iTunes Top Bollywood Movies Chart

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Bhaag Milkha Bhaag - Rakeysh Omprakash Mehra Cover Art

Bhaag Milkha Bhaag

Bhaag Milkha Bhaag

Milkha Singh – for some the name evokes a faint memory from the pages of history. All that is most remembered is that Milkha Singh hailed as the flying sikh, was a famous athlete, who infamously lost the penultimate race of his life. “The one who lost the 400 meters finals at the Rome Olympics… is an involuntary response when the name Milkha Singh is mentioned. The film attempts to understand catastrophic loss that was deemed a sure victory and explores through the darkness of disgrace; Milkha’s redemption, the redemption and catharsis that come when he confronts his past.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd.,Locatd at., One Unity Center, Tower 4, Senapati Bapat Marg, Prabhadevi Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gangs of Wasseypur - Anurag Kashyap Cover Art

Gangs of Wasseypur

Gangs of Wasseypur

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur. Staying true to its real life influences, the film explores the revenge saga through the socio-political dynamic in erstwhile Bihar (North India), in the coal and scrap trade mafia of Wasseypur, through the imprudence of a place obessed with mainstream 'Bollywood' cinema.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Gafla - Sameer Hanchate Cover Art

Gafla

Gafla

Subodh (Vinod Sharawat) is a man with drive and ambition who sees the booming stock market as his ticket to riches. His brilliance makes him a successful trader, but it's not enough to satisfy his dreams, and in attempting to become a major player in the markets, he finds himself embroiled in an elaborate stock scam. This riveting drama is loosely based on the India's infamous stock market scam centered on Harshad Mehta and figures like 4000-5000 crore were thrown around. The movie even examines the issues of ethics and morality in this Machiavellian world defined by winners and losers rather than good and bad.

© "Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Metropolis Multimedia Company located at 366, 6th Road, Chembur, Mumbai 400071, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Gangs of Wasseypur II - Anurag Kashyap Cover Art

Gangs of Wasseypur II

Gangs of Wasseypur II

Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faisal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.”

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Piku - Shoojit Sircar Cover Art

Piku

Piku

Piku (Deepika Padukone) is a Delhi based architect who manages her small business,runs her home and takes care of her 70-year old father Bhashkor Banerji (Amitabh Bachchan).A hypochondriac, Piku’s Baba must ensure that he has her attention 24*7 leaving her with little time to do anything else. Romance and getting a life of her own, just don’t seem possible! While both are deeply attached with one another, they are equally strong headed, stubborn and just won’t let go when dealing with each other’s idiosyncrasies and quirks! When Bhashokar emotionally blackmails Piku to take a road trip from Delhi to Kolkata , the owner of the local cab company Rana (Irrfan Khan) has no choice but to drive them personally since none of his drivers are willing to endure Piku or her eccentric father. During this undesired road trip they learn to deal with each other’s moods and idiosyncrasies and it reveals more than Bhashokar’s bathroom habits. What follows is a heady mix of motion, emotion & commotion which culminates as Piku and Bhaskhor return to their roots in Kolkata, giving us an insight into the father daughter relationship where Bhaskor’s irritating yet endearing demeanor and Piku’s equally headstrong nature may always be at loggerheads but this seemingly crazy relationship is bonded by an understated and an unconditional love that leaves you wanting more.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We MSM Motion Pictures located at , 3rd Floor, Interface Blg No. 7, Off Malad Link Road, Malad (W), Mumbai, Maharashtra 400064 hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Gully Boy - Zoya Akhtar Cover Art

Gully Boy

Gully Boy

Murad is the 22-year-old son of a driver in Mumbai. His parents have worked to get him educated so that he could find a white-collar job. Instead, he finds a love for hip-hop and comes of age while using his music to highlight inequalities.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Blood Money - Vishal Mahadkar Cover Art

Blood Money

Blood Money

The story is about Kunal (Kunal Khemu) who believes he can do anything by trying his hardest. He receives a job offer through his friend Teeshay and his wife Nandini (Puja Gupta) in Cape Town and moves there with his wife Aarzoo (Amrita Puri). They live a happy life together, until Kunal's boss is revealed to be an underworld gangster. The company Kunal works in deals with exporting diamonds; Kunal has no idea that it happens illegally.

© 2012 Viacom18 Motion Pictures

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Padmaavat - Sanjay Leela Bhansali Cover Art

Padmaavat

Padmaavat

In medieval India, a tyrannical sultan and his army attacked a prosperous kingdom to try and capture the beautiful Queen Padmavati. Her husband Maharawal Ratan Singh assembles his valiant forces to defend his land and the honour of his beloved wife.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Digital 18 Media Pvt. Ltd., Located at., Vrindavan, Shree Ram Mills Compound, G.K Marg, Lower Parel, Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Rab Ne Bana Di Jodi - Aditya Chopra Cover Art

Rab Ne Bana Di Jodi

Rab Ne Bana Di Jodi

Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell? Maybe not! How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell? This is what happened to Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious - Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. What follows is a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi (couple).

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Raazi - Meghna Gulzar Cover Art

Raazi

Raazi

Set in 1971, when the winds of war were blowing between India and Pakistan, Raazi – an adaptation of Harinder Sikka’s novel “Calling Sehmat” – is a true-life story involving a 20-year-old Kashmiri girl. Sehmat, a Delhi University student, is suddenly called back home to Kashmir by her parents. Her father Hidayat Khan, an influential businessman, has close ties with the Pakistani army. He has fixed Sehmat’s marriage with a Pakistani Brigadier's son. Hidayat Khan is also an asset for the Indian Intelligence and the real reason for Sehmat's marriage is a covert mission: Sehmat is to be sent as a spy into a Pakistani military family and source out all the information that she can get on Pakistan’s strategy in the impending war. Sehmat accepts her fate and is ready to do anything that is required for the country. Sehmat enters the new family and a new country on a mission for her motherland.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 2201 and 202, 2nd Floor, Supreme Chambers, Off Veera Desai Road, 17/18 Shah Industrial Estate, Andheri (W), Mumbai- 400053, India, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Badmaash Company - Parmeet Sethi Cover Art

Badmaash Company

Badmaash Company

Life in the 1990's was remarkably different for the average Indian. Consumerism had not set in. It was devoid of most of the luxuries of the West. In fact everything "imported" was good, and everything Indian, passé. BADMAASH COMPANY is an extraordinary story set in the 1990’s in middle class Bombay (as it was known then), of four ordinary youngsters - Karan (Shahid Kapoor), Bulbul (Anushka Sharma), Zing (Meiyang Chang) and Chandu (Vir Das) - who came together to start an import business of things longed for by yuppie Indians! What made their venture such a stupendous success was the fact that they found a way to beat the system and soon became the undisputed kings in their business, realising their one dream of making quick money by doing all the wrong things... the right way! Living the life of champagne wishes and caviar dreams, the four friends discover that to make a business successful you don’t need big money. All you need is a big idea! With their larger than life schemes, the four go on a wild roller-coaster ride into the world of sheer glitz and glamour where the stakes are high and risks even higher! All was well and hunky dory till one day the four maverick entrepreneurs are forced to shut shop... until they come up with yet another perfect plan to beat the system... just one more time...!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Andhadhun - Sriram Raghavan Cover Art

Andhadhun

Andhadhun

Akash, a blind pianist, is preparing for a London concert. Sophie's scooter bumps into Akash and upon finding he a pianist she takes him to her restaurant Franco's run by her father and offers him a job. Akash meets 70s actor Pramod Sinha at the restaurant who asks him to do a private concert of his songs at his residence to surprise his wife, Simi. Next Day upon reaching his house a shocking surprise is waiting for Akash.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Special 26 - Neeraj Pandey Cover Art

Special 26

Special 26

Based on a real life. A group of con artists who robbed famous businessmen and politicians by pretending to be the CBI or Income tax officers and conducting raids, they would take away all the black money hoarded by them. Based on true incidents during the 1980s.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Love Aaj Kal - Imtiaz Ali Cover Art

Love Aaj Kal

Love Aaj Kal

An old-fashioned romantic tells his personal love story to a modern man who has just broken up with his girlfriend. Has love really ever changed?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Anjaana Anjaani - Siddharth Anand Cover Art

Anjaana Anjaani

Anjaana Anjaani

Two people can meet anywhere, and when Akash and Kiara meet, it is in a very unusual situation... one that sends the two strangers down a path of discovery, ridden with the exquisite pain and joy of falling in love, though neither seems to realize it. Determined to fulfill their last wishes, they begin a bi-coastal road trip that results in a series of hilarious misadventures, until life interrupts and painful choices must be made. The strangers part ways, still strangers, writing off their time together as a brief, insane interlude which ended as they returned to their normal lives. But something is changed in each of them... something that makes them wonder if perhaps their brief time together was the new beginning they weren’t expecting. Follow Akash and Kiara in this funny and poignant journey, where two strangers stumble upon all the things that are worth living for... and are changed forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd, located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Queen - Vikas Bahl Cover Art

Queen

Queen

Rani, a Punjabi girl, belongs to a conservative family. Two days before her wedding, her fiancé Vijay refuses to marry her. She decides to take control of her life and goes alone on her pre-booked honeymoon to visit her favorite places, Paris and Amsterdam. In Paris, she meets Vijayalakshmi, who becomes her friend and confidante and shows her around Paris. Once while shopping, Rani tries out what she considers to be a revealing outfit and accidentally sends a selfie of her in it to Vijay instead of Vijayalakshmi. The selfie prompts Vijay to begin searching for her. Later in Amsterdam, she gets horrified to know her room is shared with three guys. The four become good friends and explore the city. Rani’s character gains self confidence. Eventually, Vijay apologizes and asks her to reconsider the relationship, but in vain. Upon returning to India, she meets up with Vijay at his house. She simply hands him her engagement ring and thanks him. Rani leaves his house relieved and relaxed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dilwale Dulhania Le Jayenge - Aditya Chopra Cover Art

Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge

When Raj (Shahrukh Khan) & Simran (Kajol) first met on an inter-rail holiday in Europe, it wasn't exactly Love at first sight...but when Simran is taken back to India for an arranged marriage, Love makes its presence felt. Encouraged by his father Dharamvir (Anupam Kher - Bend it like Beckham & ER), Raj decides to fly down from London to not just win his Bride but her whole family and the blessings of her father Baldev Singh (Amrish Puri - Indiana Jones & Temple of Doom). All this while the celebrations for her wedding are in full swing. The longest running film in Indian Cinema released on 20th October 1995 and is still showing in Mumbai (India). It won every major award in the year of release & Shahrukh Khan shot to superstardom with this film and it defined the term "Bollywood".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ra.One - Anubhav Sinha Cover Art

Ra.One

Ra.One

While Shekhar was trying every trick in the book to woo his son, get 'dude-ified' and 'up his coolness quotient,' his son had given up on him. Just when the father-son duo hit a deadlock, Shekhar strikes gold when he designs one hell of a game. Finally it all starts falling in place as the family comes, only to find themselves in the middle of not just a hard drive crash, but a crash that would drive them to a disaster and make their lives go – KABOOM! All hell breaks loose when the game that was meant to be played with starts playing them. Ra.One - the next level.

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sultan - Ali Abbas Zafar Cover Art

Sultan

Sultan

Sultan is a story of Sultan Ali Khan (Salman Khan) - a local wrestling champion with the world at his feet as he dreams of representing India at the Olympics. It’s a story of Aarfa (Anushka Sharma) - a feisty young girl from the same small town as Sultan, with her own set of dreams. When the 2 local wrestling legends lock horns, romance blossoms and their dreams and aspirations become intertwined and aligned. However, the path to glory is a rocky one and one must fall several times before one stands victorious. More often than not, this journey can take a lifetime. Sultan is a classic underdog tale about a wrestler's journey, looking for a comeback by defeating all odds staked up against him. But when he has nothing to lose and everything to gain in this fight for his life match... Sultan must literally fight for his life. Sultan believes he’s got what it takes... but this time, it’s going to take everything he’s got. "Wrestling is not a sport, it's about fighting what lies within" - SULTAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dil Chahta Hai - Farhan Akhtar Cover Art

Dil Chahta Hai

Dil Chahta Hai

Akash is a non-believer. He thinks the concept of love is created to ruin perfectly healthy relationships. Sameer is a believer. He wants to be in love. He loves being in love. Unfortunately for him, he hasn't quite grasped the concept of it just yet. Wearing his heart on his sleeve, he is out there persevering, believing that he will find that 'special her', as long as he keeps searching. Siddharth is mature, sensitive and understanding. Siddharth aka Sid knows the true meaning of the word love. He feels it everyday, every hour, every minute. For his friends, his acquaintances, for the stray dog living outside his gate, for the tree that's just been planted next door. He has reached modern day enlightenment.

© An India specific copyright information using the following wording "Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Titli - Kanu Behl Cover Art

Titli

Titli

In the badlands of Delhi's underbelly, Titli, the youngest member of a violent car-jacking brotherhood, plots a desperate bid to escape the 'family' business. His schemes are thwarted by his unruly brothers, who marry him off against his will. But Titli finds an unlikely ally in his new wife, Neelu, who nurtures her own frustrated dreams. They form a strange, mutually exploitative pact to break the stranglehold of their family roots. But is escape the same as freedom?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Rockstar - Imtiaz Ali Cover Art

Rockstar

Rockstar

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend – great music is borne from great pain. He who hasn’t experienced the pain of heartbreak shall not know the depth and intensity of sublime music.Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.Heer and Janardhan get separated, as she gets married off to Prague. Janardhan’s pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer’s story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Gold - Reema Kagti Cover Art

Gold

Gold

Gold set in 1948 tells the historical story of the Hockey team that won the first Olympic medal for India as a free nation on the 12th of August 1948. The same date this year commemorates the 70th anniversary of this historic feat. The story of Gold highlights India's emergence from the shadow of the British Empire as it meets the British hockey team on the field, this time as a nation in its own right. Gold is an inspirational story of a team that fought ​against all the odds to bring their nation hope, pride, and respect.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Dhoom:2 - Sanjay Gadhvi Cover Art

Dhoom:2

Dhoom:2

The world’s oldest desert, the Namib - A solitary railway line... A royal family on a royal journey. From the sky... like lightening... A flash... the centuries old royal crown is stolen. Back in action... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali’s (Uday Chopra) dream of becoming a police officer has come true. He is now ACP Jai Dixit’s (Abhishek Bachchan) right hand man. Together they are trying to keep a tight leash on the crime in India, little do they know what they are going to be up against. Enter Aryan - Mr.A (Hrithik Roshan) A high tech international thief after pulling off a series of impossible heists all over the world. His next target is Mumbai, India. The case is given to ACP Jai Dixit and Ali helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu). For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai Mr.A finds his match in Sunehri (Aishwarya Rai). A petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership Aryan accepts. And so the game begins. The cops, Jai, Shonali and Ali and they are after Aryan and Sunehri - The Robbers. From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to wild and exotic Rio Brazil. Does ACP Jai Dixit manage to nab Mr.A? Go on! Enjoy the ride!! Once again!!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Pyaar Ka Punchnama 2 - Luv Ranjan Cover Art

Pyaar Ka Punchnama 2

Pyaar Ka Punchnama 2

Anshul a.k.a. Gogo (Kartik Aaryan), Siddharth a.k.a. Chauka (Sunny Nijar) and Tarun a.k.a Thakur (Omkar Kapoor) are flat mates and best friends. Film start with Gogo meeting Ruchika a.k.a Chiku (Nushrat Bharucha) and gives her his number. Siddharth ends up meeting Supriya (Sonnalli Seygall) at a family wedding and instantly falls for her. Thakur meets Kusum (Ishita Raj Sharma) while working out at the gym and they start seeing each other. The guys get into relationships with the girls. However, sweetness of love starts to fade. Gogo disapproves of the proximity between Chiku and Sunny, her best friend. Siddhart helps Supriya and her family in their chores, but Supriya is not willing to take the relationship forward. Kusum does not support Thakur in his business adventure and is using him for her luxuries. At the end, the boys give up and leave the girls. The film ends with them acknowledging that the only place where they can get the true love is from their mother.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Veer-Zaara - Yash Chopra Cover Art

Veer-Zaara

Veer-Zaara

Squadron Leader Veer Pratap Singh (Shahrukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta)... a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an aging Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation & deepens with sacrifice. A love that is an inspiration... and will remain a legend forever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dil to Pagal Hai - Yash Chopra Cover Art

Dil to Pagal Hai

Dil to Pagal Hai

DIL TO PAGAL HAI is the story of Rahul (Shahrukh Khan), who does not believe in love. Rahul fails to understand how two people can spend their lives together. It is the story of Pooja (Madhuri Dixit), who believes that there is someone who is made for her and she is destined to meet that person. It is also the story of Nisha (Karisma Kapoor) who believes that love is friendship and one day her dream will come true. Dil To Pagal Hai is a grand musical about passionate people with dreams. Will their dreams come true? Will they find their true love? Dil To Pagal Hai makes us believe that - someone... somewhere... is made for us.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Jab Tak Hai Jaan - Yash Chopra Cover Art

Jab Tak Hai Jaan

Jab Tak Hai Jaan

Superstar Shahrukh Khan, gives an electrifying performance as Samar Anand, a hard working young immigrant in the city of London, where he glimpses upon the love of his life, a gorgeous angelic looking girl, (Katrina Kaif). They meet and their bond blossoms into love with time spent together. Samar however meets with a serious accident, and Meera vows to God she will leave Samar forever if He allowed him to live again, their love affair ends as quickly as it began. Samar angered with God and fueled with his love for Meera, declares War against Him. Samar Anand vows to walk into the jaws of death everyday as a challenge to God to keep him alive. He becomes Major Samar Anand in the Indian Army, a bomb disposal chief, defusing bombs without ever wearing a bomb suit. It is here that Major Samar also known as ‘the man who cannot die’ meets Akira (Anushka Sharma), a spirited vibrant, ‘today’s generation’ Discovery Channel correspondent with a WTF attitude. Aware of Samar Anand’s story, Akira is determined to unravel the mystery of love in this intriguing story, whilst herself falling hopelessly in love with Samar. Is Akira able to unravel the mysteries of love, does Samar win the battle or then does God surrender to his love? From the legendary and unforgettable director Mr. Yash Chopra, comes an uncompromising film fascinatingly distinctive and contemporary with a visionary passion for true love. Experience this story of love and allow it to recapture your heart...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Band Baaja Baaraat - Maneesh Sharma Cover Art

Band Baaja Baaraat

Band Baaja Baaraat

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college. Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams. A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure). Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ladies vs Ricky Bahl - Maneesh Sharma Cover Art

Ladies vs Ricky Bahl

Ladies vs Ricky Bahl

After the heartwarming success of BAND BAAJA BAARAAT, director Maneesh Sharma is back with his team, in YASH RAJ FILMS' next offering LADIES vs RICKY BAHL. Starring Ranveer Singh, who has won everyone's heart with his endearing and scintillating performance, as well as the Best Actor (Debut) at all the award shows this year, and the accomplished and charismatic Anushka Sharma, the film is produced by Aditya Chopra and is based on a story developed by him. Habib Faisal has written the dialogues, the screenplay is by Devika Bhagat. The music is composed by Salim-Sulaiman, lyrics by Amitabh Bhattacharya and the film is shot by Aseem Mishra (DOP), all of whom have been a part of BAND BAAJA BAARAAT. LADIES vs RICKY BAHL is a fun-filled "ROM-CON" where a smooth and charming conman, Ricky Bahl, cons girls for a living but finally meets his match.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tiger Zinda Hai - Ali Abbas Zafar Cover Art

Tiger Zinda Hai

Tiger Zinda Hai

Inspired by real events, Tiger Zinda Hai is a sequel to the blockbuster Ek Tha Tiger, and an espionage action drama that follows a daring rescue mission in Iraq. When a group of Indian and Pakistani nurses are held hostage in Iraq by the militant Abu Usman, Indian intelligence (RAW) tracks down the reclusive agent Tiger 8 years after he fled with former Pakistani intelligence (ISI) agent Zoya. Joining forces in the name of humanity, Tiger and Zoya lead a team of RAW and ISI agents to covertly enter the hospital where the nurses are trapped, and get the nurses to safety before an American airstrike blows up the hospital. Tiger Zinda Hai is an all-out entertainer with gritty action, music and drama.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dhoom:3 - Vijay Krishna Acharya Cover Art

Dhoom:3

Dhoom:3

The favorite Indian action franchise Dhoom is back with a bang. This time Jai Dixit and Ali return to match their wits with the enigmatic clown thief, Sahir, who has the city of Chicago in his thrall. The pursuit that ensues is thrilling, entertaining and emotional by turns. It is a journey that will test all the players to their breaking point, where the game of chess played between Sahir and Jai will never be won until all the secrets have been unlocked. In this battle of revenge and dignity the lines blur and the conventional definition of good and bad don't apply anymore. Prepare to watch a spectacle that will thrill you and move you...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Son of Sardaar - Ashwani Dhir Cover Art

Son of Sardaar

Son of Sardaar

Realizing he is the target of a vengeful family that welcomed him without knowing his identity, a young man must avoid exiting their house since they won't kill a guest unless he's outside.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Digital 18 Media Pvt. Ltd., Located at., Vrindavan, Shree Ram Mills Compound, G.K Marg, Lower Parel, Mumbai - 400013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Maine Pyar Kiya - Sooraj R. Barjatya Cover Art

Maine Pyar Kiya

Maine Pyar Kiya

True love is the most powerful thing in the world. One of Indian cinema's biggest hits, Maine Pyar Kiya is the call of two young hearts smitten with love! Prem (Salman Khan) is the son of a multimillionaire, Kishen (Rajiv Verma) and Suman (Bhagyashree) is the daughter of an ordinary motor mechanic, Karan (Alok Nath). When fate brings them together, there develops a mutual liking which soon blossoms into love. Prem and Suman sing and dance, as they dream of a beautiful tomorrow. The dreams seem to be soon turning into reality; Prem's mother is happy to accept Suman as her prospective daughter-in-law. But Kishen, who only knows the language of money, not only injures the loving hearts, but also insults Karan, his childhood friend. What next is in store for the couple in love?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited located at, Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Swades - Ashutosh Gowariker Cover Art

Swades

Swades

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Om Shanti Om - Farah Khan Cover Art

Om Shanti Om

Om Shanti Om

Om Prakash Makhija is a junior artiste in the film industry. He yearns to be a top star like Shantipriya, whom he admires and loves. One day, Om Prakash saves Shantipriya’s life while shooting for a film. Shantipriya feels obliged towards him. Top film producer Mukesh Mehra is married to Shantipriya but he is not prepared to go public with the marriage. When she tells him that she is carrying his child, he locks her in a studio and sets it on fire. Om Prakash is in the studio compound and all his efforts to save Shantipriya are futile. He dies thereafter. Shantipriya also breathes her last in the fire. On the same day Om Prakash expires in the hospital, a top star’s wife delivers a baby boy in the maternity ward of the same hospital. The baby boy, Om Kapoor, grows up to become a top star. As time passes, Om Kapoor gets visions of his past life till it is clear that he is Om Prakash Makhija reborn. Thirty years after Om Prakash and Shantipriya’s deaths, producer Mukesh – now called Mike because of his base having shifted to Hollywood – resurfaces. Om now seeks revenge on Mike by planning a film with him.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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Baahubali 2: The Conclusion (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Hindi Version)

Baahubali 2: The Conclusion (Hindi Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Mohabbatein - Aditya Chopra Cover Art

Mohabbatein

Mohabbatein

National Award winner, Yash Chopra and Aditya Chopra’s MOHABBATEIN is a film that portrays the battle between love and fear... A battle between two stubborn men and their opposing beliefs. Raj Aryan (Shahrukh Khan), who stands for love, he would go to any lengths for it. Narayan Shankar (Amitabh Bachchan - voted the Millennium star in the BBC polls) a strict disciplinarian as the head of India’s most prestigious educational institute who stands for fear, he believes that love leads to pain and weakness. It is also the story of 3 young men and women who have to learn to follow their hearts against all the odds and the outcome of their love stories that will decide what will finally triumph. .. love or fear.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Silsila - Yash Chopra Cover Art

Silsila

Silsila

Amit (Amitabh Bachchan) a poet decides to bury his past life along with his love for Chandni (Rekha) when he meets Shobha (Jaya Bachchan). Shobha’s life has come to a standstill after her fiancé and Amit’s brother Shekhar (Shashi Kapoor) dies in a plane crash. Amit had only come to mourn the death of his brother with Shobha but ends up sacrificing his own love and life in an attempt to give shobha a new lease of life. When fate brings Amit and Chandni face to face again, both are married to different people - but neither can ignore their feelings for each other. SILSILA is a story, thwarted by society’s demands, which reappear as adultery but can it survive in the face of society?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Devdas - Sanjay Leela Bhansali Cover Art

Devdas

Devdas

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro’s stunning beauty, longs to marry her. But Devdas’ father meets Paro’s mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn’t relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bajirao Mastani - Sanjay Leela Bhansali Cover Art

Bajirao Mastani

Bajirao Mastani

The heroic Peshwa Bajirao, married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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One Two Three - Ashwni Dhir Cover Art

One Two Three

One Two Three

Laxminarayan lives a poor lifestyle in Mumbai along with his widowed mother, Kanta, who wants him to be a successful gangster like Batlabhai, and would like him to kill a few people, make enough money, then get married to Khujli's daughter, Meena. In order to fulfill his mothers wish, Laxminarayan accepts a contract to kill D'Mello Yadav, a Pondicherry-based gangster, who has stolen a diamond from Batla. Then there is Laxminarayan, the detailed and obedient secretary of D.M. Pipat, who wants him to buy a vintage car from a Pondi-based used car dealer, Laila. Finally, there is the third Laxminarayan, who sells undergarments and runs a business 'Bulbul Lingerie' along with his son, Sonu, who decides to travel to Pondicherry to meet with his new supplier, Jiya. The trio all arrive and book rooms next to each other in Blue Diamond Hotel. Their respective lives will be hilariously turned upside down when Pipat’s assistant will be mistaken for Kanta's son, and taken hostage by Yadav and his men. While Laila will attempt to seduce Sonu's dad to be her client, and Kanta's son will end up trying to kill Jiya.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Befikre - Aditya Chopra Cover Art

Befikre

Befikre

"Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor).A feisty romance ensues between the two in which both of their personalities - one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love."

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dhoom - Sanjay Gadhvi Cover Art

Dhoom

Dhoom

The tale begins in Mumbai where a sophisticated gang of robbers is sweeping through the city, giving nightmares to the police department. They come like wind, sweep the place and disappear on their hi-tech bikes - the slickest and fastest riding machines on the road. Officer Jai Dixit (Abhishek Bachchan) is brought in on the case. Soon he is on the trail of the robbers - a gang headed by Kabir (John Abraham), an evil perfectionist with an attitude. Jai ropes in the services of Ali (Uday Chopra), a happy-go-lucky garage mechanic and a prodigious bike rider. The two reluctant partners join forces, and soon Jai realizes that the clown can ride bikes like the wind. Kabir soon catches on to Jai-Ali’s teaming up and his arrogance pushes him to take up the challenge openly. From the mean streets of Mumbai, the chase shifts to the sun kissed beaches of Goa. And so starts the hunt... where sometimes the hunter becomes the hunted. Dhoom reinvents the classic cops and robbers tale and brings it into the 21st century. With fast bikes, big action, non-stop fun and a thrilling story that leaves you out of breath, Dhoom is a powerhouse of adventure and excitement waiting to explode. It’s like your favourite roller coaster ride... once you’re on, the only thing you want to do is to go back and take that ride all over again!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dil Se - Mani Ratnam Cover Art

Dil Se

Dil Se

Amar Varma (Shah Rukh Khan), a producer for Indian news radio, meets an enigmatic woman at a railroad station and then again at a hill station. He falls in love with her, but the woman, who calls herself Meghna (Manisha Koirala), rejects and leaves him although she seems to be interested. Later, Varma agrees to marry his family's choice, Preeti (Preity Zinta). But suddenly Meghna is back and a secret is about to be revealed.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainment Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Baahubali - The Beginning (Hindi Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Hindi Version)

Baahubali - The Beginning (Hindi Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena and during their escape, uncovers the truth behind his mysterious past. A flashback unfolds here with King Vikramadeva of Mahishmati passing away suddenly, leaving behind an empty throne and an orphaned son, Bahubali. The kind and righteous Sivagami, wife to Bijjaladeva and biological mother to Bhalladeva, goes onto adopt her nephew and raises him as her own. This decision however, bears consequences; having to share his mother’s love and the status of a crown prince, Bhallaladeva secretly grows to be highly jealous of and hateful toward Bahubali. His resentment further grows when his mother chooses Bahubali as the King of Mahishmati. After establishing that Shivudu is in fact the son of Bahubali and Devasena, the film ends in a cliff-hanger, leaving the audience wondering about the death of Bahubali.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Mere Brother Ki Dulhan - Ali Abbas Zafar Cover Art

Mere Brother Ki Dulhan

Mere Brother Ki Dulhan

"Mere Brother Ki Dulhan" is a quirky romantic comedy set in the world of the upper middle class in Northern India. Kush Agnihotri (Imran Khan) is looking for the ideal Indian bride for his brother Luv Agnihotri (Ali Zafar) who stays in London. In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple Dixit (Katrina Kaif), the craziest / wackiest girl he has ever known. Both the families meet. Formalities completed. Preparations proceed in full swing. And just then, our hero Kush falls in love with Dimple... his brother's dulhan. What follows is a comical and unpredictable series of events in this unusual topsy-turvy tale of love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kambakkht Ishq - Sabbir Khan Cover Art

Kambakkht Ishq

Kambakkht Ishq

Kambakkht Ishq explores the relationship between two individuals who are so different from each other that no matter how many times they are pushed together, there are just fireworks, and no fire.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dum Maaro Dum - Rohan Sippy Cover Art

Dum Maaro Dum

Dum Maaro Dum

On his way to Griffin University, US, Goa-based Lawrence Eduardo Gomes is arrested and held at the airport by a corrupt ACP Vishnu Kamath as his baggage has drugs. While attempts by Lorry and others are made to clear Lawrence's name, Vishnu continues his investigation, aided by Inspectors Mercy D'Costa and Rane, which end up not only pitting him against politically-connected drug-dealers but also international gangsters who operate in Goa with impunity. His inquires lead him to business tycoon, Lorsa Biscuita, while informers indicate that Lorsa is going to meet with Michael Barbosa, who may well be the head of this trade. Vishnu attempts to attend this meeting, but unaware that the venue is being moved to Karnataka - well outside Goa Police's jurisdiction - and he may never be able to find out, leave alone apprehend this individual.

© 2011 Fox STAR Studios

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Aiyyaa - Sachin Kundalkar Cover Art

Aiyyaa

Aiyyaa

Wildly imaginative and film-obsessed, Meenakshi Deshpande has an extra sensitive nose. After she is hired to work in a local college's library, she catches a wonderful scent in the air. The source is Surya, a handsome and enigmatic art student from a Tamil family. Meanwhile, Meenakshi's eccentric Marathi family has arranged for her marriage to Madhav, a kind and sensible man. Meenakshi is torn between marrying her parents' choice for a seemingly ideal husband or following her nose and chasing the hunky stranger who may or may not be all that he seems.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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M.S. Dhoni: The Untold Story - Neeraj Pandey Cover Art

M.S. Dhoni: The Untold Story

M.S. Dhoni: The Untold Story

The film begins with the ICC Cricket World Cup Final (India vs Sri Lanka) at the Wankhede Stadium, Mumbai where Mahendra Singh Dhoni (Sushant Singh Rajput) is watching the match live on screen. He decides to take a stand and tells the authorities that he will bat if a wicket falls. Dhoni takes up his bat and leads down the stairs amidst the roar of the crowd. There is then a flashback in Ranchi, set on 7 July 1981, the day on which Dhoni was born. Further, it talks about his schooling, college days, entry in the state level and international cricket, his captaincy till India wins the world cup in 2011.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ek Tha Tiger - Kabir Khan Cover Art

Ek Tha Tiger

Ek Tha Tiger

In the dark world of intelligence and espionage... all information is guarded in the name of national security... But some stories escape the fiercely guarded classified files... stories that become legends. This is one such story... a story that shook the very foundation of this dark world. In a government employees' neighborhood in New Delhi, there lived a rugged, handsome and mysterious bachelor about whom his neighbors knew nothing. That was because he was India's top spy, an officer with the Research and Analysis Wing (RAW), India's external intelligence agency. This man was known even in official corridors as TIGER (Salman Khan). Tiger is sent on a relatively easy and safe mission to Dublin, Ireland to observe a scientist of Indian origin who is suspected of sharing his research findings with the Pakistan defense establishment. Tiger attempts to meet the scientist but is not successful. He tries to befriend the scientist's part time home caretaker, Zoya (Katrina Kaif). As Tiger begins to get closer to Zoya... he begins to discover his human side. For the first time in his life Tiger falls in love... What follows is a tumultuous journey that Tiger and Zoya embark upon, battling the dark world of intelligence and espionage that forbids its soldiers from falling in love.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Raanjhanaa - Aanand L. Rai Cover Art

Raanjhanaa

Raanjhanaa

The first love in anyone’s life holds a special place especially if the memory is filled with the vibrant musings of the city that you grew up in. Benaras holds a special place in Kundan’s heart, because not only did he grow up as a typical, God fearing, shiv bhakt-Pandit but also because it was the city that gave him Zoya.Quiet and beautiful with mischievous eyes, Zoya was the girl of his dreams. She was like a breath of fresh air the first time he saw her on the busy streets, sitting regally in a Tonga. He would follow her everyday to the bazaar, back to her house till one day he mustered the courage to speak to her and tell her his true feelings - his 13 year-old heart, smitten by her simplicity. She, of course, didn’t take him seriously and brushed him off. Time passed by and Zoya moved to Delhi to study further.Love they say is a feeling that only grows stronger with time and Kundan’s love for Zoya never diminished, he carried his feeling all through college and his heart flipped when Zoya came back to his town. With Zoya back in Benaras, Kundan’s world was filled with excitement as he was thinking of finally telling her how he felt. Zoya finally met Kundan and confessed her true feelings to him. She was in love!She was in love with Akram, a college friend from DU, and he was the love of her life. She wanted Kundan’s help in marrying him. His world shattered and his heart broke a million pieces, the rage that Kundan felt was inexplicable. He was torn between his true feelings for Zoya and his heart’s pleas to help her get her true love because who could understand that pain better than him.He sets out to unite her with Akram, and what follows is a tale of love, betrayal, redemption, and healing set against the very rooted town of Benaras and the upbeat political environs of Delhi. Raanjhanaa is the story of Kundan, his journey from a 13 year-old boy in love who goes on to become a committed, spirited young man, who’s experiences in life made him the person he is today.It’s the story of love!!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Go Goa Gone - Krishna DK & Raj Nidimoru Cover Art

Go Goa Gone

Go Goa Gone

A group of friends along with members of the Russian mafia get stuck on a remote island off the coast of Goa, when the guests consume new drugs at a rave party, turning them into zombies.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tiger 3 - Maneesh Sharma Cover Art

Tiger 3

Tiger 3

Tiger (Salman Khan) is on a mission to save an old friend. Although he manages to escape from the deadliest mercenaries, he loses his friend. Tiger is living peacefully with his family, his wife Zoya (Katrina Kaif) and their 12-year-old son, when he is tasked with sourcing out information from an arms dealer who he can secure in St. Petersburg, Russia. While doing so, Tiger is captured by a terrorist group. Tiger wakes up to find out that he was captured by an ex-ISI agent, Aatish Rehman (Emraan Hashmi). Aatish recounts how he was Zoya’s mentor, but circumstances led to his wife’s incidental death, for which Tiger was held responsible. Her death led to Aatish’s hatred for Tiger. To settle the score now, Aatish gives Tiger and Zoya a task while keeping their son captive.Tiger reunites with his former colleagues from R&AW, in order to accomplish this personal mission. The task is to capture a ‘briefcase’, kept in a high security vault guarded by Turkish security in Istanbul. Tiger, Zoya and the allies are able to capture the briefcase despite the fierce security, but Tiger gets caught by the Turkish Police. Meanwhile Zoya rushes to Aatish to hand over the briefcase. She learns that the briefcase has ‘Permissive Action Link’ codes that are an access to the Nuclear Triad Submarine Missiles that Pakistan took from China. Aatish Reveals that Tiger was caught red handed attempting to steal the PAL codes and how he will become the face of India and Pakistan’s enmity. While Zoya gets her son back, Tiger is taken to Pakistan as a prisoner. Despite being in a high security prison, Tiger manages to escape. Not before Aatish informs him of his plans of devastation, which includes the killing of a senior political leader. Tiger reaches an old ally’s house while Zoya sends signals to their close compatriots from the ISI and R&AW. She collects this team and all of them meet Tiger in Islamabad. Will they be able to save the political leader and outsmart the cunning Aatish Rehman?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Ta Ra Rum Pum - Siddharth Anand Cover Art

Ta Ra Rum Pum

Ta Ra Rum Pum

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team Speeding Saddles, everything changes for RV and the team... They shoot to the top.... the dream is complete when he meets Radhika (Rani Mukerji) and the 2 tie the knot... the world is at their feet. But when he meets with an accident, his world is turned upside down, he not only loses the edge on the track but everything he had once gained, the accolades, the fans, the money, the house the friends and the glory. It is now that his young family must help him fight his demons and get him back in the driving seat. The family struggles to survive a life that they are not used to - from a big house in a plush locality to the a run down apartment in the Bronx is not what RV wanted for his family - RV is on the road back but can he reclaim the glory for his family?

© 2007 Yash Raj Films Pvt. Ltd. All Rights Reserved

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Kuch Kuch Hota Hai - Karan Johar Cover Art

Kuch Kuch Hota Hai

Kuch Kuch Hota Hai

Rahul Khanna and Anjali Sharma were best friends at college. Anjali realizes that she has fallen for Rahul but she's too late because Rahul has already fallen for Tina Malhotra. Heartbroken, Anjali leaves the city. Tina and Rahul get married and soon Tina becomes pregnant, giving birth to a daughter which they call Anjali. Due to complications during pregnancy, Tina passes away. Anjali is brought up by her father, and each year on her birthday he allows his daughter to read one of her mother's letters. Through these letters she learns that her mother (Tina) knew that another Anjali was in love with Rahul, and vows to bring them together again.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fan - Maneesh Sharma Cover Art

Fan

Fan

In a world of labels it’s easy to forget who made sportsmen, pop singers and matinee idols into stars, superstars and megastars – the FANS. Every FAN has their own personal relationship with their hero – it’s almost a Love Story. FAN is the story of Gaurav (Shah Rukh Khan) a young man, 20 something, whose world revolves around the mega movie star Aryan Khanna (Shah Rukh Khan) or God as he refers to him. From the by lanes of Delhi, young Gaurav embarks on a journey to the city of dreams, Mumbai, in order to wish his God on his birthday. After all, he is Aryan’s biggest FAN and even has a striking resemblance to him – how difficult could it be for the world biggest FAN to get an audience with the world’s biggest Star. When things don't go according to plan, Gaurav’s love and passion for his God turns in to a dangerous obsession that crosses the fine line. In an edge of the seat thriller, FAN will peel away at both Gaurav and Aryan’s personalities and characters as the two men discover people within themselves that even they didn't know existed, and we’re left wondering who to sympathize with and whom to root for - can we really pick a side, after all, Superstars are also human beings but each one of us is also a FAN.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Don - Farhan Akhtar Cover Art

Don

Don

The year is 2006. The drug trade is booming. Trafficking between Asia and Europe is at an all time high. It is at this time that the Malaysian Intelligence and Anti-Narcotic Department are called upon for assistance by their Indian counterparts. There are rumours that the gang have recently moved their operational headquarters to KL. The cartel is headed by the dreaded, Singhania. But what many people do not know, is that the business is truly managed by his trusted lieutenant, Don. A man who lives life on the edge, Don is constantly expanding the size of his empire while evading arrest or death at the hands of his enemies, both within and outside the law. Fearless, cunning and ruthless, he is unstoppable in his pursuit of absolute power. His Chief Pursuer is an Indian Police Officer Narcotics, DCP Desilva. He is a man who has sworn to put an end to the nexus of evil and knows that in capturing Don lies the key to unlock this puzzle. And one day, he succeeds. Don is captured and Desilva puts his plan into action. Unknown to even his own department, Desilva has recruited and trained a man who is a spitting image of Don. His name is Vijay. Vijay infiltrates the cartel and manages to give Desilva all the information he needs to bring it down. But in a bizarre twist of fate, Desilva is killed during a raid and the secret that Don is in fact Vijay, a police informer, is buried with him. The only people who realise that he is in fact an imposter, are the members of Don's cartel. And they want their revenge. Vijay manages to escape and is now on the lookout for the one last piece of evidence that can get him out of this mess. Helping him on this quest are two people. The first is Roma: a young woman, who was working in the gang but only to avenge her brother's death. He had been mercilessly killed by Don when he had decided to leave the gang. The other is Jasjit: the real father of Vijay's adopted son, Deepu, he owes Vijay for having looked after the boy while he was in prison. Wanted by the police, hunted day and night, forever on the run...The chase has begun.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Corner Of S V Road, Convent Avenue, Santacruz West, Mumbai - 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Kabhi Khushi Kabhie Gham - Karan Johar Cover Art

Kabhi Khushi Kabhie Gham

Kabhi Khushi Kabhie Gham

Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own. When their sons mature, they start to look for suitable brides for Rahul, and decide to get him married to a young woman named Naina. When Rahul is told about this, he tells them that he loves another woman by the name of Anjali Sharma. Yashvardhan decides to meet with the Sharma family, and finds out that they are middle-classed, unsophisticated, and will not be able to it into his family circle, as a result he refuses to permit Rahul to marry Anjali. A defiant Rahul decides to leave, gets married to Anjali, without his foster parents blessings, and re-locates to London, England, where Anjali's unmarried sister, Pooja, also lives. Rohan, who was studying in a hostel, returns home to find that Rahul is no longer living with them...He then tries to bring father and brother together...Its all about Loving your Parents

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kal Ho Naa Ho - Nikhil Advani Cover Art

Kal Ho Naa Ho

Kal Ho Naa Ho

Naina (Preity Zinta) is a young woman, slightly not happy for reasons more than one. Her father committed suicide when she needed him the most, leaving Jennifer (Jaya bachchan), his wife all alone. Lajjo (Sushma Seth), Jennifer's mother-in-law blames Jennifer for the same. Furthermore, Jennifer is unhappy because Lajjo refuses to accept Gia, a 6-year old girl whom Jennifer adopted. Even the restaurant Jennifer is running is not doing well. In short, nothing is well on the Kapur family front. The only factors that redeem Naina's existence is her toiling and tolerant mother Jennifer and her bumbling stumbling MBA classmate Rohit (Saif Ali Khan). Meanwhile, Aman (Shah Rukh Khan) a happy-go-lucky guy arrives in Naina's neighbourhood and soon changes everything around, thanks to his contagious joviality and jest for life. He proves to be the messiah for the Kapur family in every sort...

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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The Great Indian Family - Vijay Krishna Acharya Cover Art

The Great Indian Family

The Great Indian Family

The film is set in the fictional town of Balrampur where Vedvyas Tripathi (Vicky Kaushal) lives with his colourful family. Vedvyas is better known as Bhajan Kumar and is a famous bhajan singer of the town. His father, Pandit Siyaram Tripathi (Kumud Mishra), is a respected member of the society and a famous pandit who has many influential people as his clients. The family also includes an uncle aka Balakram Tripathi (Manoj Pahwa), his wife Hema (Sadiya Siddiqui), Aunty Susheela Kumari (Alka Amin), and Vedvyas’s twin sister Gunja (Srishti Dixit). Since childhood, Vedvyas has known that sometimes the family has inadvertently been the cause of his embarrassment and he always likens his life to a game of snakes and ladders. Bhajan Kumar’s life with his friends and his quirky family was going well, and so much so that one day he meets a girl, Jasmeet (Manushi Chhillar). Though the circumstances of their meeting were less than perfect but he knew in his heart that the dawn of a new love had broken in his life. And then one day, soon after his father had left for his pilgrimage, a letter arrives. A letter that was to create the biggest conflict of his and his family’s life. The letter fundamentally changed the way Vedvyas, his family, his friends and slowly the whole neighbourhood, all looked at him. A letter that not only confused him but gradually allowed the whole world to look at him as an impostor, and before one knew it, Bhajan Kumar was no longer the beloved singer of the city but a man who lost his friends and his family in a jiffy. As he learns to deal with his new crisis he looks at the world afresh, he manages to look at his own past and his prejudices, and sometimes when the times are tough, they bring with them a lesson that life teaches us. That perhaps in the differences there is some truth and beauty and that, when we stop fighting it we come to a greater understanding of ourselves and only then can we say that we are all a part of… The Great Indian Family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Prahaar: The Final Attack - Nana Patekar Cover Art

Prahaar: The Final Attack

Prahaar: The Final Attack

Peter D’Souza lives in a small town in India. He is an idealistic and honest young man, and wants to serve his country by joining the army. He enlists in the army, and soon undergoes vigorous training under the hands of Major Chauhan. After the training, Peter and a group of commandos are assigned to combat terrorists who have hijacked a bus full of passengers. The commandos daringly rescue the passengers, however, Peter is gravelly wounded and loses his leg. He is honorably discharged from the army, and goes home to help his father run a small corner store. Subsequently, Major Chauhan receives an invitation to attend the marriage of Peter with his long-time girlfriend, Shirley, and accepts the invitation. Upon arrival in the town, Chauhan finds out that there is to be no marriage as Peter is dead. Chauhan is further shocked to find out that Peter’s death was a homicide, as enraged gangsters who were unable to extort money from him, and decided to kill Peter. Chauhan now decides to avenge Peter’s death, not realizing that he, himself, may not live to tell this tale.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Paheli - Amol Palekar Cover Art

Paheli

Paheli

A folk tale - supernatural love story about a ghost who falls in love with a newlywed woman.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, RED CHILLIES ENTERTAINMENTS PRIVATE LIMITED located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai 400 054 hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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Oh Darling Yeh Hai India - Ketan Mehta Cover Art

Oh Darling Yeh Hai India

Oh Darling Yeh Hai India

Don Quixote (Amrish Puri) is a gangster based in Bombay, India. His dream is to take control of India, and sell it at well-attended and much publicized auction. In order to fulfill this dream, he recruits five men - all resembling the President of India, and asks them to undergo vigorous training in order to take over as the President. That done, he selects one of them, Nathuram, eliminates the other four, and arranges the kidnapping of the President, with success. He then implants Nathuram as the President - and the stage is set for the biggest auction in Earth's history - when India will be auctioned to the highest bidder.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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OMG: Oh My God! - Umesh Shukla Cover Art

OMG: Oh My God!

OMG: Oh My God!

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. He is cursed by Siddheshwar Maharaj when he stopped his son from playing dahi handi. A low-intensity earthquake hits the city, and Kanji's shop is the only shop that is destroyed. Next day at the insurance office, Kanji and his neighbour-assistant Mahadev learn that the disaster claim does not cover any damage caused by natural calamities classified under 'Act of God'. Running out of options, Kanji decides to file a lawsuit against God.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Gabbar is Back - Radha Krishna Jagarlamudi Cover Art

Gabbar is Back

Gabbar is Back

Gabbar Singh Rajput (Akshay Kumar) creates his own vigilante military network called the Anti-Corruption Force (ACF) that eliminates the most corrupt individuals, from all walks of life, in a systematic manner. As pressure builds on Police and Government to track down the man who masterminds these killings, Balbir Singh (Sonu Sood) is specially summoned to head the task. He is aided by Suryam (Prakash Raj) who, though being just a constable in the mammoth Police force, is compelled by his instincts to see through the underlying design.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Romeo Akbar Walter - Robbie Grewal Cover Art

Romeo Akbar Walter

Romeo Akbar Walter

Romeo (John Abraham), a bank cashier, is recruited by India’s foreign intelligence agency — the Research and Analysis Wing (RAW). They believe he’s a master of disguise and can operate as Akbar, India’s undercover agent in Pok (Pakistan occupied Kashmir) during the events leading up to the 1971 Indo-Pak war. Can he pull it off?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd., Located at., CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Aurangzeb - Atul Sabharwal Cover Art

Aurangzeb

Aurangzeb

Gurgaon is the most modern boom-town of "India Shining", the new frontier to be conquered by those who understand real estate. This city rose from a small town to a boom town satellite city in just fifteen years. However the law and order is yet to catch up. A family of Policemen... A family of Gangsters... Under the guise of a respected citizen, Yashwardhan (Jackie Shroff) runs a parallel world - a world, where he is the Emperor. To bring down a criminal... the law will have to now think like a criminal! When Vishal (Arjun Kapoor) is planted in Yashwardhan's world in place of Ajay (Arjun Kapoor), the lawmakers (Rishi Kapoor and Prithviraj) roll the dice and a sequence of events unravel - something much more than what Vishal bargained for, as he finds himself in a predicament that puts him to the test! Aurangzeb is all about a world where Kingship knows no Kinship and where there can be only one Emperor!

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Mausam - Pankaj Kapur Cover Art

Mausam

Mausam

Mausam, a love story in its first season start with mere adolescent attraction between a Punjabi boy Harry, and a Kashmiri girl Aayat, in a small village of Punjab. It develops into young love between them in season two. Their love realizes its own depth in the hours of separation throughout season three. In the fourth and final season their love culminates into togetherness, but not before sacrificing a lot personally and learning the truth behind universal love. It is a passionate love story that sees, as its background various shades of life, questioning us and yet not becoming indulgent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Sanam Teri Kasam - Radhika Rao & Vinay Sapru Cover Art

Sanam Teri Kasam

Sanam Teri Kasam

A romantic journey about Inder Parihaar (Harshvardhan Rane), an accomplishing lawyer and Saraswati "Saru" (Mawra Hocane), a librarian who at work, harbours feelings for Abhimanyu Shastry (Anurag Sinha). The movie takes you through a journey of love where two people living divergent lives are brought together by fate. Inder Parihaar leads a serene life with regards for nothing whereas Saraswati is a troubled girl as she isn't able to get married because of her conventional mien. Later, Saraswati decides to get a makeover and needed a recommendation for the same and this is how fate brings them together. Watch the movie as the love triangle unfolds with a whole lot of twists and turns in it.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd., located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai - 400053, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hum Saath Saath Hain - Sooraj R. Barjatya Cover Art

Hum Saath Saath Hain

Hum Saath Saath Hain

The story is about the love and affection shared between brothers and unity within a family. Ramkishen (Alok Nath) and his wife Mamta (Reema Lagoo) live with their three sons, Vivek (Mohnish Behl), Prem (Salman Khan), and Vinod (Saif Ali Khan). Prem and Vinod have sweethearts in Preeti and Sapna (Sonali Bendre and Karisma Kapoor), but the eldest son Vivek has always been shy due to a birth handicap. The family meets with Adarsh and his daughter Sangeeta (Rajeev Verma and Tabu), and decide to get Sangeeta and Vivek get married. After their wedding Mamta becomes insecure, assuming that Vivek (her step-son) would become selfish and take over the business. To protect Prem and Vinod, Mamta schemes with Dhanraj (Sadashiv Amrapurkar) to alienate Vivek from the inheritance. This divides the family. Due to the love for his elder brother, Prem quietly revolts against his mother's decision and changes her heart. Hum Saath Saath Hain restores faith in the Indian concept of a joint family.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Rajshri Entertainment Private Limited Poonam Chambers – B Wing, 2nd Floor, Dr. Annie Besant Road, Worli, Mumbai – 400 018., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Soorma - Shaad Ali Cover Art

Soorma

Soorma

Soorma is the movie based on an International Hockey player, Sandeep Singh who got paralyzed as a result of gunshot. The story narrates the triumph of the human spirit and about a player who made a comeback after taking a break of two years. After facing a near death experience to qualifying Indian hockey team under his captaincy for the next Olympics, Sandeep fights through all odds of life and gets to his goal. Through sheer determination, hard work and unrelenting passion for sports, Sandeep carves his name in history of sports in golden words.

© 2018 Sony Pictures Releasing & Columbia Pictures, All Rights Reserved.

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Bangistan - Karan Anshuman Cover Art

Bangistan

Bangistan

Bangistan is a whip smart and uproarious satire on fundamentalism and the story of two unlikely terrorists, the antitheses of each other, with a common destructive goal. Concerned by the unrest in the name of religion, Subcontinental leaders of Muslims and Hindus, the Imam and the Shankaracharya, announce that they’re attending the International Peace Conference in Krakow in a joint effort to help unite the two religions in perpetual harmony. Rival rabble-rousing ragtag organizations, the Islamist Al-Kaam Tamam and extreme Hindu right-wing Maa Ka Dal separately recruit and brainwash Hafeez and Praveen to suicide bomb the conference so that they may continue to wield their local influence. After a rigorous, and hilarious, ‘training’ period the two men switch their religious identities to stay under the radar. Hafeez, the jihadi, masquerades as a conservative Hindu, Ishwarchand; while Praveen, the Hindu soldier, dons the garb of a practicing Muslim, Allahrakha. Focused on the mission, they reach Krakow and end up staying together in the same Krakow apartment. The two men go great lengths to protect their real identities from the world and each other as they acquire bombs and plan their mission, teetering on the edge of revelation at key moments. A series of serendipitous comic events ends in an epic, dramatic, finale that brings the world to Krakow and covers the range of emotions, leaving you breathless while sending across a universally affirmative message that all religions are but different doorways to the same destination.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride,Corner Of S V Road, Convent Avenue, Santacruz West, Mumbai - 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Asoka - Santosh Sivan Cover Art

Asoka

Asoka

Prince Asoka (Shahrukh Khan), heir to the Magadha Kingdom, bowing to his mother's (Shilpa Mehta) demand forsakes his princely status and goes to live in the wild for awhile. There he meets and falls in love with Kaurwaki (Kareena Kapoor). He identifies himself as Pawan, not wanting to disclose his identity yet. asoka has to return to Magadha, but when he returns to find and wed Kaurwaki, he is told by Bheema (Rahul Dev) that Kaurwaki and her brother Arya have been killed. Devastated asoka returns home. On the way home he is attacked and Devi (Hrishitaa Bhatt), of the Buddhist faith rescues him and tends to him till he gets well. As a result, Devi's marriage to her groom is cancelled. asoka weds her and brings her to Magadha, only to be told by his father that since Devi is not of the same race as he, she cannot be welcomed. asoka leaves with Devi and lives in Ujjaini. Soon Devi gets pregnant, and this arouses jealously and hatred amongst asoka's step-brothers. As a result they plot to kill Devi, however, their plans are foiled by asoka's mother, who is killed. Asoka swears to avenge his mother's death by killing his step-brothers one by one, except for one, who has led to Kalinga. asoka asks the ruler of Kalings to turn over his step-brother to him, and they refuse. asoka swears to raze Kalinga to the ground. asoka is unstoppable. Even his close friend, Virat (Danny Denzongpa), too, is unable to stop asoka. asoka proceeds to war, little knowing that the queen of Kalinga is none other than Kaurwaki, who is still alive.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Red Chillies Entertainments Pvt. Ltd., located at Plot no 612, Junction of 15th Road and Ramakrishna Marg, Santacruz West, Mumbai - 400054, India; hereby declare that we are the owners of the copyright for distributing this cinematographic film, having secured necessary consent and license from the producer of the film.

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London Paris New York - Anu Menon Cover Art

London Paris New York

London Paris New York

Capturing the angst of the young twenties, "London Paris New York" is the story of Nikhil and Lalitha, two completely different individuals who are drawn to each other in spite of their differences or perhaps because of it. The film follows their journey of love as they meet in London, Paris and New York for a night in each city. The film is a coming of age love story mirroring 3 states of love and brings back the wit into Bollywood's romantic comedies.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Ae Dil Hai Mushkil - Karan Johar Cover Art

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil

Ae Dil Hai Mushkil is the ultimate story of unrequited love... the shapes and forms it takes and the highs and lows of the characters' lives. We follow the journey of Ayan Sanger, the sweet, quirky son of an industrialist, who nurtures a hidden passion for singing... Alizeh, the charming and funny, but neglected youngest daughter in a daunting family of aristocrats... Saba, the stunningly beautiful divorcée, who pours her pain into her poetry. How the three characters' lives intertwine and connect and how they find closure in the romantic and unromantic forms the crux of this film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Dil Dhadakne Do - Zoya Akhtar Cover Art

Dil Dhadakne Do

Dil Dhadakne Do

Dil Dhadakne Do revolves around an imbalanced Punjabi family on a cruise trip where the film is based on. Ranveer Singh is seen in a character as Kabir, who is a wealthy person by birth. Being a son of a business man, he was raised up to take up the business. But the story reverses, as he is interested in plans and aspires to became a Pilot. Due to this difference he faces a lot many problems until he meets Farah (Anushka Sharma). She is a girl, who escaped from her home to make her dream over dance come true. She comes across Kabir, which turns his miserable life into bed of roses. Priyanka Chopra is seen as Ranvir sister. She plays an ambitious entrepreneur married to Rahul Bose when she goes on the cruise, but Farhan acts as the third angle to Priyanka-Rahul's dysfunctional relationship.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment Pvt Ltd, 701, Orchid Pride, Corner of S.V. road & Convent Avenue, Santa Cruz (W) Mumbai- 400054, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Yeh Jawaani Hai Deewani - Ayan Mukerji Cover Art

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani

Yeh Jawaani Hai Deewani is the story of four characters, Bunny (Ranbir Kapoor), Naina (Deepika Padukone), Aditi (Kalki Koechlin) and Avi (Aditya Roy Kapur) at two separate but defining times in their lives; First, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they will become... and then later on, in their late twenties when they reunite at the wedding of the first of their bunch, now holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... YJHD is a cocktail of all the encounters and obsessions that form the exhilarating and terrifying journey of youth... an effort to somehow capture the spirit of the lives of these four characters as they navigate life, love and their search for what truly gives their lives meaning.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt. Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai - 400052, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Kapoor and Sons (Since 1921) - Shakun Batra Cover Art

Kapoor and Sons (Since 1921)

Kapoor and Sons (Since 1921)

Kapoor and Son’s since 1921 is a dramedy that sure knows how to put the fun in “dysfunction”. Rahul and Arjun, two estranged brothers are forced to return to their childhood home when their 90 year old Grandpa gets a heart attack. While living under one roof, family secrets unravel and misunderstandings are on the verge of turning into tragedy. What follows is what families are made of ... chaos, humor, heartache and redemption. Can the Kapoors get past the lies and betrayal? Can they forgive and forget? Can these imperfect people come together, to make the perfect family?

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at 29 Jains Arcade, 2nd Floor, 14th Road, Khar (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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B.A. Pass - Ajay Bahl Cover Art

B.A. Pass

B.A. Pass

A young small town boy moves to Delhi to stay with his aunt and finish his college. Soon he is seduced by a mysterious married woman known to him as Sarika `Aunty`. Set amidst the neon-lit by lanes of Delhi`s Paharganj unfolds an erotic human drama between the two. A relationship based on lust, lies and deceit is forged. As the young boy gets more and more entrenched into his surroundings he discovers a city that thrives on corrupting even the most naive and innocent.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, V ONE ENTERTAINMENT PVT.LTD. located at 899, JAIN BUNGLOW, JASSAWALA WADI, JUHU, MUMBAI 400049, INDIA. hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Jolly LLB 2 - Subhash Kapoor Cover Art

Jolly LLB 2

Jolly LLB 2

Jagdishwar Mishra aka Jolly (Akshay) starts out as a prominent lawyer’s sidekick in Kanpur. Driven by ambition, he hoodwinks a pregnant widow, Hina Siddique (Sayani Gupta) on the lookout for justice. He lands the murder case of her husband, but when she realizes he is a fraud, she kills herself. Leaving Jolly with a guilt on his conscience and an unresolved case in his hands. Now, he wants justice more than ever.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.”

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Sui Dhaaga - Made In India - Sharat Katariya Cover Art

Sui Dhaaga - Made In India

Sui Dhaaga - Made In India

"Sui Dhaaga - Made in India" is a heart-warming story of pride and self-reliance, which finds its roots in the heart of India and reflects the passion that runs through the veins of every single Indian. Taking the message of "Made in India" forward, the film modestly tries to bring back our traditional art forms and handicrafts in focus. Through Mauji (Varun Dhawan) & his wife Mamta (Anushka Sharma), the film talks about the need of social entrepreneurship as a tool for social and economic development of our artisans, living their life in the margins due to the changing times. Set in a small town in India, the film encapsulates the journey of an honest man from a humble background, who pursues his passion, overcoming all odds and soon finds himself on the cover of an international magazine with the world taking note and appreciating his talent. A clean family entertainer, the film emphasizes virtues like honesty, self-respect and community living.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Fukrey Returns - Mrighdeep Lamba Cover Art

Fukrey Returns

Fukrey Returns

'Fukrey Returns' picks up a year later from where it ended. Having enjoyed the spoils of war they had so audaciously waged, the Fukras are now at crossroads with their past, which is about to decide their future. Bent upon a merciless payback, Bholi Punjaban is back and all set to take the Fukras on a deadly ride.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Excel Entertainment, Located at 701, Orchid Pride, Santacruz West, Mumbai - 400054., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Andaz Apna Apna - Rajkumar Santoshi Cover Art

Andaz Apna Apna

Andaz Apna Apna

Andaz Apna Apna is a story of two boys Amar (Aamir Khan) and Prem (Salman Khan) who want to get rich quickly by taking all the short-cuts in the book. Amar is the son of an honest barber Murli Manohar (Deven Verma) in Mumbai, while Prem is the son of Bankeylal Bhopali (Jagdeep), a hardworking tailor in Bhopal. Both Amar and Prem are two conmen with no money, few prospects and big dreams. They meet a beautiful wealthy heiress Raveena (Raveena Tandon) who has come from London accompanied by her friend cum secretary Karishma (Karishma Kapoor) with the intention of getting married to a virtuous Indian. The lucky man to wed Raveena will inherit her father Ram Gopal Bajaj's (Paresh Rawal) entire wealth. Amar and Prem try their chances and woo Raveena, each trying to outdo the other. Teja (Paresh Rawal in a double role) who's sole ambition in life has been to grab his twin brother Ram Gopal Bajaj's millions. As the story progresses it turns out to be a mad chase from Ram Gopal Bajaj's wealth, full of humor, romance thrills and chills.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Ultra Distributors Pvt. Ltd., located at 2C, Thakkar Ind. Estate, N.M. Joshi Marg, Lower Parel (E) Mumbai - 400011, Maharashtra, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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English Vinglish - Gauri Shinde Cover Art

English Vinglish

English Vinglish

English Vinglish is the story of a woman who does not know English and is made to feel insecure by her family and society at large. The film is a lighthearted yet touching and transformational journey of Shashi. Circumstances make her determined to overcome this insecurity, master the language, teach the world a lesson on the way to becoming a self-assured and confident woman.

© 2012 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, INDIA hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Hichki - Sidharth Malhotra Cover Art

Hichki

Hichki

HICHKI is a story about a woman who turns her most daunting weakness into her biggest strength. Naina Mathur (Rani Mukerji) is an aspiring teacher who suffers from Tourette Syndrome. After several interviews and numerous rejections, she lands her dream job as a full-time teacher in one of the most elite schools in the city. However, she soon realizes that the class she has been assigned comprises of defiant and impish students who can’t seem to keep out of trouble. Despite a few initial hiccups, Naina must do whatever she can to ensure that her students realize their true potential, and defy all the odds against them.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Chak De India - Shimit Amin Cover Art

Chak De India

Chak De India

Kabir Khan (Shahrukh Khan) knows what it's like to come back from the dead. The ex Indian Captain has now come back in the avatar of the Coach of the Indian Women's National Hockey team. A team that exists more on paper and less in reality. The team is a rag-tag bunch of girls with their own agenda. A bunch of girls who have forgotten what it is like to play for the love of the game. Of playing because you want glory for your country. Not because you want a pensioned job or a government flat. They have all forgotten the sharp thrill of just holding the hockey stick, keeping their eyes on the ball and playing for all they are worth. They have played every game but hockey to make sure they get selected every year in the Indian National team. But what does it really mean to play for the Indian National team? To play for India? The girls have never known the thrilling energy of being Team India. Of giving their all to see their country's name on a trophy. But Kabir Khan, once a captain, now forgotten, does. He knows what it takes to get there. And what it means to return empty handed. This time, he wants to make sure that it's different. He knows there are no second chances. Despite his past, he believes that if only the girls played as one, anything would be possible. Because Kabir Khan believes that it is not that we can't win. It's just that we have never believed we can. CHAK DE INDIA is the story of a coach's fight of making his team, Team India by overcoming their diverse backgrounds, by learning to use everything that life hurls on them as a secret weapon. It's a story about honesty, sincerity and integrity. The Film became a cult classic and won its leading man the National Award and put the Indian National Sport “Hockey”, back on the map.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd., located at 5, Shah Industrial Estate, Veera Desai Road, Andheri (West), Mumbai - 400053, India; hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Badrinath Ki Dulhania - Shashank Khaitan Cover Art

Badrinath Ki Dulhania

Badrinath Ki Dulhania

Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. Badrinath Ki Dulhania is the story of these two opposites. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. But ultimately it’s a film about understanding and realization. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Here in lies the essence of the film.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Meri Pyaari Bindu - Akshay Roy Cover Art

Meri Pyaari Bindu

Meri Pyaari Bindu

Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making. This writer’s block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to”. So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love. He realizes, that love, is neither time- nor place-dependent…. All we need is the right person next to us and of course the right soundtrack.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Pathaan - Siddharth Anand Cover Art

Pathaan

Pathaan

Years ago, the agent nicknamed “Pathaan” (Shah Rukh Khan) almost lost his life in service to the country. While recuperating from his injuries, he conceptualized the formation of JOCR, headed by Major Nandini (Dimple Kapadia), a shadow division within India’s Research and Analysis Wing, composed of tough, passionate, and motivated soldiers who would otherwise have been disallowed from service due to injuries sustained in the line of duty. Pathaan and the other JOCR team get intel of an impending attack by a mysterious mercenary group Outfit X. Pathaan comes face to face with the head of Outfit X, an enigmatic and ruthless mercenary Jim (John Abraham), who has a history of his own. Jim kills key members of Pathaan’s team in the attack, compelling Pathaan to swear revenge. He finds that Jim heads Outfit X, a private team of elite mercenaries who were ex-agents of the top spy agencies across the world and are now “Guns for hire”. The latest job that Jim has taken is the biggest one yet - a major attack to be orchestrated against India, Codenamed Raktabeej, after a legendary asura (demon) from Indian mythology who was impossible to kill, because every drop of his blood led to the creation of more and more demons! With the doomsday clock ticking away, Pathaan must urgently find out exactly what Operation Raktabeej is, when it is to take place, and how on earth to stop it. His only ally is an agent who can’t be trusted, Rubai! (Deepika Padukone) The chase to stop Jim and Operation Raktabeej will have Pathaan fighting countless unexpected betrayals and dealing with the death and destruction of everything and everyone he loves. Can Pathaan fight an anarchic killer who is more than his match, one who knows exactly how Pathaan thinks and plans every move ensuring he is three steps ahead? How do you fight a villain who, much like Raktabeej, gets stronger with every attack you mount on him? All that lies between India and destruction is one man. The agent nicknamed “Pathaan”.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Yash Raj Films Pvt. Ltd. located at 5, Shah Industrial Estate, Veera Desai Road, Andheri-West, Mumbai-400053; India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Tanu Weds Manu - Anand L. Rai Cover Art

Tanu Weds Manu

Tanu Weds Manu

London-based Dr. Manoj Sharma returns home to Delhi, and in the company of his parents, Kishan and Anju, as well as several others, travels to Chaman Ganj, Kanpur, Uttar Pradesh to meet his prospective bride, Tanuja Trivedi. He approves of her, informs his elders and they begin preparations for the marriage. Subsequently he gets a rude awakening when Tanuja tells him that she already has a boyfriend and plans to marry him even against her parents' wishes. Manoj informs his parents, and they set about to see other girls for their son - albeit in vain - as he has his heart set on Tanuja, and is all set to return back unmarried. Manoj and Tanuja are fated to meet again in Kapurthala, Punjab, while attending the marriage of Jaspreet Singh Jassi and Payal Sinha. While Manoj hopes to win Tanuja's heart - he will face more rejection when she enlists his assistance to elope with another male.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media PVT. LTD. located at, CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Cocktail - Homi Adajania Cover Art

Cocktail

Cocktail

Gautam (Saif Ali Khan) is the quintessential bachelor enjoying the fruits of being single. He flirts harmlessly with women and stays far away from commitment. His best friend Veronica (Deepika Padukone) also lives life by the minute, enjoying it to its fullest. Into their lives comes Meera, a coy Indian girl jilted by her lover, alone in a unknown land, looking for shelter and friendship. The three become friends and start living together. Things become complicated when friendship turns into lust, then into love, and the three find themselves in a cocktail of life and relationships.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Eros International Media Ltd located at 901-902, 9th floor, Supreme Chambers, Off. Veera Desai Road, Andheri (West), Mumbai – 400 053, India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Bodyguard - Siddique Cover Art

Bodyguard

Bodyguard

When it comes to being punctual and doing his duties perfectly, Lovely Singh is unmatchable. Taking great pride in what he does, he spares no effort in giving his everything to his profession. Summoned for an assignment of guarding Divvy, the daughter of Sartaj Rana, a business tycoon Lovely Singh accompanies her to her campus, but ends up rubbing her the wrong way with his over-protective nature and paranoia about security. She finds him to be a major obstacle in leading a regular campus life. To throw him off-track and get him out of the way, she comes up with a ‘master-plan’- that of trapping him in a fake love affair. ‘Once he’s smitten by the girl of his dreams and is reveling in his new-found romance, he will leave us alone, and we shall be free to do our own thing unhindered’, says Divya to her friends. She becomes an anonymous admirer of his and starts hounding him, expressing her ‘feelings’ in no uncertain terms. Lovely Singh however proves to be a tough nut to crack, and it takes quite a bit of doing from her side to penetrate his fort-like exterior. But once she succeeds in doing so, he transforms into a completely different person. Divya is triumphant and is all set to relish her regained freedom. But things take an unexpected turn when she learns a few things about Lovely Singh. Things that she could’ve never even imagined! And she soon finds herself trapped in a dilemma that she’s unable to resolve! And with her, soon enough, Lovely Singh finds himself ensnared in a web of lies, trickery and deceit! Bodyguard is the story of conflict- between innocence and mischief, love and power and life and death!

© 2011 Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Reliance Entertainment and Reel Life Production Pvt Ltd located at 49/50, Maruti Chambers, Veera Desai Extn Road, Andheri (West), Mumbai 400053 India hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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Dharam Sankat Mein - Fuwad Khan Cover Art

Dharam Sankat Mein

Dharam Sankat Mein

Mr. Dharam at the age of 55 figures out that he was adopted by a Hindu family after his Muslim father left him. He then tries to meet his father who is in critical condition but the Imam tells him to become a Muslim for that. What follows next are a bunch of comical events.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Viacom 18 Media Pvt. Ltd. CST No.461/462, Subhash road, Next to Garware Institute, Vile Parle (East) Mumbai -400057, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Jazbaa - Sanjay Gupta Cover Art

Jazbaa

Jazbaa

Anuradha Verma (Aishwarya Rai Bachchan) is a prominent criminal lawyer and a single mother who has never lost a case. On the day of a parent-child race in her daughter Sanaya's (Sara Arjun) school, Sanaya is kidnapped and no ransom is demanded, but instead the kidnapper contacts her and tells her that she has to defend a convicted felon to get her daughter back. The felon is Miyaaz Shaikh (Chandan Roy Sanyal) who is convicted for rape and murder of a young woman and the case against him is set for judgement in four days. The kidnapper keeps track of Anuradha very closely to make sure she complies with his demand. Anuradha gets help from her friend Yohan (Irrfan Khan) who has been suspended from the police force. The case against Miyaaz Shaikh is handed by a powerful politician Mahesh Maklai(Jackie Shroff) to a renowned public prosecutor(Atul Kulkarni) who has been defeated by Anuradha and hence has a long time professional rivalry against her. An edge of the seat thriller drama unfolds.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Zee Entertainment Enterprises Ltd., located at, 17th floor, Marathon Futurex, N.M.Joshi Marg, Lower Parel, Mumbai 400 013, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Baahubali - The Beginning (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali - The Beginning (Tamil Version)

Baahubali - The Beginning (Tamil Version)

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart's desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he not only finds love, but uncovers a truth that steers his destiny in a different direction.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.

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Traffic - Rajesh Pillai Cover Art

Traffic

Traffic

The story of Traffic, takes place over the course of a single day and is inspired by a real-life incident from Chennai, as shown in the credits. In Pune, superstar Dev Kapoor's daughter is sick and needs an urgent heart transplant. Elsewhere in Mumbai, trainee journalist Reyhan meets with an accident and is declared clinically dead. Reyhan's parents decide to donate his heart to Dev's daughter. However, rains and low visibility conditions make it impossible to transport the heart by air and the only option is to traverse the 150 km by road. Though initially apprehensive, Joint Traffic Commissioner Raghubir Singh accepts the challenge and seeks a volunteer from among his men to drive at 120 kph, through the busy Mumbai streets. Disgraced traffic constable Godbole (who has just rejoined the force after being suspended for taking a bribe to help his sister) puts up his hand and thus begins the journey. He is joined by Reyhan's friend Rajeev and Dr Abel, a surgeon, who is battling his own personal demons.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Fox Star Studios India Private Limited, located at, 28th Floor, Star House, Urmi Estate, 95 Ganpatrao Kadam Marg, Lower Parel (W), Mumbai 400013., hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license from the producer of the film.

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OK Jaanu - Shaad Ali Cover Art

OK Jaanu

OK Jaanu

OK, Jaanu is a contemporary tale of 21st-century urban young romance mapped out in Mumbai and weaves its lyrical tale through the fabric of the city’s drastically bipolar persona. Adi (Aditya Roy Kapur) is a young game designer from Lucknow who dreams of emigrating to the US and living the American dream. He comes to Mumbai to work at a start-up game development firm. He plans to stay at an elderly couple’s home as a paying guest. Gopi (Naseeruddin Shah), an ex-High Court Judge had worked with Adi’s brother, Ravi. He is a straight-laced, somewhat strict old man. His wife Charu (Leela Samson), an erstwhile Hindustani classical singer is a cheerful, witty and quirky lady whose memory is fast fading away due to Alzheimer’s. Adi gradually strikes a bond with them, integrating into their lives. At a chance encounter during his friend’s wedding, he meets Tara (Shraddha Kapoor). She is a recent architecture school graduate working in an architecture firm. She dreams of going to Paris to pursue higher education. The cheerful banter soon gives way to a conversation where both Adi and Tara realize that they strongly feel that marriage isn’t for them. They are happy to find a kindred soul in each other who feels just the same. They ask each other out for coffee and start hanging out more often. They have fun in each other’s company. They both sense the palpable attraction but consciously try to keep a distance as they think the constant proximity can only lead to one thing but they find themselves drawn to each other and are unable to stay apart…and despite their conservative backgrounds, the relationship transcends into a physical one. Tired of hooking up secretly in her women’s hostel room they decide they want to move in together till they go their respective ways to America and Paris. Adi brings Tara to meet Gopi and get his permission. Gopi, the more old-fashioned one flat out dismisses the idea as absurd. As Adi tries to convince him, Tara strikes a chord with Charu over their shared love of music. Charu warms up to the young couple and that clears the way for Adi and Tara to stay in their house. Tara moves in with Adi into his PG to live in together. Tara’s mother and Adi’s family eventually get to know they are living in together and pressure mounts from them to get married. However, Adi and Tara steadfastly refuse to do so. Tara’s admission to a university in Paris comes through, which means she has to leave after summer. Adi’s game pitch gets approved. This is a big break through. Adi has to leave for the US in the coming 10 Days. With only 10 days left and parting imminent, Adi and Tara are forced to confront some matters of the heart. Living in together was always meant to be a stop-gap arrangement but an incident with the elderly couple forces them to relook at their lives and future.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Dharma Productions Pvt Ltd., located at Unit No. 201 and 202, 2nd Floor, Supreme Chambers, Shah Industrial Estate, Andheri (W), Mumbai 400 052, hereby declare that we are the owners of the copyright for this cinematography film.

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Baahubali 2: The Conclusion (Tamil Version) - S. S. Rajamouli Cover Art

Baahubali 2: The Conclusion (Tamil Version)

Baahubali 2: The Conclusion (Tamil Version)

Having uncovered the truth of his legacy, In Baahubali 2 - The Conclusion, Mahendra Baahubali (Shivudu), avenges the murder of his father, vowing revenge against the tyrannical ruler of the Mahishmati Kingdom, his uncle, Bhallaladeva.

© Statutory declaration under section 52A of the Copyright Act, 1957 (as amended): We, Arka Mediaworks located at Plot no. 89 90, 4th floor, Ashoka Vishu Capital, road no 2, Banjara Hills, Hyderabad, 500034, hereby declare that we are the owners of the copyright for distributing this cinematography film, having secured necessary consent and license of the film.