are living in together and pressure mounts from them to get married. However, Adi and Tara steadfastly refuse to do so. Tara’s admission to a university in Paris comes through, which means she has to leave after summer. Adi’s game pitch gets approved. This is a big break through. Adi has to leave for the US in the coming 10 Days. With only 10 days left and parting imminent, Adi and Tara are forced to confront some matters of the heart. Living in together was always meant to be a stop-gap arrangement but an incident with the elderly couple forces them to relook at their lives and future.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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OMG: Oh My God! - Umesh Shukla Cover Art

OMG: Oh My God!

OMG: Oh My God!

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. He is cursed by Siddheshwar Maharaj when he stopped his son from playing dahi handi. A low-intensity earthquake hits the city, and Kanji's shop is the only shop that is destroyed. Next day at the insurance office, Kanji and his neighbour-assistant Mahadev learn that the disaster claim does not cover any damage caused by natural calamities classified under 'Act of God'. Running out of options, Kanji decides to file a lawsuit against God.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Baahubali 2: The Conclusion (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Tamil Version)

Baahubali 2: The Conclusion (Tamil Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Cocktail - Homi Adajania Cover Art

Cocktail

Cocktail

Gautam (Saif Ali Khan) is the quintessential bachelor enjoying the fruits of being single. He flirts harmlessly with women and stays far away from commitment. His best friend Veronica (Deepika Padukone) also lives life by the minute, enjoying it to its fullest. Into their lives comes Meera, a coy Indian girl jilted by her lover, alone in a unknown land, looking for shelter and friendship. The three become friends and start living together. Things become complicated when friendship turns into lust, then into love, and the three find themselves in a cocktail of life and relationships.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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The Attacks Of 26/11 - Ram Gopal Varma Cover Art

The Attacks Of 26/11

The Attacks Of 26/11

Never in the history of the world were there more terrifying attacks than those that happened on 9/11 in New York... but in the sheer audacity of their execution, the attacks of 26/11 on Mumbai were far more shocking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mubarakan - Anees Bazmee Cover Art

Mubarakan

Mubarakan

Karan and Charan are identical twin brothers, but their personalities are polar opposites. Karan has grown up in London while Charan was raised in Punjab. Karan is street-smart, calculative and flamboyant while Charan is simple, idealistic and honest in his approach. Karan is in love with Sweety while Charan is in a relationship with Nafisa. Karan's family fixes Karan's wedding with Binkle, daughter of one of the wealthiest families in London. He convinces his family to fix the match with Charan instead. The respective families are happy with this development except Charan because he wants to marry Nafisa.

© 2017 Sony Pictures Networks Productions, All Rights Reserved.

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Baahubali - The Beginning (Telugu Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Telugu Version)

Baahubali - The Beginning (Telugu Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Kabhi Khushi Kabhie Gham - Karan Johar Cover Art

Kabhi Khushi Kabhie Gham

Kabhi Khushi Kabhie Gham

Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali's unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them...He then tries to bring father and brother together...Its all about Loving your Parents

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sairat - Nagraj Manjule Cover Art

Sairat

Sairat

Aarchi, a rich upper-class girl falls for her classmate Parshya , a poor but smart boy from the lower social strata. The magic happens, and they start seeing each other. Secretly at first, but they get bolder with passing time. Aarchi's father is a powerful politician and her brother Prince is following in on his footsteps. The entire affair is a recipe for trouble and as expected, trouble arrives. With the help of Parshya's friends, Balya and Salya, they decide to make a run for it, but fate has other plans.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Essel Vision Productions Limited., Located at., Continental Building, 135, Dr. Annie Besant Road, Mumbai-400018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Devdas - Sanjay Leela Bhansali Cover Art

Devdas

Devdas

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro’s stunning beauty, longs to marry her. But Devdas’ father meets Paro’s mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn’t relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ship of Theseus - Anand Gandhi Cover Art

Ship of Theseus

Ship of Theseus

Aaliya Kamal (Aida El-Kashef) is a visually impaired and celebrated photographer in the process of undergoing a cornea transplant that will restore her vision. Though the surgery is a success and Aaliya's vision is restored, she has trouble adjusting to her new found sense of sight and is dissatisfied with her resulting photography. Maitreya (Neeraj Kabi), an erudite monk, is part of a petition to ban animal testing in India. When he is diagnosed with liver cirrhosis, his reluctance towards medication is questioned and he must now depend on the people he's been fighting against - a path he refuses to take. A very young stockbroker, Navin (Sohum Shah), has just had his kidney transplanted. He soon learns of a case of kidney tourism involving an impoverished bricklayer, Shankar. His initial fear is that his new kidney originally belonged to this man. Further investigation proves otherwise, but Navin takes matters into his own hands and confronts the actual recipient in Stockholm.

© 2013 Recyclewala Films Pvt. Ltd., All Rights Reserved.

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Dum Laga Ke Haisha - Sharat Katariya Cover Art

Dum Laga Ke Haisha

Dum Laga Ke Haisha

It is the 1990s, the tape-cassette is dying, CDs will soon be the rage and a regular arranged marriage will turn out to be a perfect mismatch. Prem (Ayushmann Khurrana), a 24 years old high-school dropout and a die-hard Kumar Sanu fan, a shy music buff who runs a tape recording shop in Haridwar. Sandhya (Bhumi Pednekar), a confident 21 year old, and on her way to becoming a teacher, likes to dance to the band tunes at her own wedding. As they get arranged for a marriage and are supposed to spend a lifetime together - and he is still trying to find balance on their scooter ride together. From overcoming his fear of the English language to dealing with an overbearing father (Sanjay Mishra – Ankhon Dekhi), he discovers that his oversized wife, who he thought was a spanner in his spool, will actually lead him to something quite cool.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dear Zindagi - Gauri Shinde Cover Art

Dear Zindagi

Dear Zindagi

Kaira is a budding cinematographer in search of a perfect life. Her encounter with Jug, an unconventional thinker, helps her gain a new perspective on life. She discovers that happiness is all about finding comfort in life's imperfections.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Aligarh - Hansal Mehta Cover Art

Aligarh

Aligarh

Dr. Shrinivas Ramchandra Siras is a Marathi professor at Aligarh Muslim University and the head of the Classical Modern Indian Languages Faculty. He is a shy and unassuming professor who is happy leading a simple life until one fine day something happens which changes everything. A dark secret which he had expertly masked for many years is uncovered by a group of blundering miscreants who break into his house. What follows is his suspension and a struggle to clear his name. It is during the course of this difficult journey that he meets Deepu, a reporter who wants to give him the benefit of the doubt. Deepu even goes to the extent of protecting Dr. Siras from his reporting head. Dr. Siras hires Ashish Vidyarthi to defend himself in court and hold tight the defensive wall. What started out as something small, soon turns into one of the biggest cases the nation has ever seen.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.