iTunes India Top Bollywood Movies

The most popular Bollywood film downloads to buy or rent on iTunes India. To buy, download, and watch the films you must have Apple's iTunes player installed on your system. The chart of the top Bollywood movies to buy or rent in India on iTunes is updated daily.

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iTunes Top Bollywood Movies Chart

1

Sultan - Ali Abbas Zafar Cover Art

Sultan

Sultan

Sultan is a story of Sultan Ali Khan (Salman Khan) - a local wrestling champion with the world at his feet as he dreams of representing India at the Olympics. It’s a story of Aarfa (Anushka Sharma) - a feisty young girl from the same small town as Sultan, with her own set of dreams. When the 2 local wrestling legends lock horns, romance blossoms and their dreams and aspirations become intertwined and aligned. However, the path to glory is a rocky one and one must fall several times before one stands victorious. More often than not, this journey can take a lifetime. Sultan is a classic underdog tale about a wrestler's journey, looking for a comeback by defeating all odds staked up against him. But when he has nothing to lose and everything to gain in this fight for his life match... Sultan must literally fight for his life. Sultan believes he’s got what it takes... but this time, it’s going to take everything he’s got. "Wrestling is not a sport, it's about fighting what lies within" - SULTAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

2

Raazi - Meghna Gulzar Cover Art

Raazi

Raazi

Set in 1971, when the winds of war were blowing between India and Pakistan, Raazi – an adaptation of Harinder Sikka’s novel “Calling Sehmat” – is a true-life story involving a 20-year-old Kashmiri girl. Sehmat, a Delhi University student, is suddenly called back home to Kashmir by her parents. Her father Hidayat Khan, an influential businessman, has close ties with the Pakistani army. He has fixed Sehmat’s marriage with a Pakistani Brigadier's son. Hidayat Khan is also an asset for the Indian Intelligence and the real reason for Sehmat's marriage is a covert mission: Sehmat is to be sent as a spy into a Pakistani military family and source out all the information that she can get on Pakistan’s strategy in the impending war. Sehmat accepts her fate and is ready to do anything that is required for the country. Sehmat enters the new family and a new country on a mission for her motherland.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 2201 and 202, 2nd Floor, Supreme Chambers, Off Veera Desai Road, 17/18 Shah Industrial Estate, Andheri (W), Mumbai- 400053, India, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

3

Gully Boy - Zoya Akhtar Cover Art

Gully Boy

Gully Boy

Murad is the 22-year-old son of a driver in Mumbai. His parents have worked to get him educated so that he could find a white-collar job. Instead, he finds a love for hip-hop and comes of age while using his music to highlight inequalities.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

4

Badmaash Company - Parmeet Sethi Cover Art

Badmaash Company

Badmaash Company

Life in the 1990's was remarkably different for the average Indian. Consumerism had not set in. It was devoid of most of the luxuries of the West. In fact everything "imported" was good, and everything Indian, passé. BADMAASH COMPANY is an extraordinary story set in the 1990’s in middle class Bombay (as it was known then), of four ordinary youngsters - Karan (Shahid Kapoor), Bulbul (Anushka Sharma), Zing (Meiyang Chang) and Chandu (Vir Das) - who came together to start an import business of things longed for by yuppie Indians! What made their venture such a stupendous success was the fact that they found a way to beat the system and soon became the undisputed kings in their business, realising their one dream of making quick money by doing all the wrong things... the right way! Living the life of champagne wishes and caviar dreams, the four friends discover that to make a business successful you don’t need big money. All you need is a big idea! With their larger than life schemes, the four go on a wild roller-coaster ride into the world of sheer glitz and glamour where the stakes are high and risks even higher! All was well and hunky dory till one day the four maverick entrepreneurs are forced to shut shop... until they come up with yet another perfect plan to beat the system... just one more time...!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

5

Piku - Shoojit Sircar Cover Art

Piku

Piku

Piku (Deepika Padukone) is a Delhi based architect who manages her small business,runs her home and takes care of her 70-year old father Bhashkor Banerji (Amitabh Bachchan).A hypochondriac, Piku’s Baba must ensure that he has her attention 24*7 leaving her with little time to do anything else. Romance and getting a life of her own, just don’t seem possible! While both are deeply attached with one another, they are equally strong headed, stubborn and just won’t let go when dealing with each other’s idiosyncrasies and quirks! When Bhashokar emotionally blackmails Piku to take a road trip from Delhi to Kolkata , the owner of the local cab company Rana (Irrfan Khan) has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. During this undesired road trip they learn to deal with each other’s moods and idiosyncrasies and it reveals more than Bhashokar’s bathroom habits. What follows is a heady mix of motion, emotion & commotion which culminates as Piku and Bhaskhor return to their roots in Kolkata, giving us an insight into the father daughter relationship where Bhaskor’s irritating yet endearing demeanor and Piku’s equally headstrong nature may always be at loggerheads but this seemingly crazy relationship is bonded by an understated and an unconditional love that leaves you wanting more.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We MSM Motion Pictures located at , 3rd Floor, Interface Blg No. 7, Off Malad Link Road, Malad (W), Mumbai, Maharashtra 400064 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

6

Gangs of Wasseypur - Anurag Kashyap Cover Art

Gangs of Wasseypur

Gangs of Wasseypur

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Staying true to its real life influences, the film explores the revenge saga through the socio-political dynamic in erstwhile Bihar (North India), in the coal and scrap trade mafia of Wasseypur, through the imprudence of a place obessed with mainstream 'Bollywood' cinema.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

7

Raanjhanaa - Aanand L. Rai Cover Art

Raanjhanaa

Raanjhanaa

The first love in anyone’s life holds a special place especially if the memory is filled with the vibrant musings of the city that you grew up in. Benaras holds a special place in Kundan’s heart, because not only did he grow up as a typical, God fearing, shiv bhakt-Pandit but also because it was the city that gave him Zoya.Quiet and beautiful with mischievous eyes, Zoya was the girl of his dreams. She was like a breath of fresh air the first time he saw her on the busy streets, sitting regally in a Tonga. He would follow her everyday to the bazaar, back to her house till one day he mustered the courage to speak to her and tell her his true feelings - his 13 year-old heart, smitten by her simplicity. She, of course, didn’t take him seriously and brushed him off. Time passed by and Zoya moved to Delhi to study further.Love they say is a feeling that only grows stronger with time and Kundan’s love for Zoya never diminished, he carried his feeling all through college and his heart flipped when Zoya came back to his town. With Zoya back in Benaras, Kundan’s world was filled with excitement as he was thinking of finally telling her how he felt. Zoya finally met Kundan and confessed her true feelings to him. She was in love!She was in love with Akram, a college friend from DU, and he was the love of her life. She wanted Kundan’s help in marrying him. His world shattered and his heart broke a million pieces, the rage that Kundan felt was inexplicable. He was torn between his true feelings for Zoya and his heart’s pleas to help her get her true love because who could understand that pain better than him.He sets out to unite her with Akram, and what follows is a tale of love, betrayal, redemption, and healing set against the very rooted town of Benaras and the upbeat political environs of Delhi. Raanjhanaa is the story of Kundan, his journey from a 13 year-old boy in love who goes on to become a committed, spirited young man, who’s experiences in life made him the person he is today.It’s the story of love!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

8

Padmaavat - Sanjay Leela Bhansali Cover Art

Padmaavat

Padmaavat

In medieval India, a tyrannical sultan and his army attacked a prosperous kingdom to try and capture the beautiful Queen Padmavati. Her husband Maharawal Ratan Singh assembles his valiant forces to defend his land and the honour of his beloved wife.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Digital 18 Media Pvt. Ltd., Located at., Vrindavan, Shree Ram Mills Compound, G.K Marg, Lower Parel, Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

9

Baahubali - The Beginning (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Hindi Version)

Baahubali - The Beginning (Hindi Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena and during their escape, uncovers the truth behind his mysterious past. A flashback unfolds here with King Vikramadeva of Mahishmati passing away suddenly, leaving behind an empty throne and an orphaned son, Bahubali. The kind and righteous Sivagami, wife to Bijjaladeva and biological mother to Bhalladeva, goes onto adopt her nephew and raises him as her own. This decision however, bears consequences; having to share his mother’s love and the status of a crown prince, Bhallaladeva secretly grows to be highly jealous of and hateful toward Bahubali. His resentment further grows when his mother chooses Bahubali as the King of Mahishmati. After establishing that Shivudu is in fact the son of Bahubali and Devasena, the film ends in a cliff-hanger, leaving the audience wondering about the death of Bahubali.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

10

Bajirao Mastani - Sanjay Leela Bhansali Cover Art

Bajirao Mastani

Bajirao Mastani

The heroic Peshwa Bajirao, married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

11

Queen - Vikas Bahl Cover Art

Queen

Queen

Rani, a Punjabi girl, belongs to a conservative family. Two days before her wedding, her fiancé Vijay refuses to marry her. She decides to take control of her life and goes alone on her pre-booked honeymoon to visit her favorite places, Paris and Amsterdam. In Paris, she meets Vijayalakshmi, who becomes her friend and confidante and shows her around Paris. Once while shopping, Rani tries out what she considers to be a revealing outfit and accidentally sends a selfie of her in it to Vijay instead of Vijayalakshmi. The selfie prompts Vijay to begin searching for her. Later in Amsterdam, she gets horrified to know her room is shared with three guys. The four become good friends and explore the city. Rani’s character gains self confidence. Eventually, Vijay apologizes and asks her to reconsider the relationship, but in vain. Upon returning to India, she meets up with Vijay at his house. She simply hands him her engagement ring and thanks him. Rani leaves his house relieved and relaxed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

12

Gangs of Wasseypur II - Anurag Kashyap Cover Art

Gangs of Wasseypur II

Gangs of Wasseypur II

Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faisal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

13

Dum Laga Ke Haisha - Sharat Katariya Cover Art

Dum Laga Ke Haisha

Dum Laga Ke Haisha

It is the 1990s, the tape-cassette is dying, CDs will soon be the rage and a regular arranged marriage will turn out to be a perfect mismatch. Prem (Ayushmann Khurrana), a 24 years old high-school dropout and a die-hard Kumar Sanu fan, a shy music buff who runs a tape recording shop in Haridwar. Sandhya (Bhumi Pednekar), a confident 21 year old, and on her way to becoming a teacher, likes to dance to the band tunes at her own wedding. As they get arranged for a marriage and are supposed to spend a lifetime together - and he is still trying to find balance on their scooter ride together. From overcoming his fear of the English language to dealing with an overbearing father (Sanjay Mishra – Ankhon Dekhi), he discovers that his oversized wife, who he thought was a spanner in his spool, will actually lead him to something quite cool.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

14

Ek Tha Tiger - Kabir Khan Cover Art

Ek Tha Tiger

Ek Tha Tiger

In the dark world of intelligence and espionage... all information is guarded in the name of national security... But some stories escape the fiercely guarded classified files... stories that become legends. This is one such story... a story that shook the very foundation of this dark world. In a government employees' neighborhood in New Delhi, there lived a rugged, handsome and mysterious bachelor about whom his neighbors knew nothing. That was because he was India's top spy, an officer with the Research and Analysis Wing (RAW), India's external intelligence agency. This man was known even in official corridors as TIGER (Salman Khan). Tiger is sent on a relatively easy and safe mission to Dublin, Ireland to observe a scientist of Indian origin who is suspected of sharing his research findings with the Pakistan defense establishment. Tiger attempts to meet the scientist but is not successful. He tries to befriend the scientist's part time home caretaker, Zoya (Katrina Kaif). As Tiger begins to get closer to Zoya... he begins to discover his human side. For the first time in his life Tiger falls in love... What follows is a tumultuous journey that Tiger and Zoya embark upon, battling the dark world of intelligence and espionage that forbids its soldiers from falling in love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

15

Band Baaja Baaraat - Maneesh Sharma Cover Art

Band Baaja Baaraat

Band Baaja Baaraat

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college. Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams. A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure). Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

16

Meri Pyaari Bindu - Akshay Roy Cover Art

Meri Pyaari Bindu

Meri Pyaari Bindu

Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making. This writer’s block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to”. So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love. He realizes, that love, is neither time- nor place-dependent…. All we need is the right person next to us and of course the right soundtrack.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

17

Ta Ra Rum Pum - Siddharth Anand Cover Art

Ta Ra Rum Pum

Ta Ra Rum Pum

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team Speeding Saddles, everything changes for RV and the team... They shoot to the top.... the dream is complete when he meets Radhika (Rani Mukerji) and the 2 tie the knot... the world is at their feet. But when he meets with an accident, his world is turned upside down, he not only loses the edge on the track but everything he had once gained, the accolades, the fans, the money, the house the friends and the glory. It is now that his young family must help him fight his demons and get him back in the driving seat. The family struggles to survive a life that they are not used to - from a big house in a plush locality to the a run down apartment in the Bronx is not what RV wanted for his family - RV is on the road back but can he reclaim the glory for his family?

© 2007 Yash Raj Films Pvt. Ltd. All Rights Reserved

18

Dhoom:2 - Sanjay Gadhvi Cover Art

Dhoom:2

Dhoom:2

The world’s oldest desert, the Namib - A solitary railway line... A royal family on a royal journey. From the sky... like lightening... A flash... the centuries old royal crown is stolen. Back in action... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali’s (Uday Chopra) dream of becoming a police officer has come true. He is now ACP Jai Dixit’s (Abhishek Bachchan) right hand man. Together they are trying to keep a tight leash on the crime in India, little do they know what they are going to be up against. Enter Aryan - Mr.A (Hrithik Roshan) A high tech international thief after pulling off a series of impossible heists all over the world. His next target is Mumbai, India. The case is given to ACP Jai Dixit and Ali helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu). For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai Mr.A finds his match in Sunehri (Aishwarya Rai). A petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership Aryan accepts. And so the game begins. The cops, Jai, Shonali and Ali and they are after Aryan and Sunehri - The Robbers. From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to wild and exotic Rio Brazil. Does ACP Jai Dixit manage to nab Mr.A? Go on! Enjoy the ride!! Once again!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

19

Drishyam - Nishikant Pathak Cover Art

Drishyam

Drishyam

Vijay Salgaonkar runs a cable TV network in a remote village of Goa. He is happily married to Nandini and has two lovely daughters. A 4th grade dropout and an orphan, Vijay relies on his sheer hard-work and street-smarts to provide for his family. His wife, while she loves him devoutly, wants Vijay's thrifty and miserly behavior to end. If there's one thing that Vijay can't live without, it's his passion for watching films. Such is his 'filmy' obsession that he doesn't mind staying up all night at his office binging on movies! In a bizarre turn of events a teenage boy goes missing; he is the son of a headstrong and no-nonsense cop; IG Meera Deshmukh and the Salgaonkars are the prime suspects! Will a humble and middle-class man be able to protect his family from oppression of the powerful? How the family weathers the storm that ensues during the violent investigation forms the rest of the story leading to an unexpected and shocking climax.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

20

Bhaag Milkha Bhaag - Rakeysh Omprakash Mehra Cover Art

Bhaag Milkha Bhaag

Bhaag Milkha Bhaag

Milkha Singh – for some the name evokes a faint memory from the pages of history. All that is most remembered is that Milkha Singh hailed as the flying sikh, was a famous athlete, who infamously lost the penultimate race of his life. “The one who lost the 400 meters finals at the Rome Olympics… is an involuntary response when the name Milkha Singh is mentioned. The film attempts to understand catastrophic loss that was deemed a sure victory and explores through the darkness of disgrace; Milkha’s redemption, the redemption and catharsis that come when he confronts his past.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd.,Locatd at., One Unity Center, Tower 4, Senapati Bapat Marg, Prabhadevi Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

21

Mujhse Dosti Karoge! - Kunal Kohli Cover Art

Mujhse Dosti Karoge!

Mujhse Dosti Karoge!

What would you do if the one you loved was not actually the one you loved. What would you do if your best friend was in love with the one you love. What would you do if your best friends are sacrificing their love for you. Meet Raj (Hrithik Roshan), Pooja (Rani Mukerji) and Tina (Kareena Kapoor) - 3 best friends thrown into a situation that time, letters, love and separation have created for them.Friendship. Beginning of every relationship ends in love. And love. Well it can have only 2 ends. A happy and a sad one. Or can there be a third ending for these three friends.

© 2002 Yash Raj Films Pvt. Ltd. All Rights Reserved

22

Blood Money - Vishal Mahadkar Cover Art

Blood Money

Blood Money

The story is about Kunal (Kunal Khemu) who believes he can do anything by trying his hardest. He receives a job offer through his friend Teeshay and his wife Nandini (Puja Gupta) in Cape Town and moves there with his wife Aarzoo (Amrita Puri). They live a happy life together, until Kunal's boss is revealed to be an underworld gangster. The company Kunal works in deals with exporting diamonds; Kunal has no idea that it happens illegally.

© 2012 Viacom18 Motion Pictures

23

Jab Tak Hai Jaan - Yash Chopra Cover Art

Jab Tak Hai Jaan

Jab Tak Hai Jaan

Superstar Shahrukh Khan, gives an electrifying performance as Samar Anand, a hard working young immigrant in the city of London, where he glimpses upon the love of his life, a gorgeous angelic looking girl, (Katrina Kaif). They meet and their bond blossoms into love with time spent together. Samar however meets with a serious accident, and Meera vows to God she will leave Samar forever if He allowed him to live again, their love affair ends as quickly as it began. Samar angered with God and fueled with his love for Meera, declares War against Him. Samar Anand vows to walk into the jaws of death everyday as a challenge to God to keep him alive. He becomes Major Samar Anand in the Indian Army, a bomb disposal chief, defusing bombs without ever wearing a bomb suit. It is here that Major Samar also known as ‘the man who cannot die’ meets Akira (Anushka Sharma), a spirited vibrant, ‘today’s generation’ Discovery Channel correspondent with a WTF attitude. Aware of Samar Anand’s story, Akira is determined to unravel the mystery of love in this intriguing story, whilst herself falling hopelessly in love with Samar. Is Akira able to unravel the mysteries of love, does Samar win the battle or then does God surrender to his love? From the legendary and unforgettable director Mr. Yash Chopra, comes an uncompromising film fascinatingly distinctive and contemporary with a visionary passion for true love. Experience this story of love and allow it to recapture your heart...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

24

Befikre - Aditya Chopra Cover Art

Befikre

Befikre

"Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor).A feisty romance ensues between the two in which both of their personalities - one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

25

Rab Ne Bana Di Jodi - Aditya Chopra Cover Art

Rab Ne Bana Di Jodi

Rab Ne Bana Di Jodi

Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell? Maybe not! How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell? This is what happened to Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious - Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. What follows is a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi (couple).

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mere Yaar Ki Shaadi Hai - Sanjay Gadhvi Cover Art

Mere Yaar Ki Shaadi Hai

Mere Yaar Ki Shaadi Hai

Love hits people in all sorts of ways. To Sanjay (Uday Chopra) however love hit him like a ton of bricks. Sanjay is the dithering Casanova, constantly bungling up his romantic liaisons, till one day the phone rings. Anjali (Sanjana) his childhood friend is getting married. It’s now that the bricks fall on him. Observing Sanjay’s reaction to this news and hearing him talk of Anjali, his flat mate Ria (Bipasha Basu) concludes that Sanjay is in love with her. Sanjay wakes up to this truth, reluctantly but surely and sets off on a noble mission - to break the wedding. He is overjoyed to be reunited with Anjali - till he meets the groom to be - handsome, charismatic, every girl’s dream guy, Rohit (Jimmy Shergill). Nevertheless, Sanjay’s love for Anjali compels him to take on the world and he sets off on his crusade of poisoning the family’s mind against Rohit. It’s all about a clash between the good and the not-so-good.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Veer-Zaara - Yash Chopra Cover Art

Veer-Zaara

Veer-Zaara

Squadron Leader Veer Pratap Singh (Shahrukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta)... a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an aging Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation & deepens with sacrifice. A love that is an inspiration... and will remain a legend forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fanaa - Kunal Kohli Cover Art

Fanaa

Fanaa

Choices... to choose between right or wrong is simple, but what defines one’s life is the decision between the greater of two goods or the lesser of two evils. This is the advice that Zooni Ali Beg (Kajol) receives from her father just as she is about to venture out into the world of her own for the very first time. Little does she know that these very words will shape her life. Zooni, a blind Kashmiri girl, meets Rehan Qadri (Aamir Khan), a local Delhi tour guide and an incorrigible flirt. Her friends warn her against this good-for-nothing roadside Romeo, but she chooses to ignore them. It is now her time to discover life and love. Is this really the right choice? Rehan is fascinated by Zooni and wants her to see life as it should be seen, in its many colours. He promises her that the time spent with him will be the most precious in all her life. Zooni sees Delhi, life and love like she never has before, because of Rehan. What Zooni doesn’t know is that Rehan has another side of his life that he has kept from her - something that can not only change her life, but can also destroy it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mere Brother Ki Dulhan - Ali Abbas Zafar Cover Art

Mere Brother Ki Dulhan

Mere Brother Ki Dulhan

"Mere Brother Ki Dulhan" is a quirky romantic comedy set in the world of the upper middle class in Northern India. Kush Agnihotri (Imran Khan) is looking for the ideal Indian bride for his brother Luv Agnihotri (Ali Zafar) who stays in London. In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple Dixit (Katrina Kaif), the craziest / wackiest girl he has ever known. Both the families meet. Formalities completed. Preparations proceed in full swing. And just then, our hero Kush falls in love with Dimple... his brother's dulhan. What follows is a comical and unpredictable series of events in this unusual topsy-turvy tale of love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Special 26 - Neeraj Pandey Cover Art

Special 26

Special 26

Based on a real life. A group of con artists who robbed famous businessmen and politicians by pretending to be the CBI or Income tax officers and conducting raids, they would take away all the black money hoarded by them. Based on true incidents during the 1980s.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Kabul Express - Kabir Khan Cover Art

Kabul Express

Kabul Express

Suhel (John Abraham) and Jai (Arshad Warsi) - TV journalists from India in search of the ultimate news scoop, meeting the Taliban. Imran Khan Afridi (Salman Shahid) - a soldier of the hated and derided Taliban who needs to escape the wrath of the Afghans and run to his country, Pakistan. Khyber (Hanif Hum Ghum) - an Afghan who is as old as the war in his country. Jessica Beckham (Linda Arsenio) - an American photojournalist ready to risk her life to photograph the Taliban. Five people from different worlds, their paths are destined to cross in a ruthless country devastated by war - Afghanistan. This is a thrilling story spanning 48 hours of five individuals linked by hate and fear, but brought together by fate to finally recognize each other. Set in post 9/11 war-torn Afghanistan, KABUL EXPRESS is a kidnap drama that is alternately funny and horrifying. Narrated in a light hearted manner, this is the story of a unique reluctant bond that develops between people who are otherwise hostile towards each other but are compelled to understand one another in the time that they are forced to share together.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Romeo Akbar Walter - Robbie Grewal Cover Art

Romeo Akbar Walter

Romeo Akbar Walter

Romeo (John Abraham), a bank cashier, is recruited by India’s foreign intelligence agency — the Research and Analysis Wing (RAW). They believe he’s a master of disguise and can operate as Akbar, India’s undercover agent in Pok (Pakistan occupied Kashmir) during the events leading up to the 1971 Indo-Pak war. Can he pull it off?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Devdas - Sanjay Leela Bhansali Cover Art

Devdas

Devdas

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro’s stunning beauty, longs to marry her. But Devdas’ father meets Paro’s mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn’t relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Salaam Namaste - Siddharth Raj Anand Cover Art

Salaam Namaste

Salaam Namaste

Falling in love. It's very easy to do. Being in love - now that's the tough part! Nick - He's a chef. Ambar - She's a Radio Jockey. They're young, they're cool, they're independent -and together they make the PERFECT pair! Or do they? Surrounded by quirky friends, bosses and landlords but far away from home. Nick and Ambar take a huge leap of faith as they decide to move in together. And now they must tiptoe towards getting to know each other? They are attracted to each other - but they fight. They live together, but as friends, in different rooms. They're in a relationship... but then again they're not. They seem to want the same things, but it seems that they have very little in common. Between all this chaos, they find out that Ambar is pregnant. Nick doesn't want the baby. How the two handle this dilemma is what will decide the direction this relationship will take and be the real test of their love. So are they really made for each other? Are they actually compatible? Is this whole thing worth it? After all, if a relationship is what happens when you're busy not thinking about it - then what does it mean when everything has to be such a "decision"? SALAAM NAMASTE gives us a quirky take on life, love and relationship as it looks at a fairy tale with a bit of a squint. Full of colour, humour and zest it is an endearing look at what being in love really means!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Thoda Pyaar Thoda Magic - Kunal Kohli Cover Art

Thoda Pyaar Thoda Magic

Thoda Pyaar Thoda Magic

In a rare landmark court verdict, business tycoon Ranbeer (Saif Ali Khan) is sentenced to raise the very children whose parents he killed in an accident. The orphans hate him and want revenge. When Ranbeer & the children pray for divine intervention - Geeta (Rani Mukerji) was not what they had in mind. The Big Man above sends a mischievous, childlike, lovable angel to the rescue, with a mission to bring Ranbeer and the kids together. And then starts the roller coaster ride of fun, emotions, magic and love. An angel who doesn’t know what love is. A man who always lost love. Four orphans who need love. All come together to bring you a film with fun, excitement, tears, love & magic.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Saathiya - Shaad Ali Cover Art

Saathiya

Saathiya

Running away from home can’t keep a couple together. A signed paper can’t keep a couple together. Love can. While for most Love Stories, marriage is the “goal”, the fact remains that marriage is just the beginning. Saathiya continues on, from where most love stories end. From the infatuation stage “when a couple thinks they are in love” right through to “when a couple discovers the true meaning of love”. Aditya and Suhani met and fell in love. But when they eloped and set up home hoping that just Love will do the trick... well that’s just the beginning of their story...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ladies vs Ricky Bahl - Maneesh Sharma Cover Art

Ladies vs Ricky Bahl

Ladies vs Ricky Bahl

After the heartwarming success of BAND BAAJA BAARAAT, director Maneesh Sharma is back with his team, in YASH RAJ FILMS' next offering LADIES vs RICKY BAHL. Starring Ranveer Singh, who has won everyone's heart with his endearing and scintillating performance, as well as the Best Actor (Debut) at all the award shows this year, and the accomplished and charismatic Anushka Sharma, the film is produced by Aditya Chopra and is based on a story developed by him. Habib Faisal has written the dialogues, the screenplay is by Devika Bhagat. The music is composed by Salim-Sulaiman, lyrics by Amitabh Bhattacharya and the film is shot by Aseem Mishra (DOP), all of whom have been a part of BAND BAAJA BAARAAT. LADIES vs RICKY BAHL is a fun-filled "ROM-CON" where a smooth and charming conman, Ricky Bahl, cons girls for a living but finally meets his match.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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English Vinglish - Gauri Shinde Cover Art

English Vinglish

English Vinglish

English Vinglish is the story of a woman who does not know English and is made to feel insecure by her family and society at large. The film is a lighthearted yet touching and transformational journey of Shashi. Circumstances make her determined to overcome this insecurity, master the language, teach the world a lesson on the way to becoming a self-assured and confident woman.

© 2012 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dilli Dark - Dibakar Das Roy Cover Art

Dilli Dark

Dilli Dark

Michael Okeke is one of the many Nigerians living in the city, part of a larger African diaspora which is often looked down upon by the locals and accused of being criminals, cannibals and more. Michael is studying for his MBA and dreams of joining the booming corporate sector in India, but is hopelessly stuck. He works as a small-time drug delivery guy to make ends meet, and it is this job and his African identity which keep his life coming back full circle.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, REELIGION FILMS LLP., located at C 505 FIRST FLOOR, CHITTARANJAN PARK, NEW DELHI 110019, INDIA, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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New York - Kabir Khan Cover Art

New York

New York

NEW YORK is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar (Neil Nitin Mukesh) has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends - Sam (John Abraham) and Maya (Katrina Kaif). It is the story of these three friends discovering a new world together. But one day the world around them changed... For most of us, larger events in the world are just headlines in the newspapers but these events can change our lives... forever. New York is one such story of 3 young friends whose beautiful lives are turned upside down by the larger event of 9/11 beyond their control. At this point enters Agent Roshan (Irrfan), an FBI undercover agent who sets the ball rolling for a series of tumultuous events that turn the lives of these friends into a dangerous and thrilling roller coaster ride. Innocence is lost forever!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kill Dil - Shaad Ali Cover Art

Kill Dil

Kill Dil

Once upon a time in North India, two killers – Dev and Tutu, roamed free. Abandoned when young and vulnerable, Bhaiyaji gave them shelter and… nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha into the mix. What follows is a game of defiance, deception and love. Played by Ranveer Singh (Dev), Ali Zafar (Tutu), Parineeti Chopra (Disha) and Govinda (Bhaiyaji), Kill Dil is an entertaining thriller about guns and romance.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mohabbatein - Aditya Chopra Cover Art

Mohabbatein

Mohabbatein

National Award winner, Yash Chopra and Aditya Chopra’s MOHABBATEIN is a film that portrays the battle between love and fear... A battle between two stubborn men and their opposing beliefs. Raj Aryan (Shahrukh Khan), who stands for love, he would go to any lengths for it. Narayan Shankar (Amitabh Bachchan - voted the Millennium star in the BBC polls) a strict disciplinarian as the head of India’s most prestigious educational institute who stands for fear, he believes that love leads to pain and weakness. It is also the story of 3 young men and women who have to learn to follow their hearts against all the odds and the outcome of their love stories that will decide what will finally triumph. .. love or fear.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Silsila - Yash Chopra Cover Art

Silsila

Silsila

Amit (Amitabh Bachchan) a poet decides to bury his past life along with his love for Chandni (Rekha) when he meets Shobha (Jaya Bachchan). Shobha’s life has come to a standstill after her fiancé and Amit’s brother Shekhar (Shashi Kapoor) dies in a plane crash. Amit had only come to mourn the death of his brother with Shobha but ends up sacrificing his own love and life in an attempt to give shobha a new lease of life. When fate brings Amit and Chandni face to face again, both are married to different people - but neither can ignore their feelings for each other. SILSILA is a story, thwarted by society’s demands, which reappear as adultery but can it survive in the face of society?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Nasha - Amit Saxena Cover Art

Nasha

Nasha

Nasha is an emotional love story of an 18-year-old student Sahil (Shivam Patil), who falls in deep love with a 25-year-old teacher Anita (Poonam Pandey). Life is pretty normal for the teenager with flashy clothes, a pretty girl friend, summer vacations and his gang of friends, who are up to some trick or the other. Anita is the newly appointed teacher in the school where Sahil studies. While Sahil's gang of boys are busy admiring Anita's well-endowed body, the young stud falls in love with her. The moment he sees Anita, he not only falls for her charm, but also starts fantasizing about being with her. He even starts developing a relationship with her. Soon Sahil is left heartbroken when he finds out that Anita has been in a relationship with someone for the past five years. All of this eventually leads to a roller coaster ride of love getting entangled with lust and sprinkled doses of jealousy and possessiveness.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Unisys Infosolutions Pvt. Ltd., located at 1089, New Housing Board Colony, Sector-13 ext, Karnal - 132001 Haryana, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mujhse Fraaandship Karoge - Nupur Asthana Cover Art

Mujhse Fraaandship Karoge

Mujhse Fraaandship Karoge

If Rahul the rockstar has got the voice and the looks, Vishal, the writer has the brains. If Malvika, the fashion design student and biker chick can get heads turning with just her looks, Preity, the photographer, can say a million things with her pretty pictures. What Vishal and Preity can't do, is spell it out to Malvika and Rahul that they heart them. But 'Liking' someone on Facebook is a lot easier. And when you can't make it on your own, the best thing to do is to fake it. So, Vishal becomes Rahul and Preity becomes Malvika by taking their identities online and they start fraaandshipping each other. They chat, 'like', tag and LOL together and do a great job of pretending to be someone else. But, the question remains, how long can you fake true love? In short, Rahul loves Malvika. And Malvika loves Rahul. But Rahul is not Rahul. Rahul is Vishal. And Vishal loves Malvika too. But Malvika is not Malvika either. Malvika is Preity. And Preity loves Rahul. But Preity hates Vishal. And Vishal hates Preity. MUJHSE FRAAANDSHIP KAROGE. THIS SEASON'S MOST SCREWED UP LOVE STORY.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mubarakan - Anees Bazmee Cover Art

Mubarakan

Mubarakan

Karan and Charan are identical twin brothers, but their personalities are polar opposites. Karan has grown up in London while Charan was raised in Punjab. Karan is street-smart, calculative and flamboyant while Charan is simple, idealistic and honest in his approach. Karan is in love with Sweety while Charan is in a relationship with Nafisa. Karan's family fixes Karan's wedding with Binkle, daughter of one of the wealthiest families in London. He convinces his family to fix the match with Charan instead. The respective families are happy with this development except Charan because he wants to marry Nafisa.

© 2017 Sony Pictures Networks Productions, All Rights Reserved.

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Coma Café - Avi Vasu Cover Art

Coma Café

Coma Café

Coma Café is a story about Vivaan who finds himself at a seemingly regular café, not remembering where he is or how he got there. With the help of HR, another patron at the café, Vivaan learns that he and everyone else at the café are in a coma in reality. This café is where they have to wait to find out if they get to live or not. In his time at the café, Vivaan must face this reality and take responsibility for certain decisions that could jeopardize his chances of getting back to the most important person in his life.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Erango Media LLP .,Located at RH 37, Edenn Garden, Wakad, Pune – 411 057., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dhoom - Sanjay Gadhvi Cover Art

Dhoom

Dhoom

The tale begins in Mumbai where a sophisticated gang of robbers is sweeping through the city, giving nightmares to the police department. They come like wind, sweep the place and disappear on their hi-tech bikes - the slickest and fastest riding machines on the road. Officer Jai Dixit (Abhishek Bachchan) is brought in on the case. Soon he is on the trail of the robbers - a gang headed by Kabir (John Abraham), an evil perfectionist with an attitude. Jai ropes in the services of Ali (Uday Chopra), a happy-go-lucky garage mechanic and a prodigious bike rider. The two reluctant partners join forces, and soon Jai realizes that the clown can ride bikes like the wind. Kabir soon catches on to Jai-Ali’s teaming up and his arrogance pushes him to take up the challenge openly. From the mean streets of Mumbai, the chase shifts to the sun kissed beaches of Goa. And so starts the hunt... where sometimes the hunter becomes the hunted. Dhoom reinvents the classic cops and robbers tale and brings it into the 21st century. With fast bikes, big action, non-stop fun and a thrilling story that leaves you out of breath, Dhoom is a powerhouse of adventure and excitement waiting to explode. It’s like your favourite roller coaster ride... once you’re on, the only thing you want to do is to go back and take that ride all over again!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Titli - Kanu Behl Cover Art

Titli

Titli

In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams. They form a strange, mutually exploitative pact to break the stranglehold of their family roots. But is escape the same as freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gabbar is Back - Radha Krishna Jagarlamudi Cover Art

Gabbar is Back

Gabbar is Back

Gabbar Singh Rajput (Akshay Kumar) creates his own vigilante military network called the Anti-Corruption Force (ACF) that eliminates the most corrupt individuals, from all walks of life, in a systematic manner. As pressure builds on Police and Government to track down the man who masterminds these killings, Balbir Singh (Sonu Sood) is specially summoned to head the task. He is aided by Suryam (Prakash Raj) who, though being just a constable in the mammoth Police force, is compelled by his instincts to see through the underlying design.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Love Aaj Kal - Imtiaz Ali Cover Art

Love Aaj Kal

Love Aaj Kal

An old-fashioned romantic tells his personal love story to a modern man who has just broken up with his girlfriend. Has love really ever changed?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hichki - Sidharth Malhotra Cover Art

Hichki

Hichki

HICHKI is a story about a woman who turns her most daunting weakness into her biggest strength. Naina Mathur (Rani Mukerji) is an aspiring teacher who suffers from Tourette Syndrome. After several interviews and numerous rejections, she lands her dream job as a full-time teacher in one of the most elite schools in the city. However, she soon realizes that the class she has been assigned comprises of defiant and impish students who can’t seem to keep out of trouble. Despite a few initial hiccups, Naina must do whatever she can to ensure that her students realize their true potential, and defy all the odds against them.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ishaqzaade - Habib Faisal Cover Art

Ishaqzaade

Ishaqzaade

Rising from the ashes of hooliganism and small town clan wars, comes the love story of a passion ignited by hatred. Of two people. Born to hate. Destined to love. One kingdom. One throne. Two wild animals… one totally unpredictable and the other… ferocious! A battle… deafened by sounds of hate, revenge, bullets and deceit. A story… about two fiery bloods played by Arjun Kapoor and Parineeti Chopra, and their fight for power and supremacy. A story about love brewing in a small town burning with hatred. A story called ISHAQZAADE. Follow the story of the ishaqzaade’s as their turbulent journey unfolds in the often unrealistic and daunting political confines of rural India.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mardaani - Pradeep Sarkar Cover Art

Mardaani

Mardaani

India is the world's hub for child sex trafficking... Nearly 40,000 children are abducted every year... Every 8 minutes a girl child goes missing in India! Meet Shivani Shivaji Roy, Senior Inspector, Crime Branch, Mumbai Police, who sets out to confront the mastermind behind a child trafficking mafia, which makes the mistake of kidnapping and smuggling a teenage girl, Pyari, out of the city. Pyari is like a daughter to Shivani and her family and in her obsessive hunt for the girl, she stumbles into the world of decadence and debauchery, cruel desires and exploitation and onto a case that will change her life forever. What follows is a cat and mouse game between a fearless cop and a young and ruthless mafia kingpin in a war which is very personal. Catch Rani Mukerji in the lead, playing an edge of the seat role of a lifetime, in this raw and gritty film which is a distinct departure from Pradeep Sarkar's style of filmmaking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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A Stranger by the Hill - Munindr Kumar Cover Art

A Stranger by the Hill

A Stranger by the Hill

Mahi, an NRI photographer visiting her late mother's beloved Manali, meets charming teacher Angad. After a passionate night together, she finds herself locked in and trapped in an increasingly dangerous situation.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, MG FILMS GARAGE., Located at.,2nd floor, 53, pocket-1, jasola, South East Delhi, Delhi, 110025, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Om Shanti Om - Farah Khan Cover Art

Om Shanti Om

Om Shanti Om

Om Prakash Makhija is a junior artiste in the film industry. He yearns to be a top star like Shantipriya, whom he admires and loves. One day, Om Prakash saves Shantipriya’s life while shooting for a film. Shantipriya feels obliged towards him. Top film producer Mukesh Mehra is married to Shantipriya but he is not prepared to go public with the marriage. When she tells him that she is carrying his child, he locks her in a studio and sets it on fire. Om Prakash is in the studio compound and all his efforts to save Shantipriya are futile. He dies thereafter. Shantipriya also breathes her last in the fire. On the same day Om Prakash expires in the hospital, a top star’s wife delivers a baby boy in the maternity ward of the same hospital. The baby boy, Om Kapoor, grows up to become a top star. As time passes, Om Kapoor gets visions of his past life till it is clear that he is Om Prakash Makhija reborn. Thirty years after Om Prakash and Shantipriya’s deaths, producer Mukesh – now called Mike because of his base having shifted to Hollywood – resurfaces. Om now seeks revenge on Mike by planning a film with him.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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Chittagong - Bedabrata Pain Cover Art

Chittagong

Chittagong

Set in the turbulence of the 1930s British India, a 14 year old boy, Jhunku, and his journey to find where he belongs. For the first time in Indian history, the British army is defeated by a ragtag army of schoolboys and their teacher, Masterda. Called a traitor by his peers, and let down by a man he trusts, Jhunku impulsively joins the movement. As his world is turned upside down, Jhunku is forced to confront his self-doubts. As the leaders of the movement are progressively caught or killed, Jhunku battles against seemingly insurmountable odds to win a victory of his own. The film is an exciting action-drama, made more so by the fact that it is true.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Jonai Productions, located at - 828 N. Crescent Heights Blvd, Los Angeles, CA 90046, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Bhaji In Problem - Smeep Kang Cover Art

Bhaji In Problem

Bhaji In Problem

Sundeep leads a double life when he marries two women and keeps them from one another. His carefully planned life unravels when an old friend who knows his secret arrives looking to fall in love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd.,Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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The Zoya Factor - Abhishek Sharma Cover Art

The Zoya Factor

The Zoya Factor

Born on the same day that India won the 1983 cricket World Cup, Zoya is considered by her family to be a lucky charm when it comes to winning matches, albeit gully cricket. But when the Indian cricket management wants to sign her on as a lucky mascot for the present team, Zoya finds herself in a fix.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Table No. 21 - Aditya Datt Cover Art

Table No. 21

Table No. 21

The unemployed Vivaan (Rajeev Khandelwal) and Siya (Tena Desae), like any other ordinary couple, are working hard to make ends meet. They win a chance to make a trip to the beautiful islands of Fiji in a lucky draw contest. Not only is this holiday fully paid for, with a stay at one of the finest hotels, but they also get invited to dine at Suva, Fiji’s finest resort for their wedding anniversary. At the resort they encounter the charming Mr. Khan (Paresh Rawal). Mr. Khan invites the couple to take part in a live game show named 'Table 21' which offers a staggering amount of money as the prize. The rules are simple. Eight questions will be asked regarding their personal life. All these questions must be answered truthfully, and they have to do the task assigned to each question. The questions first seem very easy to answer, but as the game goes on the tasks became horrid making Vivaan remember his past in college. His last task is to kill someone. When he sees his target he recognizes him from his past. In a flashback, Vivaan recalls that him and his friends ragged a boy (the target) named Akram so severely that he lost all semblance of sanity. Back in the present, it is revealed that Akram is the son of Mr. Khan and that Mr. Khan's intention was to show Vivaan and Siya the extent of the damage inflicted by their actions. The movie ends with Mr. Khan telling them that they are free to go but the sin of what they did will shadow them forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Amu - Shonali Bose Cover Art

Amu

Amu

Kajori Roy, an NRI returns to India to visit her family and discover the place where she was born. What happens when she staggers against a horrifying secret and the key to her mysterious origin?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Jonai Productions., Located at., B 207 greater kailash 1 New Delhi 110048., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Sui Dhaaga - Made In India - Sharat Katariya Cover Art

Sui Dhaaga - Made In India

Sui Dhaaga - Made In India

"Sui Dhaaga - Made in India" is a heart-warming story of pride and self-reliance, which finds its roots in the heart of India and reflects the passion that runs through the veins of every single Indian. Taking the message of "Made in India" forward, the film modestly tries to bring back our traditional art forms and handicrafts in focus. Through Mauji (Varun Dhawan) & his wife Mamta (Anushka Sharma), the film talks about the need of social entrepreneurship as a tool for social and economic development of our artisans, living their life in the margins due to the changing times. Set in a small town in India, the film encapsulates the journey of an honest man from a humble background, who pursues his passion, overcoming all odds and soon finds himself on the cover of an international magazine with the world taking note and appreciating his talent. A clean family entertainer, the film emphasizes virtues like honesty, self-respect and community living.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dil Dhadakne Do - Zoya Akhtar Cover Art

Dil Dhadakne Do

Dil Dhadakne Do

Dil Dhadakne Do revolves around an imbalanced Punjabi family on a cruise trip where the film is based on. Ranveer Singh is seen in a character as Kabir, who is a wealthy person by birth. Being a son of a business man, he was raised up to take up the business. But the story reverses, as he is interested in plans and aspires to became a Pilot. Due to this difference he faces a lot many problems until he meets Farah (Anushka Sharma). She is a girl, who escaped from her home to make her dream over dance come true. She comes across Kabir, which turns his miserable life into bed of roses. Priyanka Chopra is seen as Ranvir sister. She plays an ambitious entrepreneur married to Rahul Bose when she goes on the cruise, but Farhan acts as the third angle to Priyanka-Rahul's dysfunctional relationship.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dilwale Dulhania Le Jayenge - Aditya Chopra Cover Art

Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge

When Raj (Shahrukh Khan) & Simran (Kajol) first met on an inter-rail holiday in Europe, it wasn't exactly Love at first sight...but when Simran is taken back to India for an arranged marriage, Love makes its presence felt. Encouraged by his father Dharamvir (Anupam Kher - Bend it like Beckham & ER), Raj decides to fly down from London to not just win his Bride but her whole family and the blessings of her father Baldev Singh (Amrish Puri - Indiana Jones & Temple of Doom). All this while the celebrations for her wedding are in full swing. The longest running film in Indian Cinema released on 20th October 1995 and is still showing in Mumbai (India). It won every major award in the year of release & Shahrukh Khan shot to superstardom with this film and it defined the term "Bollywood".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mere Dad Ki Maruti - Ashima Chibber Cover Art

Mere Dad Ki Maruti

Mere Dad Ki Maruti

Twenty-something Sameer is a brat who thinks he can get away with anything. When he lands a lucky date with ‘Chandigarh Ki Shakira’, Jasleen, he decides to sneak out his Dad’s brand new Maruti without a second thought. After a mad night at a pub, a fun drive around the famous gehri route and one peck on the cheek, Sameer ends up losing the car!The car was meant to be a gift for his sister on her wedding and is probably the only thing his stingy dad, Tej Khullar ever spent money on. With only three days to find it, he must ensure his dad doesn’t get a whiff of what he has done. Else, he will be turned into butter chicken.Sameer’s life will be turned upside down as he comes face-to-face with some insane characters like a bhai from chor bazaar, an old man with a rifle pointed at his nose and of course, the Chandigarh cops.Will he manage to woo the girl of his dreams? Will he find the car? Will his Dad find out?Catch "Mere Dad Ki Maruti"... It is sure to charge your batteries.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Detective Byomkesh Bakshy - Dibakar Banerjee Cover Art

Detective Byomkesh Bakshy

Detective Byomkesh Bakshy

Detective Byomkesh Bakshy is based on the early exploits of India’s first true-blue detective, created by Bengali bestseller writer Saradindu Bandyopadhyay. Directed by Dibakar Banerjee, the film is set in the Second World War torn Calcutta during the 1940s and follows the first adventure of Byomkesh Bakshy (Sushant Singh Rajput), fresh out of college, as he pits himself against an evil genius who is out to destroy the world. Using his wits against the most villainous arch criminal the world has seen, in a world of murder, international political intrigue and seduction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dum Maaro Dum - Rohan Sippy Cover Art

Dum Maaro Dum

Dum Maaro Dum

On his way to Griffin University, US, Goa-based Lawrence Eduardo Gomes is arrested and held at the airport by a corrupt ACP Vishnu Kamath as his baggage has drugs. While attempts by Lorry and others are made to clear Lawrence's name, Vishnu continues his investigation, aided by Inspectors Mercy D'Costa and Rane, which end up not only pitting him against politically-connected drug-dealers but also international gangsters who operate in Goa with impunity. His inquires lead him to business tycoon, Lorsa Biscuita, while informers indicate that Lorsa is going to meet with Michael Barbosa, who may well be the head of this trade. Vishnu attempts to attend this meeting, but unaware that the venue is being moved to Karnataka - well outside Goa Police's jurisdiction - and he may never be able to find out, leave alone apprehend this individual.

© 2011 Fox STAR Studios

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Fukrey Returns - Mrighdeep Lamba Cover Art

Fukrey Returns

Fukrey Returns

'Fukrey Returns' picks up a year later from where it ended. Having enjoyed the spoils of war they had so audaciously waged, the Fukras are now at crossroads with their past, which is about to decide their future. Bent upon a merciless payback, Bholi Punjaban is back and all set to take the Fukras on a deadly ride.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Tiger Zinda Hai - Ali Abbas Zafar Cover Art

Tiger Zinda Hai

Tiger Zinda Hai

Inspired by real events, Tiger Zinda Hai is a sequel to the blockbuster Ek Tha Tiger, and an espionage action drama that follows a daring rescue mission in Iraq. When a group of Indian and Pakistani nurses are held hostage in Iraq by the militant Abu Usman, Indian intelligence (RAW) tracks down the reclusive agent Tiger 8 years after he fled with former Pakistani intelligence (ISI) agent Zoya. Joining forces in the name of humanity, Tiger and Zoya lead a team of RAW and ISI agents to covertly enter the hospital where the nurses are trapped, and get the nurses to safety before an American airstrike blows up the hospital. Tiger Zinda Hai is an all-out entertainer with gritty action, music and drama.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bodyguard - Siddique Cover Art

Bodyguard

Bodyguard

When it comes to being punctual and doing his duties perfectly, Lovely Singh is unmatchable. Taking great pride in what he does, he spares no effort in giving his everything to his profession. Summoned for an assignment of guarding Divvy, the daughter of Sartaj Rana, a business tycoon Lovely Singh accompanies her to her campus, but ends up rubbing her the wrong way with his over-protective nature and paranoia about security. She finds him to be a major obstacle in leading a regular campus life. To throw him off-track and get him out of the way, she comes up with a ‘master-plan’- that of trapping him in a fake love affair. ‘Once he’s smitten by the girl of his dreams and is reveling in his new-found romance, he will leave us alone, and we shall be free to do our own thing unhindered’, says Divya to her friends. She becomes an anonymous admirer of his and starts hounding him, expressing her ‘feelings’ in no uncertain terms. Lovely Singh however proves to be a tough nut to crack, and it takes quite a bit of doing from her side to penetrate his fort-like exterior. But once she succeeds in doing so, he transforms into a completely different person. Divya is triumphant and is all set to relish her regained freedom. But things take an unexpected turn when she learns a few things about Lovely Singh. Things that she could’ve never even imagined! And she soon finds herself trapped in a dilemma that she’s unable to resolve! And with her, soon enough, Lovely Singh finds himself ensnared in a web of lies, trickery and deceit! Bodyguard is the story of conflict- between innocence and mischief, love and power and life and death!

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Reliance Entertainment and Reel Life Production Pvt Ltd located at 49/50, Maruti Chambers, Veera Desai Extn Road, Andheri (West), Mumbai 400053 India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Chak De India - Shimit Amin Cover Art

Chak De India

Chak De India

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality. The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India? The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible. Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can. CHAK DE INDIA is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. The Film became a cult classic and won its leading man the National Award and put the Indian National Sport “Hockey”, back on the map.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Rocket Singh - Salesman of the Year - Shimit Amin Cover Art

Rocket Singh - Salesman of the Year

Rocket Singh - Salesman of the Year

Harpreet Singh Bedi (Ranbir Kapoor) has just graduated, and his marks are, well, let’s say a little embarrassing. But marks never stopped him from dreaming of an exciting and adventurous career, and they never will. He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career for all smart people blocked from entering medical, engineering or business schools by brainless entrance exams. It’s everything he dreamt of, with its smooth dressing, smoother talking men and women who can sell ice to an Eskimo, dreams to an insomniac, and a lifetime mobile connection to a dying man. But soon, his idea of success begins clashing with the strange ways of these ‘professionals’ he looked up to. “ROCKET SINGH - Salesman of the Year” is the sometimes thoughtless, sometimes thoughtful story of a fresh graduate trying to find a balance between the maddening demands of the ‘professional’ way, and the way of his heart - and stumbling upon a crazy way which turned his world upside down, and his career right side up.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Rockstar - Imtiaz Ali Cover Art

Rockstar

Rockstar

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend – great music is borne from great pain. He who hasn’t experienced the pain of heartbreak shall not know the depth and intensity of sublime music.Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.Heer and Janardhan get separated, as she gets married off to Prague. Janardhan’s pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer’s story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Cocktail - Homi Adajania Cover Art

Cocktail

Cocktail

Gautam (Saif Ali Khan) is the quintessential bachelor enjoying the fruits of being single. He flirts harmlessly with women and stays far away from commitment. His best friend Veronica (Deepika Padukone) also lives life by the minute, enjoying it to its fullest. Into their lives comes Meera, a coy Indian girl jilted by her lover, alone in a unknown land, looking for shelter and friendship. The three become friends and start living together. Things become complicated when friendship turns into lust, then into love, and the three find themselves in a cocktail of life and relationships.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Swades - Ashutosh Gowariker Cover Art

Swades

Swades

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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The Attacks Of 26/11 - Ram Gopal Varma Cover Art

The Attacks Of 26/11

The Attacks Of 26/11

Never in the history of the world were there more terrifying attacks than those that happened on 9/11 in New York... but in the sheer audacity of their execution, the attacks of 26/11 on Mumbai were far more shocking.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Aaja Nachle - Anil Mehta Cover Art

Aaja Nachle

Aaja Nachle

An unexpected phone call shakes Dia (Madhuri Dixit) out of her dance rehearsal in New York. Her teacher, her guru, is dying and she must return to India. The town where she grew up, the town where she learnt to live and to dance. Also the town she left on an impulse, severing ties with her parents and her people. It is a poignant and troubled return; not only has her guru passed away but the institution that he so lovingly nurtured is in decay and under threat of demolition. Ajanta theatre, the once vibrant hub of the community, the place where Dia’s fondest memories are embedded must now be brought down because the local political authorities feel it a waste of prime real estate. Dia picks up the gauntlet to turn this ruin into a vibrant and bustling theatre that was once the soul of her little town, while fighting discrimination, resentfulness and her own demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Andaz Apna Apna - Rajkumar Santoshi Cover Art

Andaz Apna Apna

Andaz Apna Apna

Andaz Apna Apna is a story of two boys Amar (Aamir Khan) and Prem (Salman Khan) who want to get rich quickly by taking all the short-cuts in the book. Amar is the son of an honest barber Murli Manohar (Deven Verma) in Mumbai, while Prem is the son of Bankeylal Bhopali (Jagdeep), a hardworking tailor in Bhopal. Both Amar and Prem are two conmen with no money, few prospects and big dreams. They meet a beautiful wealthy heiress Raveena (Raveena Tandon) who has come from London accompanied by her friend cum secretary Karishma (Karishma Kapoor) with the intention of getting married to a virtuous Indian. The lucky man to wed Raveena will inherit her father Ram Gopal Bajaj's (Paresh Rawal) entire wealth. Amar and Prem try their chances and woo Raveena, each trying to outdo the other. Teja (Paresh Rawal in a double role) who's sole ambition in life has been to grab his twin brother Ram Gopal Bajaj's millions. As the story progresses it turns out to be a mad chase from Ram Gopal Bajaj's wealth, full of humor, romance thrills and chills.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Anjaana Anjaani - Siddharth Anand Cover Art

Anjaana Anjaani

Anjaana Anjaani

Two people can meet anywhere, and when Akash and Kiara meet, it is in a very unusual situation... one that sends the two strangers down a path of discovery, ridden with the exquisite pain and joy of falling in love, though neither seems to realize it. Determined to fulfill their last wishes, they begin a bi-coastal road trip that results in a series of hilarious misadventures, until life interrupts and painful choices must be made. The strangers part ways, still strangers, writing off their time together as a brief, insane interlude which ended as they returned to their normal lives. But something is changed in each of them... something that makes them wonder if perhaps their brief time together was the new beginning they weren’t expecting. Follow Akash and Kiara in this funny and poignant journey, where two strangers stumble upon all the things that are worth living for... and are changed forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd, located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Chandni - Unknown Cover Art

Chandni

Chandni

In one cruel stroke of fate, Chandni (Sridevi) faces life alone, her heart and her dreams shattered as Rohit (Rishi Kapoor) disappears from her life. When she meets Lalit (Vinod Khanna) who is fighting the demons of tragic memories, they both find solace in this new friendship. Lalit’s affection gives a new direction to Chandni’s life, but Lalit is falling for her and Chandni resigns to destiny, till one day, Rohit knocks on her door. CHANDNI is a classic Yash Chopra love story, softly lyrical, throbbingly beautiful and filled with exquisite locales, lilting melodies and the sound of three hearts hopelessly in love...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Toofaan - Rakeysh Omprakash Mehra Cover Art

Toofaan

Toofaan

The story of a boxer and the struggles he faces on his journey to get to the national-level competition.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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OMG: Oh My God! - Umesh Shukla Cover Art

OMG: Oh My God!

OMG: Oh My God!

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. He is cursed by Siddheshwar Maharaj when he stopped his son from playing dahi handi. A low-intensity earthquake hits the city, and Kanji's shop is the only shop that is destroyed. Next day at the insurance office, Kanji and his neighbour-assistant Mahadev learn that the disaster claim does not cover any damage caused by natural calamities classified under 'Act of God'. Running out of options, Kanji decides to file a lawsuit against God.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Darr - Yash Chopra Cover Art

Darr

Darr

“Darr” (Fear) is the villain in every love story. But in Yash Chopra’s movie, the fear is the ultimate expression of passion, obsession and sacrifice. Rahul‚ (Shahrukh Khan) who’s love and obsession for Kiran (Juhi Chawla) frees him from all fears of life and death. Sunil‚ (Sunny Deol) who’s enduring love and passion for Kiran gives him the courage to face the fear of death. And finally Kiran is caught between one man’s love and another man’s obsession. She fears the one and fears for the other. One stands for love and the other for life. “Darr” won the National Award for Best Film in 1993 and is remembered for Shahrukh Khan’s mesmerizing performance. International renowned classical music maestros Shiv-Hari composed the haunting melodies of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gafla - Sameer Hanchate Cover Art

Gafla

Gafla

Subodh (Vinod Sharawat) is a man with drive and ambition who sees the booming stock market as his ticket to riches. His brilliance makes him a successful trader, but it's not enough to satisfy his dreams, and in attempting to become a major player in the markets, he finds himself embroiled in an elaborate stock scam. This riveting drama is loosely based on the India's infamous stock market scam centered on Harshad Mehta and figures like 4000-5000 crore were thrown around. The movie even examines the issues of ethics and morality in this Machiavellian world defined by winners and losers rather than good and bad.

© "Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Metropolis Multimedia Company located at 366, 6th Road, Chembur, Mumbai 400071, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Sanam Teri Kasam - Radhika Rao & Vinay Sapru Cover Art

Sanam Teri Kasam

Sanam Teri Kasam

A romantic journey about Inder Parihaar (Harshvardhan Rane), an accomplishing lawyer and Saraswati "Saru" (Mawra Hocane), a librarian who at work, harbours feelings for Abhimanyu Shastry (Anurag Sinha). The movie takes you through a journey of love where two people living divergent lives are brought together by fate. Inder Parihaar leads a serene life with regards for nothing whereas Saraswati is a troubled girl as she isn't able to get married because of her conventional mien. Later, Saraswati decides to get a makeover and needed a recommendation for the same and this is how fate brings them together. Watch the movie as the love triangle unfolds with a whole lot of twists and turns in it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hum Aapke Hain Koun...! - Sooraj R. Barjatya Cover Art

Hum Aapke Hain Koun...!

Hum Aapke Hain Koun...!

Although Nisha falls for Prem, she agrees to marry his older brother for the good of their families. But fate may have other plans for the lovebirds.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Matru ki Bijlee ka Mandola - Vishal Bhardwaj Cover Art

Matru ki Bijlee ka Mandola

Matru ki Bijlee ka Mandola

Set in the rustic surroundings of a village in Haryana, India, "Matru ki Bijlee ka Mandola" is a comedy-drama about Harry Mandola (Pankaj Kapoor), a wealthy industrialist who loves his drink, his daughter Bijlee (Anushka Sharma) and the unusual bond they both share with Harry's man, Matru (Imran Khan). Much to her father's delight, Bijlee is all set to marry Baadal (Arya Babbar), the son of a powerful politician Chaudhari Devi (Shabana Azmi). This alliance which is far from just being a simple union of two young people becomes the seed for a story that brings twists and turns in the lives of Matru, Bijlee and Mandola.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Saheb Biwi Aur Gangster Returns - Tigmanshu Dhulia Cover Art

Saheb Biwi Aur Gangster Returns

Saheb Biwi Aur Gangster Returns

A crippled Aditya Pratap Singh is trying to recover from his disability and the betrayal of his wife Madhvi whose now an MLA. Madhvi and Aditya's relationship is in shambles and she has turned alcoholic With no knowledge of politics she gets her work done in seductress ways. Indrajeet Singh a prince has lost his pride and family respect which was destroyed by Aditya Pratap's ancestors is in love with Ranjana and wants his pride back. But Aditya Pratap falls for Ranjana and forces her father, Briendra Pratap, to marry, Madhvi whose weakness is men fall for Indrajeet and both want to destroy Aditya Pratap. But while trying to save his family's respect and pride Indrajit also becomes a victim of Madhvi's plans.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Digital 18 Media Pvt. Ltd., Located at., Vrindavan, Shree Ram Mills Compound, G.K Marg, Lower Parel, Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

89

Jalpari: The Desert Mermaid - Nila Madhab Panda Cover Art

Jalpari: The Desert Mermaid

Jalpari: The Desert Mermaid

Two city-bred kids, Shreya (Lehar Khan) and Sam (Krishang Trivedi), travel to their dusty Haryana village for a vacation with their parents. What happens there is an adventure, which comes packed with significant life lessons. It's not the idyllic village of their dreams but a problem-ridden place with dried up ponds, unfriendly villagers, unspoken secrets, out-of-bounds spaces, a child-eating daayan (Witch) and no girls, a reason why wives are imported from other states. In the backdrop of this engrossing adventure, the social issue of female foeticide is subtly interwoven without being preachy and melodramatic.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Lens - Jayaprakash Radhakrishnan Cover Art

Lens

Lens

Aravind gets a friend request from ‘Nikky’, a complete stranger. He accepts it and they begin to video-chat. The new friend has a bizarre request - To commit suicide, while Aravind watches live. Does Aravind have a choice?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, M/S Mini Studio., Located at.,34, Kalpavrisham Apartment, 2nd cross street, 1st main road, Rayala nagar, Ramapuram, Chennai, Tamil Nadu-600089, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Ae Dil Hai Mushkil - Karan Johar Cover Art

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil is the ultimate story of unrequited love... the shapes and forms it takes and the highs and lows of the characters' lives. We follow the journey of Ayan Sanger, the sweet, quirky son of an industrialist, who nurtures a hidden passion for singing... Alizeh, the charming and funny, but neglected youngest daughter in a daunting family of aristocrats... Saba, the stunningly beautiful divorcée, who pours her pain into her poetry. How the three characters' lives intertwine and connect and how they find closure in the romantic and unromantic forms the crux of this film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Yeh Jawaani Hai Deewani - Ayan Mukerji Cover Art

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani is the story of four characters, Bunny (Ranbir Kapoor), Naina (Deepika Padukone), Aditi (Kalki Koechlin) and Avi (Aditya Roy Kapur) at two separate but defining times in their lives; First, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they will become... and then later on, in their late twenties when they reunite at the wedding of the first of their bunch, now holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... YJHD is a cocktail of all the encounters and obsessions that form the exhilarating and terrifying journey of youth... an effort to somehow capture the spirit of the lives of these four characters as they navigate life, love and their search for what truly gives their lives meaning.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai - 400052, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kapoor and Sons (Since 1921) - Shakun Batra Cover Art

Kapoor and Sons (Since 1921)

Kapoor and Sons (Since 1921)

Kapoor and Son’s since 1921 is a dramedy that sure knows how to put the fun in “dysfunction”. Rahul and Arjun, two estranged brothers are forced to return to their childhood home when their 90 year old Grandpa gets a heart attack. While living under one roof, family secrets unravel and misunderstandings are on the verge of turning into tragedy. What follows is what families are made of ... chaos, humor, heartache and redemption. Can the Kapoors get past the lies and betrayal? Can they forgive and forget? Can these imperfect people come together, to make the perfect family?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jolly LLB 2 - Subhash Kapoor Cover Art

Jolly LLB 2

Jolly LLB 2

Jagdishwar Mishra aka Jolly (Akshay) starts out as a prominent lawyer’s sidekick in Kanpur. Driven by ambition, he hoodwinks a pregnant widow, Hina Siddique (Sayani Gupta) on the lookout for justice. He lands the murder case of her husband, but when she realizes he is a fraud, she kills herself. Leaving Jolly with a guilt on his conscience and an unresolved case in his hands. Now, he wants justice more than ever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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B.A. Pass - Ajay Bahl Cover Art

B.A. Pass

B.A. Pass

A young small town boy moves to Delhi to stay with his aunt and finish his college. Soon he is seduced by a mysterious married woman known to him as Sarika `Aunty`. Set amidst the neon-lit by lanes of Delhi`s Paharganj unfolds an erotic human drama between the two. A relationship based on lust, lies and deceit is forged. As the young boy gets more and more entrenched into his surroundings he discovers a city that thrives on corrupting even the most naive and innocent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, V ONE ENTERTAINMENT PVT.LTD. located at 899, JAIN BUNGLOW, JASSAWALA WADI, JUHU, MUMBAI 400049, INDIA. hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Andhadhun - Sriram Raghavan Cover Art

Andhadhun

Andhadhun

Akash, a blind pianist, is preparing for a London concert. Sophie's scooter bumps into Akash and upon finding he a pianist she takes him to her restaurant Franco's run by her father and offers him a job. Akash meets 70s actor Pramod Sinha at the restaurant who asks him to do a private concert of his songs at his residence to surprise his wife, Simi. Next Day upon reaching his house a shocking surprise is waiting for Akash.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Fan - Maneesh Sharma Cover Art

Fan

Fan

In a world of labels it’s easy to forget who made sportsmen, pop singers and matinee idols into stars, superstars and megastars – the FANS. Every FAN has their own personal relationship with their hero – it’s almost a Love Story. FAN is the story of Gaurav (Shah Rukh Khan) a young man, 20 something, whose world revolves around the mega movie star Aryan Khanna (Shah Rukh Khan) or God as he refers to him. From the by lanes of Delhi, young Gaurav embarks on a journey to the city of dreams, Mumbai, in order to wish his God on his birthday. After all, he is Aryan’s biggest FAN and even has a striking resemblance to him – how difficult could it be for the world biggest FAN to get an audience with the world’s biggest Star. When things don't go according to plan, Gaurav’s love and passion for his God turns in to a dangerous obsession that crosses the fine line. In an edge of the seat thriller, FAN will peel away at both Gaurav and Aryan’s personalities and characters as the two men discover people within themselves that even they didn't know existed, and we’re left wondering who to sympathize with and whom to root for - can we really pick a side, after all, Superstars are also human beings but each one of us is also a FAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Badrinath Ki Dulhania - Shashank Khaitan Cover Art

Badrinath Ki Dulhania

Badrinath Ki Dulhania

Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. Badrinath Ki Dulhania is the story of these two opposites. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. But ultimately it’s a film about understanding and realization. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Here in lies the essence of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Pathaan - Siddharth Anand Cover Art

Pathaan

Pathaan

Years ago, the agent nicknamed “Pathaan” (Shah Rukh Khan) almost lost his life in service to the country. While recuperating from his injuries, he conceptualized the formation of JOCR, headed by Major Nandini (Dimple Kapadia), a shadow division within India’s Research and Analysis Wing, composed of tough, passionate, and motivated soldiers who would otherwise have been disallowed from service due to injuries sustained in the line of duty. Pathaan and the other JOCR team get intel of an impending attack by a mysterious mercenary group Outfit X. Pathaan comes face to face with the head of Outfit X, an enigmatic and ruthless mercenary Jim (John Abraham), who has a history of his own. Jim kills key members of Pathaan’s team in the attack, compelling Pathaan to swear revenge. He finds that Jim heads Outfit X, a private team of elite mercenaries who were ex-agents of the top spy agencies across the world and are now “Guns for hire”. The latest job that Jim has taken is the biggest one yet - a major attack to be orchestrated against India, Codenamed Raktabeej, after a legendary asura (demon) from Indian mythology who was impossible to kill, because every drop of his blood led to the creation of more and more demons! With the doomsday clock ticking away, Pathaan must urgently find out exactly what Operation Raktabeej is, when it is to take place, and how on earth to stop it. His only ally is an agent who can’t be trusted, Rubai! (Deepika Padukone) The chase to stop Jim and Operation Raktabeej will have Pathaan fighting countless unexpected betrayals and dealing with the death and destruction of everything and everyone he loves. Can Pathaan fight an anarchic killer who is more than his match, one who knows exactly how Pathaan thinks and plans every move ensuring he is three steps ahead? How do you fight a villain who, much like Raktabeej, gets stronger with every attack you mount on him? All that lies between India and destruction is one man. The agent nicknamed “Pathaan”.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tanu Weds Manu - Anand L. Rai Cover Art

Tanu Weds Manu

Tanu Weds Manu

London-based Dr. Manoj Sharma returns home to Delhi, and in the company of his parents, Kishan and Anju, as well as several others, travels to Chaman Ganj, Kanpur, Uttar Pradesh to meet his prospective bride, Tanuja Trivedi. He approves of her, informs his elders and they begin preparations for the marriage. Subsequently he gets a rude awakening when Tanuja tells him that she already has a boyfriend and plans to marry him even against her parents' wishes. Manoj informs his parents, and they set about to see other girls for their son - albeit in vain - as he has his heart set on Tanuja, and is all set to return back unmarried. Manoj and Tanuja are fated to meet again in Kapurthala, Punjab, while attending the marriage of Jaspreet Singh Jassi and Payal Sinha. While Manoj hopes to win Tanuja's heart - he will face more rejection when she enlists his assistance to elope with another male.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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